Several participants in the eighth annual Brooklyn Book Festival on Sunday were thrown by their surroundings. Sitting near the altar of St. Ann & the Holy Trinity on Montague Street, Cristina GarcÃa paused while reading a vivid description of a manâs naked body from her novel âKing of Cubaâ: âI just realized Iâm in a church, so perhaps I should have chosen something else.â
Later in the day, all three panelists in a conversation on writing about sex expressed their surprise that the main stage on which they sat was outdoors. They gazed at the large crowd in front of Borough Hall, including some children roaming on the periphery, and decided to read less graphic sections from their books. Sam Lipsyte took in the number of anticipatory faces and said, âThis really is a nightmare.â
Perfect weather made the main stage an even more popular place than usual for festivalgoers. The pop-culture critics and memoirists Chuck Klosterman and Rob Sheffield shared the prime spot to talk about their recent books, and the sunshine contrasted with the chummy, late-night-barstool tone of their talk. Mr. Sheffield described his theory that life can be divided into three stages that correspond to oneâs opinion of Rod Stewart: âYou think Rod Stewart is cool. You think Rod Stewart is not cool. And then you are Rod Stewart.â Mr. Klosterman responded: âI feel like Iâm in the third camp for the rest of my life now.â
The festival prominently features international authors, and the subject matter elsewhere had a bit more gravity than the Stages of Rod. Inside Borough Hall, the Colombian author Juan Gabriel Vásquez disputed the theory that writers write about where theyâre from because they understand those places well. âThese are the places we thought we understood,â he said. âAnd then something surprises us.â On the same panel, the Argentine novelist Patricio Pron said fiction allowed for a continuing dialogue about historical events. âYou canât heal wounds just by building a memorial,â he said.
Jamaica Kincaid had to cancel her appearance Sunday for personal reasons, but even the loss of such a notable name was just a blip on a day that featured Tom Wolfe, Claire Messud, Edwidge Danticat, Art Spiegelman and Lois Lowry, among many others.
The festival is geared toward a low-tech, indie crowd. Many display booths feature smaller publishers, literary magazines and used-book dealers, and not many gadgets or corporate brands are in sight. I strolled into a Barnes & Noble down the block between events, and one cashier, spotting the festival badge and concerned for my credibility, asked: âAre you supposed to be in here?â She described a nervous customer who had come from the festival earlier: âHe didnât want a Barnes & Noble bag. He wanted a plain black bag.â