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The Rockaway Spirit Lives After Hurricane Sandy

Victor Kerlow

Dear Diary:

A mild November day, five weeks after Hurricane Sandy. I walk the shoreline in Rockaway Beach as I do several times a week, every season of the year.

My walk does not feel as therapeutic or serene as it usually does. How could it The storm’s devastation is inescapable. If I glance toward where the beach walls once stood, I see rubble. The once stately homes along the beach now hang like cardboard boxes.

I feel a terrible sadness, and so I will myself to look only at the ocean, to concentrate on the rhythmic beauty of the waves â€" and how in spite of everything it still feels like my old, dear friend.

And then I see them. Three heads bobbing, three wetsuits, on three surfboards â€" surfers catchng waves in the near distance. In that moment I know that NOTHING can destroy the “Rockaway spirit,” and that this community of gritty, unpretentious ocean-lovers will rebuild, renew and be more beautiful than ever.

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Fuse Channel\'s Music News Show, \'Fuse News,\' to Start in February

As the recording industry prepares for next month’s Grammys and all the developments that come with that awards show, Fuse, the music-themed cable channel, will use the days leading up to the ceremony to introduce its own dedicated news program.

On Monday, Fuse is expected to announce that “Fuse News,” a daily show reporting on the music world and its personalities, will make its debut on Feb. 6. In addition to this regular half-hour program (which will be shown weeknights at 8 Eastern time), Fuse will also broadcast a live “Fuse News” special at the red carpet of the Grammy Awards on Feb. 10, starting at 6 p.m.

“The thing that really stands out for me with ‘Fuse News’ is that it’s very serious,” said Jack Osbourne, the rock-music scion who will be one of the show’s senior contributing correspondents. “We’re not trying to report on, like, ‘Oh, and Justin Bieber got drunk and tweeted this icture last night.’ We’re really staying away from that stuff - we’re trying to keep it a real, respectable news outlet.”

Fuse, which is owned by MSG Media and also shows the comedy game-show “Funny Or Die’s Billy On the Street,” announced in September that it was creating a dedicated news division for the channel and would be introducing its own news program.

Since then, Fuse said it had hired Rick Kaplan, a veteran TV journalism producer from CBS, ABC, CNN and MSNBC, and Audrey Gruber, a former producer at “The Early Show” on CBS, to be the senior executives on “Fuse News.”

“Fuse News” will be anchored by Alexa Chung, a tele! vision presenter and model who hosted the MTV series “It’s On With Alexa Chung,” and Matte Babel, who has been a host on the Canadian channel MuchMusic. Elaine Moran and Liz Walaszczyk, both TV and online journalists, will also be senior contributing correspondents. (Fuse said that Ashanti, the R&B singer and actress who was previously announced as an anchor, had instead joined the cast of the Lifetime drama “Army Wives.”)

Mr. Osbourne, who was himself closely associated with MTV as a star of its reality series “The Osbournes,” said in a telephone interview that his move to Fuse was not necessarily a defection to a rival network.

“The Fuse competitor that I was a part of, many, many years ago, has constantly changed, and the people that I was loyal to over there have long since moved on,” Mr. Osbourne said. “There was a time in my life when we were hand-in-hand with a competitive network. But progress is a beautiful thing.”



Fuse Channel\'s Music News Show, \'Fuse News,\' to Start in February

As the recording industry prepares for next month’s Grammys and all the developments that come with that awards show, Fuse, the music-themed cable channel, will use the days leading up to the ceremony to introduce its own dedicated news program.

On Monday, Fuse is expected to announce that “Fuse News,” a daily show reporting on the music world and its personalities, will make its debut on Feb. 6. In addition to this regular half-hour program (which will be shown weeknights at 8 Eastern time), Fuse will also broadcast a live “Fuse News” special at the red carpet of the Grammy Awards on Feb. 10, starting at 6 p.m.

“The thing that really stands out for me with ‘Fuse News’ is that it’s very serious,” said Jack Osbourne, the rock-music scion who will be one of the show’s senior contributing correspondents. “We’re not trying to report on, like, ‘Oh, and Justin Bieber got drunk and tweeted this icture last night.’ We’re really staying away from that stuff - we’re trying to keep it a real, respectable news outlet.”

Fuse, which is owned by MSG Media and also shows the comedy game-show “Funny Or Die’s Billy On the Street,” announced in September that it was creating a dedicated news division for the channel and would be introducing its own news program.

Since then, Fuse said it had hired Rick Kaplan, a veteran TV journalism producer from CBS, ABC, CNN and MSNBC, and Audrey Gruber, a former producer at “The Early Show” on CBS, to be the senior executives on “Fuse News.”

“Fuse News” will be anchored by Alexa Chung, a tele! vision presenter and model who hosted the MTV series “It’s On With Alexa Chung,” and Matte Babel, who has been a host on the Canadian channel MuchMusic. Elaine Moran and Liz Walaszczyk, both TV and online journalists, will also be senior contributing correspondents. (Fuse said that Ashanti, the R&B singer and actress who was previously announced as an anchor, had instead joined the cast of the Lifetime drama “Army Wives.”)

Mr. Osbourne, who was himself closely associated with MTV as a star of its reality series “The Osbournes,” said in a telephone interview that his move to Fuse was not necessarily a defection to a rival network.

“The Fuse competitor that I was a part of, many, many years ago, has constantly changed, and the people that I was loyal to over there have long since moved on,” Mr. Osbourne said. “There was a time in my life when we were hand-in-hand with a competitive network. But progress is a beautiful thing.”



\'Hansel and Gretel: Witch Hunters\' Leads at the Box Office

Armed with machine guns and other over-the-top weaponry, Hansel and Gretel took in an estimated $19 million at North American movie theaters over the weekend â€" a total that, while strong enough for No. 1, represented far from a fairy-tale finish. Based on prerelease audience surveys, some analysts had predicted that “Hansel and Gretel: Witch Hunters” (featuring Jeremy Renner and Gemma Arterton as the title characters) could take in as much as $30 million.

A spokeswoman for Paramount, which co-financed the movie with Metro Goldwyn Mayer for $50 million, said on Sunday that “adjusting for the tough weather, the gross is in line with our prerelease estimates.” Paramount also noted that the movie had so far taken in $36 million overseas. “Mama” (Universal) was second with about $12.9 million in ticket sales, for a strong two-week total of $48.6 million, acording to Hollywood.com, which compiles box-office data.

“Silver Linings Playbook” (the Weinstein Company) chugged along in third place, taking in about $10 million, for an 11-week total of $69.5 million, while “Zero Dark Thirty” (Sony) slipped to the fourth spot, taking in an estimated $9.8 million, for a six-week total of $69.9 million. Taylor Hackford’s “Parker” did a belly flop, landing in fifth place, with ticket sales of about $7 million; a thriller starring Jason Statham and Jennifer Lopez, it was independently financed for $30 million and distributed by FilmDistrict.



At Last, a New Lincoln Square Synagogue

The Torah scrolls had only 250 feet to travel from the old Lincoln Square Synagogue to the new Lincoln Square Synagogue.

Detail of the facade.David W. Dunlap/The New York Times Detail of the facade.

The journey took seven years.

A protracted redevelopment process reached a welcome milestone on Jan. 13 when the scrolls were transferred and the new sanctuary at 180 Amsterdam Avenue, between West 68th and West 69th Streets, was at last open for worship. It has already had its first bar mitzvah. (No small thing at Lincoln Square, an Orthodox congregation, which can claim that its fist formal bat mitzvah was that of Justice Elena Kagan of the Supreme Court.)

By 2006, the synagogue had outgrown its original building, 200 Amsterdam Avenue, at West 69th Street. It struck a deal with American Continental Properties, a development company. They agreed to a land swap â€" 180 Amsterdam for 200 Amsterdam â€" under which the synagogue would gain a site for a new building, designed by CetraRuddy, and about $20 million to help finance the project. The developer would gain a site for a new apartment tower that would replace the old synagogue.

In 2010, however, construction came to a halt. “Simply put, there is not enough money to proceed,” Joy Resmovits reported in The Jewish Daily Forward in October. The article said some members feared that the financing crisis might undermine the entire synagogue, t! hough the senior rabbi, Shaul Robinson, was quoted as saying, “I have no doubt that it will continue to exist.”

City Room caught up with Rabbi Robinson last week in the sanctuary at 180 Amsterdam Avenue, where workers were putting finishing touches on the ark. The place still had that new synagogue smell. He was looking quite happy.

The main sanctuary of the new synagogue has as many ceiling lights â€David W. Dunlap/The New York Times The main sanctuary of the new synagogue has as many ceiling lights â€" 613 â€" as there are commandments in the Torah.

“It’s really a godsend,” Rabbi Robinson said, standing under a ceiling with 613 lighs, corresponding to the number of commandments in the Torah. “It’s light, airy, welcoming. It’s full of the facilities that we need to re-engergize.” These include a ballroom and banquet hall, a study hall (beit midrash), an ample lobby, classrooms, an outdoor terrace and rental space.

Rabbi Robinson explained that the critical gap between the $50 million development cost and the $30 million in hand from American Continental Properties and hundreds of congregation members was made up by a single gift of more than $20 million from “one very generous but anonymous donor whose identity is known but to me.”

The synagogue posed a challenge to the architects, John Cetra and Theresa M. Genovese, of CetraRuddy. The original sanctuary, designed by Hausman & Rosenberg and built in 1970, had tiered seating in the round, like a Greek amphitheater. The arrangement underscored the communal nature of the congregation. “This space had become part of their iconography,” Mr. Cetra said. But! it did n! ot â€" in the eyes of some members â€" provide sufficient visual separation of the sexes, even though the seating itself was divided by a partition known as a mechitza, as is common in Orthodox synagogues.

While keeping the general form of a circle, or horse shoe, the new sanctuary replaced the high tiers with a much more gentle rake and deflected worshipers’ direct views of one another by focusing them more toward the ark.

Apart from the mechitza around the women’s half of the sanctuary, Rabbi Robinson said, the seating arrangement was identical. The goal, he said, was that all members of the congregation feel equally important and equally able to participate. The layout still preserves the sense that one ought to be thinking of others while praying, he added.

The old synagogue at 200 Amsterdam Avenue was costructed in 1970. It has been deconsecrated and is to be replaced by an apartment tower.David W. Dunlap/”From Abyssinian to Zion” The old synagogue at 200 Amsterdam Avenue was constructed in 1970. It has been deconsecrated and is to be replaced by an apartment tower.

Some of the new building’s gestures to Jewish tradition have yielded untraditional results. For instance, the facade is composed of five distinct ribbons of undulating glass, intended to symbolize the five books of the Torah: Genesis, Exodus, Leviticus, Numbers and Deuteronomy. (By coincidence, in its journey from old site to new, the Lincoln Square Synagogue leapfrogged over a former public library branch at 190 Amsterdam Avenue that is now the West End Synagogue, a Reconstructionist congregation.)

The glass almost appears woven because there is a thin layer of bronze-colored fabric laminated within. This is meant ! to evoke ! the parchment of the Torah scrolls, as well as the fabric of prayer shawls. On his first visit to the old synagogue, Mr. Cetra said, he was deeply impressed by the sight of worshipers donning their shawls and praying, and of greeting one another fondly and respectfully. “There was so much excitement and animation,” he said, qualities he attempted to incorporate in his design.

Rabbi Robinson has little time for nostalgia on behalf of the old synagogue, which he said is still destined to be replaced by an apartment tower.

“For the Jewish community,” he said, “nothing in our experience is truly permanent, even a synagogue. This is a chapter, as opposed to a final destination. Jews are always on the march.” Even when it takes seven years to travel 250 feet.