Sharing Soda on a Crowded Subway

Victor Kerlow

Dear Diary:

I’m standing with my back to the doors on a crowded uptown A train from Canal Street to Pennsylvania Station. Sitting to my left is a woman with Chinese takeout having lunch. To my right is her friend, separated by a number of bodies.

The friend says to the sitting woman, “Can I have my soda” There’s no way the two of them can reach each other, so I stick my hand out. The woman looks at me, I wink at her, and she hands me the soda, which I transfer to her friend. She takes a slug and hands it back (she needed her hand free to hang on in the moving train) and I hand it to her sitting friend.

A few minutes pass and the sitting woman reaches out with the soda. I take it and pass it on.

The transfer happens three or four times, and at no time is a word exchanged among the three of us.

The train pulls into Penn Station, the doors open behind me, and as I turn to step off, I feel a poke on my hip. I turn around and the woman looks up and says, “Thanks, hon.” And I step off the train into the crowd.

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‘Evil Dead’ Sets Pace at Busy Movie Theaters

North American moviegoers bellied up to a smorgasbord of choices over the weekend: R-rated demons, animated cave people, meaty action heroes and 3-D dinosaurs all delivered solid ticket sales. “Evil Dead” (Sony) was No. 1, taking in a better-than-expected $26 million; it cost about $17 million to produce.

“The Croods,” a DreamWorks Animation film distributed by 20th Century Fox, showed continuing strength in second place, with an estimated $21.1 million in sales for a three-week total of $125.8 million, according to Hollywood.com, which compiles box-office data. Tying for second place with about $21.1 million was “G.I. Joe: Retaliation” (Paramount), which has a two-week total of $86.7 million.

A 3-D conversion of the 20-year-old “Jurassic Park” (Universal) was close behind, taking in a surprisingly robust $18.2 million, with Imax theaters seeing a particularly large turnout. The release represents the beginning of an effort to prime the marketplace for “Jurassic Park 4,” scheduled for release in June 2014. “Olympus Has Fallen” (Film District) was fifth, selling about $10 million in tickets, for a three-week total of $71.1 million.

A New Verse for the Canteen Girl of World War II

Hiroko Masuike/The New York Times Phyllis Jeanne Creore in front of a display about her role during World War 11 that is part of an exhibition at the New-York Historical Society. During the war, Ms. Creore was the “Canteen Girl,” who would sign and answer letters from soldiers on the radio.

Every Friday evening over NBC radio airwaves - or short-wave overseas - homesick troops during World War II were told to “drop in at the canteen” for comforting chat and songs by a pretty, young actress named Phyllis Jeanne Creore.

“Here is your Canteen girl, Phyllis Jeanne,” a voice would say, and then Ms. Creore’s tender voice would croon the comforting lyrics to her signature (and self-written) song “This is My Wish.”

The Canteen Girl is no longer on the air but she is still welcoming the occasional visitor. She is 97 and lives - for 60 years now - alone in a six-room, elegantly furnished apartment on Fifth Avenue overlooking the Central Park Reservoir.

On the show, which began airing in August 1942, she sang requests and urged soldiers to stay safe and write her letters, which she has saved all these years in scrapbooks. Some were from stateside troops and their families, and some arrived from overseas.

“I saved them because they were flattering and touching and a part of history,” she said recently as she pulled out sheaves of yellowed, crinkling letters. “If they wrote asking for pictures, I would send them, and I’d be the pinup girl for whole camps.”

“I didn’t talk about this for 70 years, and it’s just been an astonishing experience to have it all come back into interest again,” she added, referring to the recent attention to her past because of a video display about her that is part of an exhibition at the New-York Historical Society about New York City during World War II.

Suddenly the Canteen Girl is a hit again. Old friends have been getting in touch, and strangers, too. Those nod-as-you-pass neighbors are now rushing up to greet her.

“My building’s co-op board made me the guest of honor at their holiday party, and gave me a whole page in the newsletter,” she said. “All these young people seem to be on fire about it, telling me, ‘I never knew anything about this.’”

Ms. Creore came to New York City from her native Rochester, N.Y. at age 24 in 1937, and began getting acting and radio work, and singing in hotel nightclubs. As a “Miss Television” at the 1939 World’s Fair in Flushing Meadows-Corona Park in Queens, in RCA’s exhibit building, she greeted fairgoers and demonstrated the magic of television by interviewing celebrities outside the booth, for broadcast on TV sets inside.

Ms. Creore lived at the Rehearsal Club, a residence for actresses at 47 West 53rd Street that inspired the 1937 film “Stage Door” with Katharine Hepburn, Ginger Rogers and Lucille Ball.

After World War II broke out, Ms. Creore spotted a notice on the club’s bulletin board seeking volunteers for the Stage Door Canteen, an outreach center in the basement of a West 44th Street theater where theatrical celebrities would greet service-members.

“The notice said, ‘Our boys are coming through New York and need to be danced with, and fed, so won’t you volunteer’” she recalled.

As a junior hostess at the canteen, which inspired the 1943 film “Stage Door Canteen,” Ms. Creore conceived of the idea to create a “canteen on the air,” she recalled, and she approached NBC officials with a sample script and a theme song she wrote called “This Is My Wish,” which opens with these lines.

“I wish you luck in everything you do
That all your cares will disappear from view
And hopes of happiness will all come true
This is my wish.”

The show became popular and do did Ms. Creore. There were evenings at the Stork Club and mentions in the columns of Walter Winchell and Dorothy Kilgallen. She performed on radio dramas with actors likes Richard Widmark and on many television shows.

Her career slowed down in the 1950s when she married a film producer, Ted Westerman, who died years ago, and had a daughter, Cynthia, who now lives in Florida.

So now the Canteen Girl lives alone among her souvenirs. She has piercing blue eyes that don’t need eyeglasses and she is as elegant as that vivacious young woman in the glossy publicity photos.

She does not have a computer or a cell phone. Her rent is steep, as is the cost of having food delivered. She wonders if she will outlive her savings, and she hates to be alone on the holidays. She is jealous of that smooth-faced, popular young Canteen Girl smiling at her from her scrapbook.

A couple dozen new friends, and some old ones, gathered recently at the Historical Society to celebrate Ms. Creore’s 97th birthday, with cake and Champagne, and a singing trio made up of sisters who performed Andrews Sisters songs. A group of Rehearsal Club alumni sang Ms. Creore’s signature song as a comfort not to the troops, but to her.

“Sweet dreams until tomorrow’s reveille,” they sang. “This is my wish.”

Ms. Creore smiled wider than her publicity shot.