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New York Fringe Festival Report: ‘Brenda’

Reviews of shows from the New York International Fringe Festival will appear on ArtsBeat through the festival’s close on Aug. 25. For more information, go to fringenyc.org.

Given that she’s the title character of Cory Finley’s comedy, Brenda Garrison takes a long time to arrive. (Too long.) Rather, it’s her feckless son Wallace (Sam Bolen) who guides us into a cockeyed world that includes his lunkheaded jock roommate, Mike (Bill Coyne), and Jen (Emily Kron), a high-strung co-worker at the Best Cosmetics counter.

Brenda, as it happens, is dead, and Wallace feels bad about missing her funeral back home in Kentucky. That guilt comes to haunt him, most literally when his foul-mouthed mother starts inhabiting his body and, eventually, takes his place onstage in the wonderfully weathered person of Deidre Madigan.

This high-concept premise could go sitcom-zany or Sarah Ruhl melancholy, and Mr. Finley tries a little of each, never settling on a steady tone. Ashley Rodbro’s direction slips and slides along with him; she keeps the action moving through numerous scene changes â€" including a road trip south â€" but leans too heavily on a bulky boxlike unit that cast members valiantly lift and pivot to convey a car, a bar and more.

Mr. Bolen does a nice job with the jitters, but the script stints on the comic possibilities that come with a chance to play half-man, half-Mom. Instead, it’s Mr. Coyne who runs away with his scenes, finding the fervent oddball in a familiar type.

“Brenda” continues through Saturday at the Robert Moss Theater, 440 Lafayette Street, East Village.



New York Fringe Festival Report: ‘Kemble’s Riot’

Reviews of shows from the New York International Fringe Festival will appear on ArtsBeat through the festival’s close on Aug. 25. For more information, go to fringenyc.org.

Long before there was Occupy, there was the O.P.

In 1808, the Covent Garden Theater, one of two theaters in London authorized to perform Shakespeare and other spoken drama, burned down, and the theater management hadn’t bought any insurance. After a new, more sumptuous structure was built and opened in 1809, ticket prices rose sharply to cover the construction costs. This resulted in one of modern history’s early consumer protests, known as the “Old Price Riots” or “O.P.” for short. Crowds sang, danced and jeered for 66 consecutive nights, displaying histrionics that rivaled even Lady Macbeth’s.

“Kemble’s Riot” recreates the ruckus in a compact, interactive history lesson, not unlike the sort of setup that might travel to high schools blessed with money to burn on arts programming.

Adrian Bunting’s play alternately shows two 19th-century thespians (Guy Masterson and Beth Fitzgerald) onstage fretting magniloquently about the underappreciated worth of their talents, their new playhouse and their roles as custodians of public taste, and two front-row audience plants (Matt Baetz and Marla Schultz, both stand-up comics) riffing in somewhat lower diction about the history and motivations of the O.P. movement. These paid peanut-gallerians, employing megaphones and other props, rally the audience to join them in chanting and chucking things at the stage.

The embedded actors deliver some rather forced comparisons to the recent financial crisis and bank bailouts. But for theatergoers attending a festival devoted to dirt-cheap dramatics, it’s still gratifying to learn of a magical age when hoi polloi thought affordable theater was worth fighting for.

“Kemble’s Riot” continues through Saturday at Players Theater
115 Macdougal Street, Greenwich Village.



No, That’s Not a Banksy

An artist known as Strömberg has claimed responsibility for this piece in Los Angeles.Alexis Hyde An artist known as Strömberg has claimed responsibility for this piece in Los Angeles.

It’s not a message from Banksy to the art world.

A Banksy-style stencil that recently appeared in Los Angeles, where the pseudonymous British artist has often worked, is a copycat, his representatives confirmed on Wednesday. The piece, which drew the attention of art blogs and magazinesban after several of Banksy’s street art murals were removed and sent to auction, depicts a soldier brandishing a machine gun over the slogan “Vandals found vandalising this vandalism will be prosecuted.”

“He has used the word ‘vandalism’ before, but the piece is fake,” a spokeswoman for Banksy said by e-mail.

A Los Angeles artist who goes by the name Strömberg is taking credit for the piece; photos of it in its finished version and in production appeared on his Facebook page, along with other images that ape Banksy, like a stencil of his signature rat. “I guess they liked the #vandalism ….. As they haven’t #painted it out yet. Sorry about your wall…. #SirenStudios” he posted with that one, which was apparently imprinted on the wall of a photo studio.

Street art aficionados are on the lookout for a response from Banksy after a spate of his public murals were sent to the auction block, including one that graced a Los Angeles gas station for years. Though he has so far been mum, Banksy has not taken kindly to his work being removed in the past, by refusing to authenticate it, for example. “I’d encourage people not to buy anything by anybody,” he has said, “unless it was created for sale in the first place.”



Big Sales for Katy Perry, But ‘Blurred Lines’ Reigns at No. 1

Katy Perry has made a splash with her latest single, “Roar,” selling more downloads in a week than any other song this year. But it was not quite enough to make her No. 1 on Billboard’s official singles chart.

“Roar,” which leaked online a couple of days before its official release date last week â€" no big whoop to Ms. Perry, it seemed â€" sold 557,000 copies in its first week out, according to Nielsen SoundScan. That is more than early industry estimates, and the best week for a song since Taylor Swift’s “I Knew You Were Trouble,” which logged 582,000 sales during the last week of 2012.

But since Billboard’s Hot 100 chart incorporates airplay and online streaming along with sales, “Roar” reached only No. 2. Robin Thicke’s “Blurred Lines,” still huge on the radio and online, notched its 11th week at No. 1.

On the album chart, the country singer Luke Bryan also had an excellent opening week, with 528,000 copies of his latest album, “Crash My Party” (Capitol Nashville). It is Mr. Bryan’s second No. 1 album of the year, after his compilation “Spring Break … Here to Party” (can you guess what many of his songs are about?), which reached the top in March.

The R&B singer K. Michelle opens at No. 2 with 72,000 sales of her debut, “Rebellious Soul” (Atlantic), and Vol. 47 of the pop collection “Now That’s What I Call Music!” fell one spot to No. 3 with 52,000. Mr. Thicke’s album, also called “Blurred Lines” (Star Trak/Interscope), fell one spot to No. 4, with 48,000, and last week’s No. 1, the self-titled release by the Civil Wars â€" an indie-folk duo which may or may not still exist â€" fell to No. 5 in its second week out with 39,000 sales, a 66 percent drop.



No More Jokes for New York’s ‘Old Jews’

The original cast of Sara Krulwich/The New York Times The original cast of “Old Jews Telling Jokes”: from left, Bill Army, Audrey Lynn Weston, Lenny Wolpe, Marilyn Sokol and Todd Susman, at the Westside Theater.

After a healthy 15-month run, “Old Jews Telling Jokes,” the revue of Jewish-themed comedic songs and ethnic humor, will close on Sept. 15 at the Westside Theater, the show’s producers announced on Tuesday. (A sample gag: Why don’t Jewish mothers drink? They don’t want to dull the pain.) When it closes the show will have played 22 previews and 552 regular performances.

Co-created by the authors Peter Gethers and Daniel Okrent, the first public editor of The New York Times, and directed by Marc Bruni, the production was inspired by the Web site oldjewstellingjokes.com, which features people doing just that. When the show opened in May of last year the reviews were mostly positive. In his review for The Times, Jason Zinoman wrote: “Some jokes are obscene and politically incorrect, but the essence of the comedy is sweetly warm, even cautious.”

In separate interviews Mr. Gethers and Mr. Okrent said despite the closing notice they were happy with the show’s run, a long one by Off Broadway standards these days. “I thought it was going to run for six years,” said Mr. Okrent. “Everybody who has a show thinks it’s going to run forever. Most don’t last half as long as we did.” Mr. Okrent said the show partially recouped its initial capitalization, although he declined to say how much it was.

Both Mr. Okrent and Mr. Gethers said the shows’ investors were likely to make their money back with future productions of the show, including a possible tour. A Chicago production is already scheduled, with performances at the Royal George Theater set to begin on Sept 24. Mr. Gethers said he and Mr. Okrent hoped to mount the show in London next spring, with little of the show’s New York flavor changed for a British audience.

“We’ll have the great irony of having British actors doing New York Jewish accents,” said Mr. Okrent.



Anatomy of a Scene Video: ‘The World’s End’

The director Edgar Wright has teamed up again with the actors Simon Pegg and Nick Frost to make his latest comedy, “The World’s End.” In this video, he narrates a segment from the film’s opening sequence, a prologue set in 1990. He discusses using 16-millimeter film to shoot the sequence and using prosthetics on some of his young actors.



James Franco to Host Art Show on Ovation Network

James Franco, who has portrayed a demented artist named Franco on “General Hospital” and displayed his own work in exhibitions in Los Angeles and New York, among other pursuits, will host and produce an hourlong show about art for the Ovation network.

The show, “James Franco Presents,” is part of Ovation’s plan to expand its roster of original programming this year. The network promises that the show will deliver “an unprecedented look at the fascinating projects and real-life adventures of James Franco.”

In a statement, Mr. Franco said, “It is an art show that is an art piece, meaning the show has synced with the rhythms of my life and work.” The show will have its premiere in November.



Knocked Out by Hurricane Sandy, Sunny’s Bar Is Bouncing Back

Tone Johanson and her husband, Sunny Balzano, are preparing to reopen Sunny's, a mainstay of the Red Hook waterfront that has been closed since Hurricane Sandy struck.Benjamin Norman for The New York Times Tone Johanson and her husband, Sunny Balzano, are preparing to reopen Sunny’s, a mainstay of the Red Hook waterfront that has been closed since Hurricane Sandy struck.

On its forlorn cobblestone street, Sunny’s Bar in Red Hook, Brooklyn, appears to be the kind of tough waterfront dive where a fellow could get his thumbs broken for hustling pool or reneging on a deal.

But Hurricane Sandy was tougher.

Like a vicious thug, it upended booths and tables, tore up the electrical, heating and other operating systems and ripped open the foundation of its pre-Civil War brick building. It almost drowned one of its owners and knocked the bar out of business for 10 months.

But the saloon, which is really a dive with charisma and an aesthetic soul that in recent decades has drawn painters, writers and musicians as it once drew longshoremen, has bounced back. As a result of Internet fund-raisers, volunteer sweat that cleaned out the debris and donations from doting patrons, it was able to let people know this week that it will reopen to the public on Aug. 29, the 79th birthday of the owner Sunny Balzano.

“I can’t wait to celebrate,” said Tone (pronounced TOO-na) Johansen, Mr. Balzano’s wife and the bar’s manager. “I’ll be singing, there’ll be a big cake and we’ll ring the ship’s bell hanging in the bar.”

After 10 gloomy months of managing the bar’s resurrection Ms. Johansen is ready to bust out and party. She will sing songs she has written, like “Brooklyn Paradise” â€" a tribute to the bar. Jazz and bluegrass friends will jam. The abstract paintings of Mr. Balzano will adorn the walls.

The signature bar’s return is a capstone for the restoration of Red Hook, the proletarian enclave of tumbledown houses and factories that has been luring artists, hipsters and homesteaders. At least 500 residential buildings and 100 businesses â€" including a Fairway market â€" were swamped by Hurricane Sandy, resulting in a whirlpool of insurance claims, loan applications and repair bills but also a swarm of neighbors and outsiders eager to clean up the muck.

“It’s much more than bar, it’s a Red Hook institution that has struggled to come back,” said John McGettrick, co-chairman of the Red Hook Civic Association, who will be hoisting a Budweiser at the party.

The mood at the bar is far different than it has been since the hurricane struck. Ms. Johansen, a 47-year-old native of Norway, compared the “relentlessness” of the disaster and the scores of chores needed to put things in order to being “strapped in the Cyclone and you can’t get off.”

“I found out what depression was,” she said. “You feel frozen, numb. You can’t function. But at the same time you have to fight to get things done. It’s like having heart surgery and someone asks you to get up and run a marathon.”

In recent years, Sunny's has drawn the painters, writers and musicians who have moved to the neighborhood just as it once drew local longshoremen.Benjamin Norman for The New York Times In recent years, Sunny’s has drawn the painters, writers and musicians who have moved to the neighborhood just as it once drew local longshoremen.

Sunny’s has the charm of a cluttered antique store, with ceiling fans, wainscoting, a jumble of paintings and bric-a-brac, even a banjo made of a toilet seat, surrounding its chipped but sturdy wooden bar. Among the knickknacks are plaster statues of the Marx Brothers, W.C. Fields, Humphrey Bogart and Louis Armstrong â€" all favorites of Mr. Balzano’s.

Mr. Balzano is the bar’s ponytailed beatnik-like presence, bearing the sweet-tempered smile of a mystic and speaking with an anomalous Irish brogue that he attributes to his sometime career as an actor. He is not certain of the bar’s history, but believes it was started as a sandwich shop roughly 100 years ago by his Neapolitan great-grandfather â€" whose faded formal photograph adorns the back wall â€" and grandfather and converted into a bar some years before Prohibition, when in speakeasy fashion it sold homemade wine and the products of an old still that Mr. Balzano later unearthed.

Containerization moved much of the waterfront freight business to New Jersey and the decline of manufacturing emptied even more blue-collar row-houses and tenements. During the 1980s, the bar became, in Mr. McGettrick’s words, “a town hall of sorts” for residents fighting the profusion of garbage plants. With the influx of artists â€" they could buy forsaken houses for a few thousand dollars â€" it became the scene of crowded literary readings by writers like Amy Sohn, Meg Wolitzer and Andre Aciman and pass-the-hat country-and-western and jazz performances by musicians like Norah Jones and Smokey Hormel.

“This place brought the people here that created the new Red Hook,” said Ms. Johansen, who met Mr. Balzano when she immigrated here in 1996 on an arts grant. The couple have an 11-year-old daughter, Oda.

On the night that Hurricane Sandy struck with thunderous force, Mr. Balzano, who has battled bladder cancer and emphysema, was in his upstairs apartment, Ms. Johansen was in the basement of the building next door “and the window basically exploded” in a torrent of seawater. She barely escaped up a staircase. She still gets unsettled when recalling that night.

Because the bar has been in the family so long, it did not have a lease so it could not get loans from the Small Business Administration, Ms. Johansen said. The $100,000 raised so far has paid for new electrical boxes, a furnace, hot water heaters, steel beams to shore up the ground floor, new floorboards and reupholstered booths.

The business owes a contractor $15,000, but Ms. Johnasen is confident she can pay it back with the proceeds from a fully open bar.



Knocked Out by Hurricane Sandy, Sunny’s Bar Is Bouncing Back

Tone Johanson and her husband, Sunny Balzano, are preparing to reopen Sunny's, a mainstay of the Red Hook waterfront that has been closed since Hurricane Sandy struck.Benjamin Norman for The New York Times Tone Johanson and her husband, Sunny Balzano, are preparing to reopen Sunny’s, a mainstay of the Red Hook waterfront that has been closed since Hurricane Sandy struck.

On its forlorn cobblestone street, Sunny’s Bar in Red Hook, Brooklyn, appears to be the kind of tough waterfront dive where a fellow could get his thumbs broken for hustling pool or reneging on a deal.

But Hurricane Sandy was tougher.

Like a vicious thug, it upended booths and tables, tore up the electrical, heating and other operating systems and ripped open the foundation of its pre-Civil War brick building. It almost drowned one of its owners and knocked the bar out of business for 10 months.

But the saloon, which is really a dive with charisma and an aesthetic soul that in recent decades has drawn painters, writers and musicians as it once drew longshoremen, has bounced back. As a result of Internet fund-raisers, volunteer sweat that cleaned out the debris and donations from doting patrons, it was able to let people know this week that it will reopen to the public on Aug. 29, the 79th birthday of the owner Sunny Balzano.

“I can’t wait to celebrate,” said Tone (pronounced TOO-na) Johansen, Mr. Balzano’s wife and the bar’s manager. “I’ll be singing, there’ll be a big cake and we’ll ring the ship’s bell hanging in the bar.”

After 10 gloomy months of managing the bar’s resurrection Ms. Johansen is ready to bust out and party. She will sing songs she has written, like “Brooklyn Paradise” â€" a tribute to the bar. Jazz and bluegrass friends will jam. The abstract paintings of Mr. Balzano will adorn the walls.

The signature bar’s return is a capstone for the restoration of Red Hook, the proletarian enclave of tumbledown houses and factories that has been luring artists, hipsters and homesteaders. At least 500 residential buildings and 100 businesses â€" including a Fairway market â€" were swamped by Hurricane Sandy, resulting in a whirlpool of insurance claims, loan applications and repair bills but also a swarm of neighbors and outsiders eager to clean up the muck.

“It’s much more than bar, it’s a Red Hook institution that has struggled to come back,” said John McGettrick, co-chairman of the Red Hook Civic Association, who will be hoisting a Budweiser at the party.

The mood at the bar is far different than it has been since the hurricane struck. Ms. Johansen, a 47-year-old native of Norway, compared the “relentlessness” of the disaster and the scores of chores needed to put things in order to being “strapped in the Cyclone and you can’t get off.”

“I found out what depression was,” she said. “You feel frozen, numb. You can’t function. But at the same time you have to fight to get things done. It’s like having heart surgery and someone asks you to get up and run a marathon.”

In recent years, Sunny's has drawn the painters, writers and musicians who have moved to the neighborhood just as it once drew local longshoremen.Benjamin Norman for The New York Times In recent years, Sunny’s has drawn the painters, writers and musicians who have moved to the neighborhood just as it once drew local longshoremen.

Sunny’s has the charm of a cluttered antique store, with ceiling fans, wainscoting, a jumble of paintings and bric-a-brac, even a banjo made of a toilet seat, surrounding its chipped but sturdy wooden bar. Among the knickknacks are plaster statues of the Marx Brothers, W.C. Fields, Humphrey Bogart and Louis Armstrong â€" all favorites of Mr. Balzano’s.

Mr. Balzano is the bar’s ponytailed beatnik-like presence, bearing the sweet-tempered smile of a mystic and speaking with an anomalous Irish brogue that he attributes to his sometime career as an actor. He is not certain of the bar’s history, but believes it was started as a sandwich shop roughly 100 years ago by his Neapolitan great-grandfather â€" whose faded formal photograph adorns the back wall â€" and grandfather and converted into a bar some years before Prohibition, when in speakeasy fashion it sold homemade wine and the products of an old still that Mr. Balzano later unearthed.

Containerization moved much of the waterfront freight business to New Jersey and the decline of manufacturing emptied even more blue-collar row-houses and tenements. During the 1980s, the bar became, in Mr. McGettrick’s words, “a town hall of sorts” for residents fighting the profusion of garbage plants. With the influx of artists â€" they could buy forsaken houses for a few thousand dollars â€" it became the scene of crowded literary readings by writers like Amy Sohn, Meg Wolitzer and Andre Aciman and pass-the-hat country-and-western and jazz performances by musicians like Norah Jones and Smokey Hormel.

“This place brought the people here that created the new Red Hook,” said Ms. Johansen, who met Mr. Balzano when she immigrated here in 1996 on an arts grant. The couple have an 11-year-old daughter, Oda.

On the night that Hurricane Sandy struck with thunderous force, Mr. Balzano, who has battled bladder cancer and emphysema, was in his upstairs apartment, Ms. Johansen was in the basement of the building next door “and the window basically exploded” in a torrent of seawater. She barely escaped up a staircase. She still gets unsettled when recalling that night.

Because the bar has been in the family so long, it did not have a lease so it could not get loans from the Small Business Administration, Ms. Johansen said. The $100,000 raised so far has paid for new electrical boxes, a furnace, hot water heaters, steel beams to shore up the ground floor, new floorboards and reupholstered booths.

The business owes a contractor $15,000, but Ms. Johnasen is confident she can pay it back with the proceeds from a fully open bar.



The Ad Campaign: Weiner Seeks Middle Ground on Stop-and-Frisk Issue

First aired: August 19, 2013
Produced by: Penczner Media
For: Anthony D. Weiner

In the white-hot debate over stop-and-frisk policing, Anthony D. Weiner, the mayoral candidate and former United States representative, is seeking middle ground. Mr. Weiner’s campaign began running a 30-second television advertisement on Monday that seemed aimed at New Yorkers skeptical of the stop-and-frisk policy. But he also suggested he would keep tough crime-fighting tools in place.

Fact-Check
0:01
“We have hundreds of thousands of young men, principally men of color, who were stopped last year by the police for doing absolutely nothing wrong.”

It is true that the police stop a large number of young black and Hispanic men under the stop-and-frisk policy. In total, about 533,000 people were stopped last year, according to the New York Civil Liberties Union, and 87 percent of them were black or Hispanic. A vast majority of those stops resulted in no further action; 89 percent of individuals left without arrests or summons.

0:08
“We are not a city that believes you have to give up your rights and your dignity in order to bring down crime.”

Mr. Weiner echoes complaints leveled by many residents when he states that the stop-and-frisk policy requires residents to give up “your rights and your dignity.” Mayor Michael R. Bloomberg, however, has argued that the tactic is a minor inconvenience with a big reward: hundreds of fewer murders per year. The mayor has called it both legally and ethically sound, and an essential tool to keep crime rates low.

0:21
“And we stop these stops and frisks that look an awful lot like racial profiling.”

Mr. Weiner compares the stop-and-frisk practice to racial profiling. A federal judge this month said as much, contending the New York Police Department was discriminatory in how it carried out the policy. Mr. Bloomberg, however, has said it would be reckless and inefficient to ignore the fact that 90 percent of people who commit violent crime in the city are black or Hispanic.

Scorecard

Weiner has not gone as far as some of his Democratic rivals in denouncing the stop-and-frisk policy. In this video, he stakes out moderate territory by offering a compelling â€" and accurate â€" statistic to make his case. But he leaves out some of the arguments for keeping the policy in place, and he does not say how he would improve relationships between the police and communities, or reduce what he sees as excessive uses of the policy.


@import url(http://graphics8.nytimes.com/packages/css/newsgraphics/2013/0712-nyc-ad-campaign/promo.css);



Aug. 21: Where the Candidates Are Today

Planned events for the mayoral candidates, according to the campaigns and organizations they are affiliated with. Times are listed as scheduled but frequently change.

Event information is listed as provided at the time of publication. Details for many of Ms. Quinn events are not released for publication.Maps of all campaign events since April »
Events by candidate

Albanese

Carrión

Catsimatidis

Lhota

Liu

McDonald

Thompson

Weiner

Group event


John A. Catsimatidis
Republican

7 p.m.
Holds an invitation-only “friend-raiser,” at Bounce, a sports bar, on West 21st Street in Chelsea.

8 p.m.
Attends the Brooklyn Dominican Parade and Festival Gala, which precedes the Brooklyn Dominican Parade on Sunday, at Giando on the Water in Williamsburg, Brooklyn.

Bill de Blasio
Democrat

7 p.m.
Participates in the first official debate of the Democratic primary, sponsored by the New York City Campaign Finance Board, broadcast live on NY1, NY1 Noticias and C-SPAN.

John C. Liu
Democrat

7 a.m.
Greets morning commuters at the Canarsie-Rockaway Parkway subway station, in Brooklyn.

11:45 a.m.
Attends the ribbon-cutting ceremony for the New York City Health and Hospitals Corporation’s new $285 million, 400,000-square-foot Henry J. Carter Specialty Hospital and Nursing Facility, along with Henry J. Carter, the founder of Wheelchair Charities Inc.; Linda Gibbs, a deputy mayor; and Representative Charles Rangel, in Upper Manhattan.

12:15 p.m.
Stops in to celebrate the 80th anniversary of Patsy’s Pizzeria, on First Avenue in East Harlem.

2:30 p.m.
Takes a small-business tour, starting at Eighth Avenue and 64th Street in Brooklyn.

7 p.m.
Participates in the first official debate of the Democratic primary, sponsored by the New York City Campaign Finance Board, broadcast live on NY1, NY1 Noticias and C-SPAN.

9 p.m.
Attends the Brooklyn Dominican Parade and Festival Gala, which precedes the Brooklyn Dominican Parade on Sunday, at Giando on the Water in Williamsburg, Brooklyn.

Joseph J. Lhota
Republican

12 p.m.
Visits with senior citizens, along with John Quaglione, a City Council candidate, at St. Anslem’s School in Bay Ridge, Brooklyn.

7:30 p.m.
Attends the Rockaway Republican Club meeting, at Belle Harbor Yacht Club in Queens.

Christine C. Quinn
Democrat

7 p.m.
Participates in the first official debate of the Democratic primary, sponsored by the New York City Campaign Finance Board, broadcast live on NY1, NY1 Noticias and C-SPAN.

Some of Ms. Quinn’s events may not be shown because the campaign declines to release her advance schedule for publication.

William C. Thompson Jr.
Democrat

8 a.m.
Greets morning commuters on the first stop of his campaign’s citywide Latino Day of Action, along with the Bronx borough president, Ruben Diaz Jr.; the former Bronx borough president Fernando Ferrer; and Representative Jose Serrano, all of whom have endorsed Mr. Thompson, at the Hunts Point subway station in the Bronx.

11:15 a.m.
Visits with senior citizens during his campaign’s citywide Latino Day of Action, along with State Senator Jose Peralta and the former Bronx borough president Fernando Ferrer, at the Elmhurst Jackson Heights Senior Center in Queens.

1:15 p.m.
Greets small-business owners during his campaign’s citywide Latino Day of Action, along with State Senator Martin M. Dilan, Councilman Erik Martin Dilan and Assemblyman Rafael Espinal, along Knickerbocker Avenue in Brooklyn.

3:30 p.m.
Meets with supporters during his campaign’s citywide Latino Day of Action, at Patsy’s Pizzeria, which is celebrating its 80th anniversary, in East Harlem.

7 p.m.
Participates in the first official debate of the Democratic primary, sponsored by the New York City Campaign Finance Board, broadcast live on NY1, NY1 Noticias and C-SPAN.

9:30 p.m.
Accepts the endorsement of Assemblyman Robert Rodriguez and meets with supporters, at the Thompson campaign Manhattan borough office on Amsterdam Avenue.

Anthony D. Weiner
Democrat

11:45 a.m.
Visits with senior citizens at the Morris Senior Center, in the Bronx.

12:30 p.m.
Continues with the third day of his “Delivering for New York” tour â€" part of his larger “Keys to the City” tour â€" to talk about transportation and infrastructure issues affecting the city, on Kappock Street in the Bronx.

7 p.m.
Participates in the first official debate of the Democratic primary, sponsored by the New York City Campaign Finance Board, broadcast live on NY1, NY1 Noticias and C-SPAN.

Sal F. Albanese
Democrat

12:40 p.m.
Visits with senior citizens at the St. Frances Cabrini Senior Center, in Brooklyn.

7 p.m.
Participates in the first official debate of the Democratic primary, sponsored by the New York City Campaign Finance Board, broadcast live on NY1, NY1 Noticias and C-SPAN.

Adolfo Carrión Jr.
Independent

7 a.m.
Greets morning commuters at the 149th Street subway station, in the Bronx.

George T. McDonald
Republican

7:30 p.m.
Attends the New York City Republican Women’s Club’s evening for Republican mayoral candidates’ spouses, on West 48th Street in Midtown Manhattan. Mr. McDonald’s wife, Harriet, will speak before the group.

Erick J. Salgado
Democrat

7 p.m.
Participates in the first official debate of the Democratic primary, sponsored by the New York City Campaign Finance Board, broadcast live on NY1, NY1 Noticias and C-SPAN.



Walking Zombies on the Sidewalks

Dear Diary:

New Yorkers are walkers. They enjoy the exercise and soaking in their surroundings. Subways, buses and taxis are used only when speed, package weight or safety dictate. Also, while walking there is always the inviting possibility of a chance encounter, sometimes.

You’ve been there: walking down a busy street when â€" WHAM â€" the person in front of you abruptly stops. You barely remain on your feet.

You stare at them in disbelief as they say, “Can’t you watch where you’re going?”

A few days later you’re strolling along when a person rushes toward you, zigzagging across the sidewalk. The person doesn’t look tipsy, but perhaps might be not be feeling well. You politely step out of the way and bump into another person who has wandered into you. This time you just receive an unpleasant look.

When you think it can’t happen again, you enter a subway station where a person freezes on a stair, animatedly shouting into his or her hand, blocking any access to the train. You want to point out the inconsiderateness but you don’t, patiently waiting for the shouter to move on.

You wonder: Is it mass hysteria? Are people tuning out or just looking at their latest download?

Read all recent entries and our updated submissions guidelines. Reach us via e-mail diary@nytimes.com or follow @NYTMetro on Twitter using the hashtag #MetDiary.



New York Today: Another Chance to Debate

A televised mayoral debate will be held Wednesday night on NY1. Earlier this month a televised debate was held at WABC-TV studios. From left to right,  Christine C. Quinn, Anthony D. Weiner, William C. Thompson Jr., John C. Liu, and Bill de Blasio.Pool photo by James Keivom A televised mayoral debate will be held Wednesday night on NY1. Earlier this month a televised debate was held at WABC-TV studios. From left to right,  Christine C. Quinn, Anthony D. Weiner, William C. Thompson Jr., John C. Liu, and Bill de Blasio.

Tonight at 7 on NY1, you can watch the first televised mayoral debate for the Democratic nomination that features all seven main candidates.

Among the panelists asking questions will be David W. Chen, the City Hall bureau chief for The New York Times.

With the Sept. 10 primary nearing, what happens tonight could be pivotal, Mr. Chen told us.

“The stakes are higher because they know that more people are going to be watching,” he said. “So late in the campaign, any gaff can be magnified through 1,000 tweets.”

Recent polls have tightened, with some showing Bill de Blasio pulling ahead of Christine C. Quinn.

But candidates who try to stand out with sharp attacks run the risk of alienating some voters, Mr. Chen said.

“Support is soft and can easily change,” he said.”

Here’s what you need to know for your Wednesday.

WEATHER
Our first day of hot weather in a while. It will be nearly 90 degrees. This is how N.Y.C. August is supposed to feel. We can cope.

TRANSIT & TRAFFIC

- Mass Transit: Subways are O.K. Click for latest M.T.A. status.

- Roads: Click for traffic map or radio report on the 1s.

Alternate-side parking is in effect.

COMING UP TODAY

- Find love at a free four-day Qualifying Tournament for the United States Open at the Billie Jean King National Tennis Center at 10 a.m. [Free]

- Get your Delorean tuned up for “Back to the Future,” at the South Street Seaport. [Free]

- Or grab your bow and arrow â€" actually, don’t under any circumstances â€" for “The Hunger Games” in Hudson River Park at sundown. [Free]

- There’s a free screening of “Beacons in Jazz” as part of the Charlie Parker Jazz Festival at 6:30 p.m. in the New School Jazz Performance Space, 55 W. 13th St., 5th Floor. [Free]

- It’s the last summer community dance party (there was a first?) on the High Line at 7 p.m. ¡Arriba! [Free]

- Learn about the role New York played in the Revolutionary War (an important one, obviously) in the Battle of Brooklyn history tour led by an urban park ranger at 6:30 p.m. in Brooklyn Bridge Park. [Free]

IN THE NEWS

- A growing number of New York non-profits are seeking exemptions for a rule requiring they reveal donors, saying it would risk their supporters’ safety. [New York Times]

- Your neighbor’s phone conversation on the subway will be brought to you by Verizon. [BusinessWire]

- An arsonist suspected of setting fires around Queens â€" including to a former elected official’s car â€" has been arrested. [CBS]

- Willets Point residents were offered large subsidies if they vacate the blighted area by a fall deadline to make way for a proposed mall near Citi Field. [CBS]

- A huge fire enveloped a Jersey City recycling plant. No one was injured. [ABC]

- A champion cliff diver dove 75 feet into the Hudson River from a helicopter. [Time Out]

- West Nile Virus has been found in mosquitoes this year in all five boroughs of New York City. The Department of Health has suggestions on how to protect yourself. [NYC.gov]

- Bill de Blasio appeared in court over an earlier civil disobedience charge stemming from an arrest at a protest against hospital closures. [Huffington Post]

- The New York Public Library is officially hip: there are now photo booths. [Gothamist]

- It’s obviously a lie by some fool who doesn’t know how exceptionally perfect we are, but New York was voted rudest and most arrogant state. [New York Magazine]

AND FINALLY…
Next week is the 50th Anniversary of the March on Washington, the civil rights rally led by the Rev. Dr. Martin Luther King Jr.

Tonight at 6:30, outside the State Office building on 125th Street in Harlem, a veritable who’s who of the city’s minority leaders will come together to commemorate that moment and reiterate its calls, albeit retooled for modern times.

American inequality today manifests itself economically, said Eric T. Schneiderman, the New York Attorney General, who will be addressing the crowd.

“Dr. King called on people to decry the twin evils of discrimination and economic deprivation,” Mr. Schneiderman said in an interview. “Dr. King was about much more than ending segregation.”

Nicole Higgins DeSmet contributed reporting.

We’re testing New York Today, a morning roundup that stays live from 6 a.m. till about noon.

What would you like to see here to start your day? Post a comment, e-mail Sarah Maslin Nir or reach us via Twitter at @nytmetro using #NYToday. Thanks!



Study of 2012 Movies Finds Few Gay Characters on Screen

In its first substantial study of releases from the major film studios, the media watchdog group Glaad faulted Hollywood for its lack of gay, lesbian, bisexual and transgender characters last year. This study, issued by Glaad on Wednesday and titled “2013 Studio Responsibility Index,” found that of 101 films from the six major studios in 2012, 14 included characters who were identified as lesbian, gay or bisexual, and none who were transgender.

Glaad, formerly known as the Gay and Lesbian Alliance Against Defamation, gave failing grades to 20th Century Fox, which had no representation in any of the 15 films it released last year, and to Walt Disney, which included only the openly gay MSNBC anchor Thomas Roberts, who plays himself in a cameo in “The Avengers.” Ratings of adequate were given to Paramount (which featured a pair of lesbian parents in the teen comedy “Fun Size”), Universal (which had gay and lesbian characters in films like “Pitch Perfect” and “Ted”) and Warner Brothers (which included gay characters in “Cloud Atlas” and “Rock of Ages”).

Sony Columbia was also given a grade of adequate in the Glaad study, which counted Javier Bardem’s villain from the James Bond movie “Skyfall” as a bisexual character. But, the study said, “while it’s good to see an LGBT character in such a high-profile role in a major franchise, depicting a bisexual person as villainous is an unfortunate cinematic tradition, and raises the question of whether a major studio would ever depict a male protagonist of an action franchise as anything other than straight.”

Glaad, which also publishes annual assessments of gay, lesbian, bisexual and transgender characters on television, criticized the motion-picture industry for failing to keep pace with its sibling medium.

“As television has become increasingly inclusive - including a record high percentage of LGBT characters in the 2012-2013 broadcast season - the film industry is lagging behind,” Glaad said in its film report. “Though indie film still produces some of the most groundbreaking LGBT stories, major film studios appear reluctant to include LGBT characters in significant roles or franchises.”



Study of 2012 Movies Finds Few Gay Characters on Screen

In its first substantial study of releases from the major film studios, the media watchdog group Glaad faulted Hollywood for its lack of gay, lesbian, bisexual and transgender characters last year. This study, issued by Glaad on Wednesday and titled “2013 Studio Responsibility Index,” found that of 101 films from the six major studios in 2012, 14 included characters who were identified as lesbian, gay or bisexual, and none who were transgender.

Glaad, formerly known as the Gay and Lesbian Alliance Against Defamation, gave failing grades to 20th Century Fox, which had no representation in any of the 15 films it released last year, and to Walt Disney, which included only the openly gay MSNBC anchor Thomas Roberts, who plays himself in a cameo in “The Avengers.” Ratings of adequate were given to Paramount (which featured a pair of lesbian parents in the teen comedy “Fun Size”), Universal (which had gay and lesbian characters in films like “Pitch Perfect” and “Ted”) and Warner Brothers (which included gay characters in “Cloud Atlas” and “Rock of Ages”).

Sony Columbia was also given a grade of adequate in the Glaad study, which counted Javier Bardem’s villain from the James Bond movie “Skyfall” as a bisexual character. But, the study said, “while it’s good to see an LGBT character in such a high-profile role in a major franchise, depicting a bisexual person as villainous is an unfortunate cinematic tradition, and raises the question of whether a major studio would ever depict a male protagonist of an action franchise as anything other than straight.”

Glaad, which also publishes annual assessments of gay, lesbian, bisexual and transgender characters on television, criticized the motion-picture industry for failing to keep pace with its sibling medium.

“As television has become increasingly inclusive - including a record high percentage of LGBT characters in the 2012-2013 broadcast season - the film industry is lagging behind,” Glaad said in its film report. “Though indie film still produces some of the most groundbreaking LGBT stories, major film studios appear reluctant to include LGBT characters in significant roles or franchises.”