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City Approves 700-Unit Rental Complex on Gowanus Canal

A rendering of the proposed 700-unit apartment complex along the Gowanus Canal.The Lightstone Group A rendering of the proposed 700-unit apartment complex along the Gowanus Canal.

Gritty and offbeat as its reputation is, the Gowanus Canal may, in a few years, start becoming more bourgeois.

The City Planning Commission on Monday gave its approval for the construction of a 700-rental apartment complex on the largely industrial canal; it is to be built by one of the nation’s largest developers, the Lightstone Group. The project had been opposed by many residents who feared it would overwhelm schools and subways and accelerate the transformation of a neighborhood still sprinkled with artists into another high-rent neighborhood, like Dumbo or SoHo.

But many groups supported the project, not just because it would spruce up a derelict part of the neighborhood but also because it would create a new constituency for cleaning up the famously turgid waters of the canal, which is 1.8 miles long.

Construction is to begin this year, said Ethan Geto, a spokesman for Lightstone.

The complex is to consist of two buildings of graduated heights, 12 stories in some spots along the canal, but shorter inland, toward the low-rise neighborhood of factories and row houses. Most of the apartments are to be sold at market prices, but 140, or 20 percent of them, are to be reserved throughout the buildings for people of modest incomes. A family of four with an income under $49,800, for example, would be eligible.

The project is to include a 530-foot esplanade along the canal for public use; a provision of the latest plan for the project would increase the square footage of the walkway by almost 3,000 square feet.

Because Hurricane Sandy flooded the surrounding streets, the revised plans call for the lowest occupied floors to be raised two feet above the 100-year flood plain as defined in a recently updated map by the Federal Emergency Management Agency. Mechanical and electrical systems are to be placed above that level as well.

The process was relatively painless for Lightstone because in 2009 a previous developer, Toll Brothers, won a zoning amendment permitting residential construction in a neighborhood zoned for manufacturing. The company had proposed some changes to those plans but abandoned them to avoid community objections and litigation.

In a statement, David Lichtenstein, chairman and chief executive of the Lightstone Group, said the new complex would “further enliven this vibrant neighborhood.”

“We view this development as an enormous opportunity to transform a neglected waterfront resource into a lively component of a thriving residential community with an abundant cultural and recreational life.”



The House That Generosity Built: Staten Island Little League Plans Opener

Members of the Staten Island Little League on Monday sorted through a box of helmets donated by a nonprofit group, Pitch In for Baseball. Hurricane Sandy inflicted hundreds of thousands of dollars in damage on the league's  fields and equipment.Michelle V. Agins/The New York Times Members of the Staten Island Little League on Monday sorted through a box of helmets donated by a nonprofit group, Pitch In for Baseball. Hurricane Sandy inflicted hundreds of thousands of dollars in damage on the league’s fields and equipment.

Opening Day arrives two weeks late for Staten Island Little League this season, but after Hurricane Sandy’s knockdown pitch, having any season is cause for celebration.

On Monday, the league took one crucial step toward yelling “Play ball!” thanks to an organization called Pitch In For Baseball, which donated a truckload of equipment, including gloves, baseballs, helmets and bats.

“We lost a million dollars worth of equipment,” said the league president, Michael Colini, a police officer who lives in New Dorp. The winds bent and turned the light poles while the flooding, which reached 12 feet there, crashed a container weighing two tons into one of league’s buildings. The storm ruined lawn mowers, tractors, electricity and irrigation, the entire snack bar, $13,000 worth of uniforms, 100 dozen baseballs, 50 bags of catcher’s gear and plenty of other equipment. The four fields on Seaver Avenue were utterly demolished.

“The storm destroyed the fences and the salt water killed the grass and washed the infield dirt away,” Mr. Colini said. “We needed 125 tons of new baseball dirt.”

The league, a community cornerstone since 1953, serves 550 children ages 4 to12, and includes a “Challenger” division for children with special needs.

“There were old-timers there with tears in their eyes,” Mr. Colini said. “So I just promised we’d eventually build it back bigger and better.”

The league's fields in New Dorp were badly flooded. The league’s fields in New Dorp were badly flooded.

The league, which sacrificed a lot of revenue when it waived fees for any child whose family was registered with the Federal Emergency Management Agency, received numerous donations, including $50,000 from Honda to renovate the fields. Then several parents heard former All-Star shortstop Roy Smalley telling WFAN’s “Talking Baseball” host Ed Randall about Pitch In For Baseball. Mr. Colini sent an S O S e-mail to the organization. “They just asked, ‘What do you need’,” he said.

Pitch In has shipped equipment to the Dominican Republic, Haiti, Iraq, Poland, Serbia and other countries, as well as to American communities. But the recent spate of natural disasters â€" like a tornado in Joplin, Mo. â€" has shifted the organization’s attention toward home. Pitch In is helping more than 20 storm-tossed leagues in the New York region. In the city, it is donating to leagues in the Rockaways, Mill Basin, Gerritsen Beach and Staten Island.

“We are helping close to 10,000 children, which is a huge challenge for us,” said Mr. Smalley, Pitch In’s president. “It’s forcing us to grow, to keep up with demand.”

Mr. Smalley credited the organization’s executive director and founder, David Rhode, for realizing eight years ago that there was “both a need and a resource â€" there are kids who are not playing baseball only because they don’t have equipment and there’s a tremendous amount of equipment elsewhere sitting idle or getting thrown out.”

The organization also seeks cash donations to buy what is not donated. On Staten Island, Mr. Rhode said: “We get each league exactly what they’re looking for. For instance, today we needed five lefty catcher mitts.”

The children said the generosity helped revive their spirits. “I was really sad when I saw the fields, said Kevin Moylan, 10. “I was very nervous we weren’t going to have a season.”

The Little Leaguers’ relief at having their season salvaged â€" it opens April 20 â€" turned to excitement Monday afternoon as they headed out to help their coaches unload the equipment from Pitch In For Baseball. “Oh my God, look at these helmets,” shouted David Barrett, 10. “They’re beast,” said Kevin, as everyone stopped to try one on. It didn’t seem to matter that it was snowing. It felt like Opening Day.



Judge Sets Court Date in ‘Spider-Man’ Trial

Bono and Julie Taymor exchange a kiss at the opening of Jessica Rinaldi/Reuters Bono and Julie Taymor exchange a kiss at the opening of “Spider-Man: Turn Off the Dark” in 2011.

A federal judge has set a May 28 trial date for director Julie Taymor, Bono and the Edge of U2, and the producers of the Broadway musical “Spider-Man: Turn Off the Dark” to battle in court over a lawsuit stemming from the spectacular implosion of their years-long collaboration on the show.

Judge Katherine B. Forrest of Federal District Court in Manhattan ordered on Friday that the parties may conduct discovery through May 1 and that “trial is and will be on May 28, 2013,” adding that no further meetings with the judge were necessary. The order came four days after the judge, during a closed-door session with the various sides, expressed frustration that they had not been able to settle disputes over copyright control and profits from the show in spite of coming to terms in principle in August.

One person familiar with the settlement negotiations said on Tuesday that the sides were at an impasse, and that the hold-up had less to do with compensating Ms. Taymor than with creative rights and control of the “Spider-Man,” whose producers are now considering future overseas tours and other runs.The person, who spoke on condition of anonymity in order to avoid antagonizing the parties involved in the lawsuit, said that the sides were still talking and that a settlement was still possible.

A lawyer for Ms. Taymor declined to comment on Tuesday; lawyers for the producers did not return phone messages seeking comment.

The lawsuit is primarily between Ms. Taymor, the musical’s former director and one of its script writers, and the producers and “Spider-Man” composers, Bono and the Edge; the producers, with the composers’ blessing, fired Ms. Taymor in March 2011. She sued in November on copyright grounds, saying the producers were making money off her ideas and script and owed her more than $1 million. The producers then counter-sued, saying that they had ousted her for breach of contract.

“Spider-Man,” by far the most expensive musical in the history of Broadway with a $75 million budget, opened in June 2011 to largely negative reviews but has gone on to be a fan favorite, grossing more than $1 million a week. Its weekly running costs are quite high on Broadway, however, at roughly $1 million, and ticket sales have dipped slightly in recent months.



Record Ticket Sales for Bowie Exhibition in London

David Bowie in the video for his single Floria Sigismondi/Agence France-Presse â€" Getty Images David Bowie in the video for his single “The Stars (Are Out Tonight)” from the new album.

LONDON â€" “David Bowie Is,” a major retrospective of the British singer’s career and cultural influence, which opens at the Victoria and Albert Museum on Saturday, has sold over 42,000 advance tickets, more than double the amount generated by any previous exhibition at the museum.

The exhibition, which displays more than 60 costumes worn by Bowie in performances, as well as photographs, documents, song lyrics, album sleeve artworks, music videos and stage sets, has generated considerable buzz, with rave advance reviews from the British papers. Interest has no doubt been further augmented by the singer’s surprise release last week of a new album, “The Next Day,” which almost immediately went to No. 1 one on the British charts, selling 94,000 copies in less than a week.

“No one believes us, but we had absolutely no idea about the album,” said Geoffrey Marsh, one of the curators of the Victoria and Albert exhibition.

Despite this raging success on all fronts, it seems unlikely that the intensely private Mr. Bowie will leave New York, where he lives, to attend the opening party on Wednesday night. “It’s not his style,” Mr. Marsh said.



Statue of Liberty to Reopen July 4

The Statue of Liberty, pictured here in November, will reopen on July 4.Ángel Franco/The New York Times The Statue of Liberty, pictured here in November, will reopen on July 4.

The Statue of Liberty, which has been closed to visitors since Hurricane Sandy struck in late October, will reopen by the Fourth of July holiday, federal officials said Tuesday.

Interior Secretary Ken Salazar and Sen. Charles E. Schumer announced the plan to reopen the monument three weeks after Mr. Salazar toured Liberty Island in New York harbor. The secretary had planned to announce a reopening date on that trip, but after seeing the unrepaired damage, he held off.

The statue was not harmed by the storm, but several structures on the island were ruined, including the dock for ferries carrying visitors from Lower Manhattan and Liberty State Park in Jersey City.

Another obstacle has been a long-running disagreement between the National Park Service and the New York Police Department over how to handle security for the statue. Before the storm, visitors passed through airport-style screening lanes before boarding ferries.

The park service would prefer to move the screening operation to Ellis Island, where only those tourists who want to visit the statue would be screened. But the city police want the passengers screened for weapons and explosives before they board the ferries in Battery Park.

The issue has not been resolved, according to Paul J. Browne, chief spokesman for the police department. Mr. Browne said on Tuesday that “discussions are ongoing,” but he reiterated the department’s prior position: “We have concerns that if you don’t have it on the Manhattan side, you’d have an element of risk on board the ferry itself.”



Statue of Liberty to Reopen July 4

The Statue of Liberty, pictured here in November, will reopen on July 4.Ángel Franco/The New York Times The Statue of Liberty, pictured here in November, will reopen on July 4.

The Statue of Liberty, which has been closed to visitors since Hurricane Sandy struck in late October, will reopen by the Fourth of July holiday, federal officials said Tuesday.

Interior Secretary Ken Salazar and Sen. Charles E. Schumer announced the plan to reopen the monument three weeks after Mr. Salazar toured Liberty Island in New York harbor. The secretary had planned to announce a reopening date on that trip, but after seeing the unrepaired damage, he held off.

The statue was not harmed by the storm, but several structures on the island were ruined, including the dock for ferries carrying visitors from Lower Manhattan and Liberty State Park in Jersey City.

Another obstacle has been a long-running disagreement between the National Park Service and the New York Police Department over how to handle security for the statue. Before the storm, visitors passed through airport-style screening lanes before boarding ferries.

The park service would prefer to move the screening operation to Ellis Island, where only those tourists who want to visit the statue would be screened. But the city police want the passengers screened for weapons and explosives before they board the ferries in Battery Park.

The issue has not been resolved, according to Paul J. Browne, chief spokesman for the police department. Mr. Browne said on Tuesday that “discussions are ongoing,” but he reiterated the department’s prior position: “We have concerns that if you don’t have it on the Manhattan side, you’d have an element of risk on board the ferry itself.”



Michelle Shocked Draws Fire for Anti-Gay Remarks

Michelle Shocked performing in Madison, Wisc., in 2011.Andy Manis/Associated Press Michelle Shocked performing in Madison, Wisc., in 2011.

Michelle Shocked, the punk folk-singer, liberal activist and born-again Christian, has drawn fire for an anti-gay tirade in San Francisco over the weekend, during which she said God hates homosexuals.

One nightclub in Evanston, Ill., on Monday canceled a scheduled appearance in May after her remarks at Yoshi’s jazz club in San Francisco on Sunday night. The Evanston club, Space, said on its Facebook page that “it’s clear that this is no longer a show we’re willing to put our name on.” At least four other shows have also been cancelled, including a March 29 show at the Hopmonk Tavern in Novato, Calif., The Associated Press reported on Tuesday.

Michelle Shocked cited Old Testament verses condemning homosexuality and told the audience she hoped the courts would uphold Proposition 8, which bans gay marriage, according to an Yahoo Music. “I live in fear that the world will be destroyed if gays are allowed to marry,” she said. Then she also told the audience to go on Twitter and report that she had said God hates homosexuals, though it is unclear whether that remark was sardonic.

Much of the audience walked out after her remarks. The club’s manager tried to end the show, but she continued playing until the staff pulled the plug and turned off the stage lights.

Gay rights has been a touchy subject for Michelle Shocked over the years. In 1990, she told an interviewer at the Dallas Voice that she had once had a relationship with a woman but did not want to be defined as a lesbian.

In recent years, she underwent a religious conversion and started attending a Pentecostal church, and her statements about homosexuality became more tortured. She told the Dallas Voice in 2008 that she resented attempts by journalists to pin down her sexual orientation.

“There are some inconvenient truths that I’m now a born-again, sanctified, saved-in-the-blood Christian. So much of what’s said and done in the name of that Christianity is appalling,” the singer told the weekly paper. “According to my Bible, which I didn’t write, homosexuality is immoral. But homosexuality is no more less a sin than fornication. And I’m a fornicator with a capital F.”

Then in 2011, she became incensed when a member of the audience asked her position on gay rights at the Christian-oriented Wild Goose Festival in North Carolina, Religion Dispatches magazine reported.

“Who drafted me as a gay icon” she said. “You are looking at the world’s greatest homophobe. Ask God what he thinks.”



Off Broadway Theater To Be Named After Lynn Redgrave

The Culture Project’s main stage theater at 45 Bleecker Street is being renamed the Lynn Redgrave Theater to honor the late British actress.

Allan Buchman, the Project’s founder and artistic director, said that the renaming ceremony and commemorative gala to honor Redgrave will be held on June 3, and will feature her sister Vanessa Redgrave, Liam Neeson and her three children. “To be entrusted with the preservation of even a small portion of Lynn’s legacy is a glorious honor,” Mr. Buchman said. “We hope to infuse her passions in the area of playwriting, education, and the joy of acting into all of our endeavors.”

Lynn Redgrave, who died in 2010, appeared multiple times on the Bleecker Street stage, including in “The Exonerated” and, most recently, with her sister Vanessa and brother Corin in “A Question of Impeachment.”



In Mayor’s Race, Sources of Contributions Shift

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Change in contributions to mayoral candidates, 2001 vs. 2013 (through March 15, by ZIP code, adjusted for inflation)

Staten

Island

Brooklyn

Queens

Manhattan

Bronx

Up

Key

Down

$500,000

250,000

100,000

Chelsea

Greenwich

Village

Riverdale

Kingsbridge

Yorkville

Murray Hill

Flushing

Chinatown

Christine C. Quinn, speaker of the City Council, has raised the most money among candidates in the race for New York City mayor. But compared with 2001, the last time there was no incumbent running, contributions from wealthy Manhattan districts are way down.

New campaign finance filings show contributors from the East Side of Manhattan appear to still be on the sidelines: less than $2 million has been raised in the area from Yorkville to Murray Hill, down from nearly $4 million in the same period of 2001. “There’s no candidate that anyone feels strongly about,” said Lisa Hernandez Gioia, a political consultant and fund-raiser.

Some of the shortfall has been made up with new money that has entered the race in Lower Manhattan, Queens and Brooklyn. In Chelsea and Greenwich Village, contributions are higher than they were in 2001, and Ms. Quinn, who represents the area, is leading.

In gentrified Brooklyn, contributions have more than doubled, and Bill de Blasio, the public advocate, is outdoing Ms. Quinn. New money is also coming in from conservative areas in southern Brooklyn, again with Mr. de Blasio having an edge.

John C. Liu, the city comptroller, has mined new sources of money in Chinatown and Flushing. “Asian voters are also Asian donors for Asian candidates,” said Cynthia R. Darrison, a chief executive officer of Darrison Barrett & Associates, a political consulting firm.

So far, no candidate is tapping Bronx sources the way Fernando Ferrer, the former borough president, did in his mayoral runs. In Riverdale and Kingsbridge, the four top candidates are splitting a sum smaller than what Mr. Ferrer raised in 2001.



European Art Fair May Join With Sotheby’s for Chinese Sales

In what might seem like a pairing of competitive bedfellows, the organizers of the European Fine Art Fair - that 10-day event going on through Sunday in Maastrict, the Netherlands - announced on Tuesday that they were in talks with Sotheby’s about holding a high-end art and antiques fair in China. The new event, which would be called TEFAF Beijing 2014, would be “planned as a collaboration between Maastricht, the Netherlands-based event, and Sotheby’s recently forged joined venture with China’s state-owned Beijing Ge-Hua Cultural Development Group,’’ the European Fine Art Fair’s e-mail said.

The collaboration with Sotheby’s (which would stand to get a percentage of the fair’s sales) would be a new kind of relationship between an auction house and an art fair. The announcement follows last year’s news that Sotheby’s had entered into a 10-year joint venture with the Beijing GeHua Art Company, a state-owned enterprise, to become the first international auction house in mainland China.

“It has always been TEFAF Maastricht’s aim to be responsive to global trends in the art market,’’ said Ben Janssens, chairman of the fair’s executive committee in an e-mail announcing the possible partnership. “We feel now is the time to further develop our presence in China, one of the most important art markets.’’



Mariinsky Theater Plans Star-Studded Opening of New Opera House

The Mariinsky Theater in Russia announced on Tuesday plans for a three-day celebration to mark the opening of the new Mariinsky II opera house in St. Petersburg in May.  An opening-night gala conducted by the theater’s artistic and general director, Valery Gergiev, on May 2 will feature performances by an array of stars that include Plácido Domingo, Olga Borodina, Ekaterina Gubanova, Anna Netrebko, René Pape and Yekaterina Kondaurova.

The following day will offer Mariusz Trelinski’s production of Tchaikovsky’s opera “Iolanta” performed by the Mariinsky Opera and Ballet, while later that evening the Mariinsky Ballet will perform Balanchine’s “Jewels.” The celebration will conclude on May 4 with a performance  in honor of honor of the prima ballerina Diana Vishneva that includes  Balanchine’s “Symphony in C” and Paul Lightfoot’s “Subject to Change.” The evening’s presentation of Verdi’s “Nabucco”  will showcase Mr. Domingo and Maria Guleghina.

“The programs for our inaugural festival are chosen to demonstrate the extraordinary range of our companies and our expanded Center, while reflecting both the history of the Mariinsky and the Theater’s engagement with today’s audiences and with all phases of contemporary opera, ballet and orchestral music,” said Mr. Gergiev, who is marking his 25th anniversary with the institution.



Mariinsky Theater Plans Star-Studded Opening of New Opera House

The Mariinsky Theater in Russia announced on Tuesday plans for a three-day celebration to mark the opening of the new Mariinsky II opera house in St. Petersburg in May.  An opening-night gala conducted by the theater’s artistic and general director, Valery Gergiev, on May 2 will feature performances by an array of stars that include Plácido Domingo, Olga Borodina, Ekaterina Gubanova, Anna Netrebko, René Pape and Yekaterina Kondaurova.

The following day will offer Mariusz Trelinski’s production of Tchaikovsky’s opera “Iolanta” performed by the Mariinsky Opera and Ballet, while later that evening the Mariinsky Ballet will perform Balanchine’s “Jewels.” The celebration will conclude on May 4 with a performance  in honor of honor of the prima ballerina Diana Vishneva that includes  Balanchine’s “Symphony in C” and Paul Lightfoot’s “Subject to Change.” The evening’s presentation of Verdi’s “Nabucco”  will showcase Mr. Domingo and Maria Guleghina.

“The programs for our inaugural festival are chosen to demonstrate the extraordinary range of our companies and our expanded Center, while reflecting both the history of the Mariinsky and the Theater’s engagement with today’s audiences and with all phases of contemporary opera, ballet and orchestral music,” said Mr. Gergiev, who is marking his 25th anniversary with the institution.



New ‘Guy,’ New ‘Girl’ Joining ‘Once’

The Tony Award-winning Broadway musical “Once” is having a cast makeover. Sunday will mark the last scheduled appearance of the show’s Tony-winning star, Steve Kazee, and his colleagues Cristin Milioti, Elizabeth A. Davis and Will Connolly.

Ben Hope, Mr. Kazee’s understudy as the Dublin street musican called simply “Guy,” will take over full time. “Girl” (Ms. Milioti’s role) will be played by Laura Dreyfuss, who appeared in the Broadway revival and national tour of “Hair.” Carlos Valdes will succeed Mr. Connolly as Andrej and Claire Wellin will play Reza, Ms. Davis’s part.

As it turns out, Mr. Kazee has been absent from the stage since Feb. 6 when he went on leave for vocal rest (Mr. Hope has been in the role during that time.) A spokeswoman for the show said on Tuesday it was still unclear whether Mr. Kazee would be able to appear again before the official turnover on Monday.

“Once” is based on a 2007 film about the relationship between an Irish musician and a Czech immigrant. The show, featuring songs by Marketa Irglova and Glen Hansard, won eight Tony awards in 2012.



Broadway ‘Cat’ Revival Cools at Box Office

Benjamin Walker and Scarlett Johansson in Sara Krulwich/The New York Times Benjamin Walker and Scarlett Johansson in “Cat on a Hot Tin Roof.”

This is the season of star vehicles on Broadway - Jessica Chastain, Katie Holmes, Scarlett Johansson, Tom Hanks, Alec Baldwin, Bette Midler - but not all of them are burning rubber at the box office.

Ticket sales for the latest revival of “Cat on a Hot Tin Roof,” starring Ms. Johansson as Maggie the Cat, have been relatively lackluster since the production opened on Jan. 17 to mixed-to-negative reviews. (StageGrade.com, which aggregates reviews, gave a median grade of C- to the show.) Before the reviews, the revival was grossing roughly $850,000 a week on average; since then the average has fallen by about $90,000.

Last week the show grossed $693,100, or about 53 percent of the maximum possible amount - a modest figure for a play starring a major Hollywood name.

Some shows slide at the box office due to star absences and vacations, but that isn’t the case here: Ms. Johansson has missed only two performances since they began on Dec. 18, a spokeswoman for the production said.

The “Cat” producers had no comment on ticket sales, nor on whether the show was still on track to recoup its $3.6 million capitalization before the scheduled closing date of March 30. Based on the show’s current box office, there is a good chance that the play will recoup by month’s end, which would be a noteworthy success; only about 25 percent of Broadway productions ever make their money back.

And a spokeswoman for the show did note that “Cat” was the top-grossing play on Broadway until “Lucky Guy,” starring Mr. Hanks, began performances this month.

Still, it has been an uneven year for celebrity-driven shows. “Dead Accounts,” a new play starring Ms. Holmes, flopped on Broadway this winter, as did the Debra Winger-Patti LuPone two-hander “The Anarchist.” But “Lucky Guy” has been a hit, taking in $1,294,233 last week - the fourth highest-grossing show of the week, a major achievement for a play.

The top three were the usual suspects - the hit musicals “Wicked,” “The Lion King,” and “The Book of Mormon” - while “Lucky Guy” beat such other popular musicals as “Spider-Man: Turn Off the Dark,” “Cinderella,” and “Once.”

Among the other Broadway star vehicles coming in the weeks ahead are “Orphans” with Mr. Baldwin and “I’ll Eat You Last” with Ms. Midler.

Meanwhile the new Broadway production “Motown: The Musical” had a strong first set of preview performances last week, instantly joining the million-dollar club with a gross of $1,029,883 for seven performances (one fewer than the standard eight).

Overall Broadway musicals and plays grossed $20.8 million last week, compared to $18.1 million for the previous week and $22.2 million for the same week last season.



Rare Maleo Chicks Hatch at the Bronx Zoo

After about 70 days of carefully controlled incubation beneath deep river sand, heated electrically from below, three rare maleo chicks have hatched at the Bronx Zoo.

The maleo is an endangered chickenlike bird with distinctive peach plumage, a red-orange beak and a black helmet or “casque.” The chicks join nine other maleos already inhabiting the World of Birds in the zoo, the only other place in the world where they can be seen outside the island of Sulawesi in Indonesia, according to the Wildlife Conservation Society, which runs the zoo.

The chicks are “healthy and currently in an off-exhibit area of the zoo,” the society said in a news release.

Maleos belong to the megapode family, whose members rely on heat from sources other than their bodies to incubate their very large eggs. Invasive species, including humans who steal the eggs, have caused a sharp decline in the maleo population.

“Almost half of all megapode species are threatened with extinction,” said Dr. Nancy Clum, curator of ornithology at the zoo. “The work we do with maleos both at the zoo and in the field can provide a model for conservation of other megapode species.”

Once the chicks emerge from their long incubation period, they may not look like adults, but they are able to fly, forage and regulate their body temperature without parental care.

We wish them well on their journey.

An adult maleo at the Bronx Zoo.Julie Larsen Maher © WCS An adult maleo at the Bronx Zoo.


Judge Proposes a National Lawyers Corps to Help Immigrants

Judge Robert A. KatzmannJames Estrin/The New York Times Judge Robert A. Katzmann

As Congress takes up immigration reform, Robert A. Katzmann, a federal appellate judge in New York, has been looking beyond the debates and envisioning a crisis.

If legislation should pass that would provide a path to legal status for the country’s estimated 11 million illegal immigrants, he wonders, where would they turn for legal assistance to help apply for visas, green cards and citizenship

He has been voicing this concern in recent meetings with officials in New York and Washington â€" and trying to gather support for his solution.

“There’s kind of a myth in the air that we’ll have reform and the problem will go away,” Judge Katzmann warned. “Implementation tends to be an afterthought.”

As a result, he wants to create what he describes as an immigrant justice corps that will recruit and train young lawyers, and then will send them around the country to work at community organizations eager for legal help.

The program would echo existing public service programs like AmeriCorps VISTA and the Peace Corps, he said.

Judge Katzmann said he would welcome government financing, though he acknowledged that it was far more likely that the project would begin with private money.

He estimated that he would need $5 million to support the program for a year, deploying 50 young immigration lawyers every two months for two-year stints.

For the past several years, the judge has been trying to draw attention to the chronic problem of inadequate legal representation for immigrants. The problem, he said, has acquired even greater urgency with the talk of immigration reform.

In 2010, Judge Katzmann, who was appointed to the Second Circuit Court of Appeals by President Bill Clinton, helped to convene a group of lawyers, academics and immigrants’ advocates to study the issue in New York City.

Last year, the group proposed creating a network of existing legal service providers in the New York region that would provide lawyers for all low-income immigrant detainees facing deportation.

Judge Katzmann’s new proposal would establish a program with national scope.

The justices corps would pair retired lawyers with young ones, including those fresh out of law school and those who are early in their careers. It would give young lawyers work in a tight job market and harness the experience of retired lawyers who are not yet ready to put down their legal pads for good.

He has gathered support for the project from officials, lawyers, academics and immigrants’ advocates, but is still trying to round up financing.

Lindsay Nash, a fellow at the Immigration Justice Clinic at the Benjamin N. Cardozo School of Law, said the justice corps would address a growing interest in immigration and public interest law among young lawyers at a time when it is far more challenging to find jobs in the nonprofit sector than in the private one.

She said the justice corps would give rookie lawyers “hands-on experience with clients and in the courtroom” that they probably would not have as first-year lawyers at big private firms.

Richard L. Revesz, dean of the New York University School of Law, called the project “a spectacular concept,” and said his university could conceivably provide office and classroom space for the corps as well as expertise.

But, he added, the operational costs would have to come from another source. “The question is,” Professor Revesz said, “whether the right funders could step forward to make it feasible.”



Judge Proposes a National Lawyers Corps to Help Immigrants

Judge Robert A. KatzmannJames Estrin/The New York Times Judge Robert A. Katzmann

As Congress takes up immigration reform, Robert A. Katzmann, a federal appellate judge in New York, has been looking beyond the debates and envisioning a crisis.

If legislation should pass that would provide a path to legal status for the country’s estimated 11 million illegal immigrants, he wonders, where would they turn for legal assistance to help apply for visas, green cards and citizenship

He has been voicing this concern in recent meetings with officials in New York and Washington â€" and trying to gather support for his solution.

“There’s kind of a myth in the air that we’ll have reform and the problem will go away,” Judge Katzmann warned. “Implementation tends to be an afterthought.”

As a result, he wants to create what he describes as an immigrant justice corps that will recruit and train young lawyers, and then will send them around the country to work at community organizations eager for legal help.

The program would echo existing public service programs like AmeriCorps VISTA and the Peace Corps, he said.

Judge Katzmann said he would welcome government financing, though he acknowledged that it was far more likely that the project would begin with private money.

He estimated that he would need $5 million to support the program for a year, deploying 50 young immigration lawyers every two months for two-year stints.

For the past several years, the judge has been trying to draw attention to the chronic problem of inadequate legal representation for immigrants. The problem, he said, has acquired even greater urgency with the talk of immigration reform.

In 2010, Judge Katzmann, who was appointed to the Second Circuit Court of Appeals by President Bill Clinton, helped to convene a group of lawyers, academics and immigrants’ advocates to study the issue in New York City.

Last year, the group proposed creating a network of existing legal service providers in the New York region that would provide lawyers for all low-income immigrant detainees facing deportation.

Judge Katzmann’s new proposal would establish a program with national scope.

The justices corps would pair retired lawyers with young ones, including those fresh out of law school and those who are early in their careers. It would give young lawyers work in a tight job market and harness the experience of retired lawyers who are not yet ready to put down their legal pads for good.

He has gathered support for the project from officials, lawyers, academics and immigrants’ advocates, but is still trying to round up financing.

Lindsay Nash, a fellow at the Immigration Justice Clinic at the Benjamin N. Cardozo School of Law, said the justice corps would address a growing interest in immigration and public interest law among young lawyers at a time when it is far more challenging to find jobs in the nonprofit sector than in the private one.

She said the justice corps would give rookie lawyers “hands-on experience with clients and in the courtroom” that they probably would not have as first-year lawyers at big private firms.

Richard L. Revesz, dean of the New York University School of Law, called the project “a spectacular concept,” and said his university could conceivably provide office and classroom space for the corps as well as expertise.

But, he added, the operational costs would have to come from another source. “The question is,” Professor Revesz said, “whether the right funders could step forward to make it feasible.”



‘Anna Nicole,’ as in Smith, Is Part of City Opera’s Coming Season

New York City Opera announced on Tuesday that its 2013-2014 season would feature the American premiere of two operas, “Anna Nicole,” by Mark-Anthony Turnage, based on the paparazzi-filled life and death of Anna Nicole Smith, and  “Endimione,” a little-known and rarely staged work composed by Johann Christian Bach in 1772.

The coming season, like the current one, consists of just four productions as the company, which left Lincoln Center after the 2010-11 season, continues a scaled-down, nomadic existence.

“Anna Nicole,” which is being co-produced by the Brooklyn Academy of Music, will open BAM’s 2013 Next Wave Festival in September. “Endimione,” directed by Michael Counts, will be performed Feb 8-16 at El Museo del Barrio in Manhattan. Later that month and continuing into March City Opera will return to Brooklyn for Bartok’s “Bluebeard’s Castle” (1911), which is being co-produced with St. Ann’s Warehouse. The production, originally staged by Daniel Kramer, will fill the Warehouse’s entire 13,000-square-foot space.

The company then crosses the river back to Manhattan for a new production of Mozart’s “The Marriage of Figaro,” scheduled to appear at New York City Center in April 2014. “Figaro” is the third of three Mozart operas that Christopher Alden is directing for City Opera. The coming season marks the first to be overseen by City Opera’s new music director, Jayce Ogren.



Port Authority, With Eye on Income, Will Pick Firm for Trade Center Observatory

New York’s newest and tallest observation deck will offer an interactive immersion in all things New York as it shuttles visitors 102 floors into the sky and provides panoramic views of the city and beyond, from the harbor to Westchester County, Long Island, New Jersey and Pennsylvania.

A projected 3.5 million visitors a year to the three-level observatory at 1 World Trade Center will be able see the history of New York City on video screens, punch up the number of available seats for a Broadway show or a Yankees game, and glimpse Rockefeller Center, the Verrazano-Narrows Bridge, West Point and MetLife Stadium in New Jersey.

When the observatory opens more than 1,230 above Vesey Street in 2015, it will take its place among the highest decks in the nation, passing the one at the Empire State Building by a few feet but falling roughly 10 stories short of Chicago’s Willis Tower Skydeck.

At its board meeting on Wednesday, the Port Authority of New York and New Jersey is expected to approve a 15-year deal with Legends Hospitality Management to operate the observation deck that, officials say, could generate as much as $875 million in revenue for the authority over the life of the contract.

The 1,230-foot-high observatory at 1 World Trade Center will include not just stunning views but video kiosks allowing visitors to stroll through New York history and check the availability of Broadway tickets.Spencer Platt/Getty Images The 1,230-foot-high observatory at 1 World Trade Center will include not just stunning views but video kiosks allowing visitors to stroll through New York history and check the availability of Broadway tickets.

The contract is yet another indication that the 1,776-foot tower is nearing completion, a symbol of what officials say is the resilience of New York after the 2001 attack on the trade center. Port Authority officials view the deal as vindication for erecting one of the most expensive office towers built in the United States, at more than $3 billion.

Legends, the company that runs marketing, merchandising and luxury boxes for the earthbound stadiums of the New York Yankees and the Dallas Cowboys, will be in charge of New York’s highest perch. Although it has no experience running observation decks, Legends has guaranteed the Port Authority an annual rent and a percentage of revenues. It has also brought in Phil Hettema of the Hettema Group, who developed the Amazing Adventures of Spider-Man and other theme park attractions for Universal, to design the three-story attraction, which will cost about $62 million.

Legends, led by David W. Checketts, the former president of Madison Square Garden, won a fierce competition to run the observatory, outbidding seven rivals, including Montparnasse 56 USA, an affiliate of a French firm that runs observatories in Paris and Berlin and at the John Hancock Tower in Chicago.

Observatories, once an afterthought for every tall tower, have become a lucrative business. Indeed, the Empire State Building observation decks drew over four million visitors last year and generated net income of $60.6 million in 2011. If all goes according to plan, Port Authority officials expect the new observation deck in Lower Manhattan to account for a hefty 40 percent of the revenue from 1 World Trade Center.

But there is also lots of tower-top competition for visitors to New York City and the payments to the Port Authority will depend on a steady stream of visitors. The Related Companies announced last year that it had designed a multilevel observatory with an outdoor terrace for its planned 1,300-foot skyscraper at Hudson Yards on the West Side. It is unclear, however, when that tower will be built.

Top of the Rock, the observation deck at 30 Rockefeller Plaza in Midtown, reopened in 2005 and now draws about 2.5 million patrons. The better known Empire State Building, which has observatories on the 86th and 102nd floors, operates at capacity during peak holiday periods.

It is unlikely, experts say, that tourists will visit more than one observatory. Downtown, the Statue of Liberty, the September 11 Memorial and Museum and Wall Street will vie with 1 World Trade Center for their attention.

At 1 World Trade Center, visitors will enter one of five dedicated elevators that rise to the 102nd floor, where there will be an “experiential” theater presentation, which opens up to reveal the views, and an event space for private parties. There will be a restaurant and gift shop on the 101st floor and another observation deck on the 100th floor.



Marie Ponsot Wins Lucrative Poetry Prize

Marie Ponsot, a poet known for her bold reimaginings of traditional forms, has been awarded the Ruth Lilly Poetry Prize, one of the most prestigious (and richest) in poetry, which comes with a $100,000 award.

Ms. Ponsot, 91, joins John Ashbery, W.S. Merwin, Lucille Clifton, Adrienne Rich and others on the list of winners of the prize, which was founded in 1986 to honor lifetime achievement. Her work includes the collections “Easy,” “Springing,” and “The Bird Catcher” (winner of the 1998 National Book Critics Circle Award), as well as translations of more than 30 books from French.

As part of the honor, Poetry magazine will publish 11 of her poems in its May issue.

Christian Wiman, the magazine’s editor, called Ms. Ponsot’s poems “marvels of intellectual curiosity and acuity” that “will also break your heart.” Indeed, her 1958 poem “Anti-Romantic” is included in the recent centennial anthology “The Open Door: 100 Poems, 100 Years of Poetry Magazine.” She will participate in a reading celebrating the anthology on April 8 at the 92nd Street Y in New York.



Marie Ponsot Wins Lucrative Poetry Prize

Marie Ponsot, a poet known for her bold reimaginings of traditional forms, has been awarded the Ruth Lilly Poetry Prize, one of the most prestigious (and richest) in poetry, which comes with a $100,000 award.

Ms. Ponsot, 91, joins John Ashbery, W.S. Merwin, Lucille Clifton, Adrienne Rich and others on the list of winners of the prize, which was founded in 1986 to honor lifetime achievement. Her work includes the collections “Easy,” “Springing,” and “The Bird Catcher” (winner of the 1998 National Book Critics Circle Award), as well as translations of more than 30 books from French.

As part of the honor, Poetry magazine will publish 11 of her poems in its May issue.

Christian Wiman, the magazine’s editor, called Ms. Ponsot’s poems “marvels of intellectual curiosity and acuity” that “will also break your heart.” Indeed, her 1958 poem “Anti-Romantic” is included in the recent centennial anthology “The Open Door: 100 Poems, 100 Years of Poetry Magazine.” She will participate in a reading celebrating the anthology on April 8 at the 92nd Street Y in New York.



Queens Museum of Art to Be Renamed Amid Expansion

The Queens Museum of Art is changing its name.Michelle V. Agins/The New York Times The Queens Museum of Art is changing its name.

The 9,335-square-foot Panorama of New York City will still be there, but the familiar logo for the Queens Museum of Art will not. The cultural institution in Flushing Meadows-Corona Park is changing its name to the Queens Museum. The renaming accompanies a planned $65-million, 50,000-square-foot expansion that is scheduled to be finished in October.

“While this is a time of tremendous change for the Queens Museum, what will remain constant is our dedication to openness and engagement,” said Tom Finkelpearl, the museum’s executive director. Mr. Finkelpearl said the museum’s programming will still cater to the borough’s diverse communities, including initiatives designed for visitors with special needs, gays, teens and immigrants.



Hitchcock’s Earliest Films to Tour U.S.

With a film and TV movie about Alfred Hitchcock and even a new TV series based on his work, fans of the director have had a lot to check out recently. Now add nine more films, black-and-white silents that constitute his earliest-surviving work and will be shown together on an American tour later this year.

Made between 1925 and 1929, the movies, recently restored by the British Film Institute, include “The Pleasure Garden,” Hitchcock’s first film, about chorus girls in London. Even that movie displayed telltale signs of Hitchcock’s touch. “Already you have the obsession with blondes seen in ‘The Birds’ and ‘North by Northwest,’ the voyeurism of ‘Psycho’ and ‘Rear Window,’ even the theater setting he used again and again in his films,” Kieron Webb of the institute told the BBC last year.

The tour begins June 14-16 at the San Francisco Silent Film Festival before moving on to the BAMcinématek in Brooklyn at the end of June and then other American cities.



Another New Album Coming From Justin Timberlake

Mr. Timberlake performing in Austin.Josh Haner/The New York Times Mr. Timberlake performing in Austin.

Justin Timberlake says he plans to release new music in the near future: a second volume to his just-released album “The 20/20 Experience.”

During an album release party in Los Angeles on Monday, Mr. Timberlake confirmed reports that he plans to put out another album this year. He said the album released last week was “only the first part.”

“There is another half,” he said. “I’m not giving you a release date.”

Questlove, the Roots drummer who has worked closely with Mr. Timberlake over the last week on “Late Night With Jimmy Fallon,” said in comments posted on the Web site Okayplayer that Mr. Timberlake, 32, intended to put out a second album of 10 songs in November.

The new album marks the return of Mr. Timberlake to the world of pop music after six years in which he focused on his acting career, appearing in films like “The Social Network” and “Friends With Benefits.” It has been at the top of the iTunes album chart since it became available to stream last week and is likely to top the Billboard 200 chart next week.



Hitchcock’s Earliest Films to Tour U.S.

With a film and TV movie about Alfred Hitchcock and even a new TV series based on his work, fans of the director have had a lot to check out recently. Now add nine more films, black-and-white silents that constitute his earliest-surviving work and will be shown together on an American tour later this year.

Made between 1925 and 1929, the movies, recently restored by the British Film Institute, include “The Pleasure Garden,” Hitchcock’s first film, about chorus girls in London. Even that movie displayed telltale signs of Hitchcock’s touch. “Already you have the obsession with blondes seen in ‘The Birds’ and ‘North by Northwest,’ the voyeurism of ‘Psycho’ and ‘Rear Window,’ even the theater setting he used again and again in his films,” Kieron Webb of the institute told the BBC last year.

The tour begins June 14-16 at the San Francisco Silent Film Festival before moving on to the BAMcinématek in Brooklyn at the end of June and then other American cities.



Another New Album Coming From Justin Timberlake

Mr. Timberlake performing in Austin.Josh Haner/The New York Times Mr. Timberlake performing in Austin.

Justin Timberlake says he plans to release new music in the near future: a second volume to his just-released album “The 20/20 Experience.”

During an album release party in Los Angeles on Monday, Mr. Timberlake confirmed reports that he plans to put out another album this year. He said the album released last week was “only the first part.”

“There is another half,” he said. “I’m not giving you a release date.”

Questlove, the Roots drummer who has worked closely with Mr. Timberlake over the last week on “Late Night With Jimmy Fallon,” said in comments posted on the Web site Okayplayer that Mr. Timberlake, 32, intended to put out a second album of 10 songs in November.

The new album marks the return of Mr. Timberlake to the world of pop music after six years in which he focused on his acting career, appearing in films like “The Social Network” and “Friends With Benefits.” It has been at the top of the iTunes album chart since it became available to stream last week and is likely to top the Billboard 200 chart next week.



A 1930s Beauty Contest With Shapely Horns and Fine Beards

Goats lined up with their owners in Central Park in 1936 for the judging of the Times Wide World Photo Goats lined up with their owners in Central Park in 1936 for the judging of the “Mr. Bock Beer” goat beauty contest.

You probably knew this already, but there was a time when there were regular goat beauty pageants in Central Park.

The time was the mid-1930s, when, in a fit of post-Prohibitionary giddiness, New York City provided space for the Brewers Board of Trade to choose the year’s mascot for the ubiquitous bock beer advertising poster (a billy goat is a geissbock in German, and a bock beer festival was a springtime staple).

Or as The New York Times put it on the eve of a 1934 contest, “Amid the Virgilian landscapes of Central Park, the shy goatherds of Manhattan will bathe in the sweet light of publicity this morning, when they assemble at 11 o’clock to consecrate the choicest of their flocks to Bacchus.”

And so it was that 79 years ago Monday, The Times carried news that Pretzels, a breathtakingly attractive he-goat with “magnificent swirling horns, a long, sagacious beard and a relatively sweet disposition,” walked off the Central Park mall with the title of Mr. Manhattan and the right to face the winners from across the city and region for the crown.

Pretzels the goat and his mistress, Vivian Libby, basked in victory’s glow in Central Park in 1934 after Pretzels won a brewery-sponsored beauty contest.Times Wide World Photo Pretzels the goat and his mistress, Vivian Libby, basked in victory’s glow in Central Park in 1934 after Pretzels won a brewery-sponsored beauty contest.

While Pretzels did not actually live in Manhattan - he was a resident of the Westchester County village of Hastings-on-Hudson who was allowed to enter because his owner lived on West 26th Street - fully 35 of the other competitors, surprisingly enough, did, according to the brewers board. The Times explained:

“Indigenous goats, according to the brewers, fall naturally into two rather finely differentiated classes - mascots and talismans. The mascots are kept by secret societies, naval reserve units and others, to whom the mere fact of keeping a goat seems comical. The talismans are kept by kennels and stables mostly, on the so-far-unexploded theory that no animal can get distemper if a goat is kept somewhere in the offing.”

Pretzels went on to win the title of Mr. Bock Beer, 1934, defeating the leading hircine beauties from Newark, the Bronx, Staten Island and Brooklyn. He was awarded $75 and an embossed blanket.

In 1936, Pretzels won the Manhattan title again, only to be trounced in the finals by Buddy, a goat employed as a lawn mower at a Standard Oil Company tank farm in New Jersey.

Goats were hardly strangers to the park. In the early 1900s, as the photo below demonstrates, goats pulled children in miniature versions of horse-drawn carriages. Even today a statue of a Dancing Goat guards the archway between the Central Park Zoo and the Children’s Zoo.

Perhaps the park’s long tradition of goat-friendliness has something to do with the fact that the word Gotham is, according to the New York Public Library, borrowed from a reference in old English proverbs to “a village called Gotham or Gottam, meaning ‘Goat’s Town’ in old Anglo-Saxon,” a village of simple-minded fools.

Perhaps, though, it doesn’t.

Goat-drawn carriages in Central Park, 1904.Detroit Publishing Co., via Library of Congress. Goat-drawn carriages in Central Park, 1904.


Committed, Sort Of

Dear Diary:

Overheard entering a Chelsea subway station:

“We’re not monogamous; we’re monogamish.”

Read all recent entries and our updated submissions guidelines. Reach us via e-mail diary@nytimes.com or follow @NYTMetro on Twitter using the hashtag #MetDiary.



In Performance: Judy Kuhn of ‘Passion’

Stephen Sondheim and James Lapine’s musical “Passion,” set in 19th-century Italy, tells an unlikely love story: Giorgio, a young army captain with a beautiful mistress, is changed by the obsessive love that Fosca, an invalid he meets while serving at a mountain outpost, has for him. In this number from the Classic Stage Company revival, Fosca, played by Judy Kuhn, sings “Loving You,” in which she tells Giorgio that her love for him “is not a choice, and not much reason to rejoice.” Ms. Kuhn is accompanied on cello by Mairi Dorman-Phaneuf; the arrangement is by Rob Berman, the show’s musical director. “Passion” continues through April 19.

Recent videos include Jenn Harris and Carson Elrod in a scene from “The Universal Language,” one of the works in David Ives’s “All in the Timing,” a collection of short plays, and Maggie Siff and Jonathan Cake in a scene from the Theater for a New Audience production of “Much Ado About Nothing”.

Coming soon: Tina Packer performs a scene from “Women of Will.”



In Performance: Judy Kuhn of ‘Passion’

Stephen Sondheim and James Lapine’s musical “Passion,” set in 19th-century Italy, tells an unlikely love story: Giorgio, a young army captain with a beautiful mistress, is changed by the obsessive love that Fosca, an invalid he meets while serving at a mountain outpost, has for him. In this number from the Classic Stage Company revival, Fosca, played by Judy Kuhn, sings “Loving You,” in which she tells Giorgio that her love for him “is not a choice, and not much reason to rejoice.” Ms. Kuhn is accompanied on cello by Mairi Dorman-Phaneuf; the arrangement is by Rob Berman, the show’s musical director. “Passion” continues through April 19.

Recent videos include Jenn Harris and Carson Elrod in a scene from “The Universal Language,” one of the works in David Ives’s “All in the Timing,” a collection of short plays, and Maggie Siff and Jonathan Cake in a scene from the Theater for a New Audience production of “Much Ado About Nothing”.

Coming soon: Tina Packer performs a scene from “Women of Will.”