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Scorn for Unions Threatens Mayor\'s Educational Legacy

Teachers Julie Cavanagh and Adam Stevens listen to the mayor pour boiling oil on their union, to his talk of imposing more tests and using the scores to draw a stringent measure of each teacher, and they wonder what world he inhabits.

Ms. Cavanagh, 34, teaches at the highly rated Public School 15, in the working-class Brooklyn neighborhood of Red Hook. She already loses 16 days each school year to our mania for federal, state, and city tests. (I write “our mania” but this noun rarely applies to the $40,000 per year private schools attended by the children of the mayor and many education reformers, where the emphasis is on essay writing and the “whole child,” and a distrust of standardized testing prevails.)

“Our school has never been about churning out day after day of test prep; we try hard not to be that narrow,” Ms. Cavanagh says. “Slowly but surely, though, the definition of success becomes based on a test score.”

As for Mr. Stevens, 38 he teaches history with much-admired passion at one of the city’s nationally ranked public high schools. “I love teaching history,” he says, “but I don’t want to find myself pushed to the curb in ten years because some of my kids didn’t do well on a test imposed on us by administrators who have set us both up to fail.”

Mayor Michael R. Bloomberg styles himself an education revolutionary. He can claim accomplishments, and many rebuilt schools. Like many of that self-assured breed, however, he can sound deaf to the observations of his best front-line troops. Twelve years in, he risks making purism his trademark.

Last week he went to war on two fronts, and neither was very successful.

He took on the school bus owners and union drivers and attendants, who each day take more than 150,000 children to school. The mayor insisted that only competitive bidding for bus contracts - which could eviscerate union contracts - would yield the dollar savings he desires. His adherence t! o the religion of competitive bidding is wobbly; his administration came to the precipice of disaster in 2007, when consultants holding a no-bid, multimillion dollar contract recommended new bus routes that made very little sense.

Former Mayor Rudolph Giuliani, a true negotiating carnivore, was threatened with a school bus strike years ago, but backed off after the companies and unions gave back tens of millions of dollars in savings.

(Comptroller John C. Liu also noted last week that the mayor’s education department planned to hand a no-bid, $10 million contract to track test scores to a company run by the former New York City schools chancellor, Joel I. Klein).

But it was the mayor’s failure last week to reach an agreement with the United Federation of Teachers on a new evaluation system that poses a real threat to his educational legacy.

The teachers union, aware that teachers chafe at being tied tight to the wheel of test scores, reluctantly agreed to a two-year trial run fora new evaluation system. Mr. Bloomberg would hear nothing of it; he insisted that an agreement must extend for perpetuity. The mayor took the same line with the union representing principals and administrators.

Each negotiation foundered as a result, in the final hours.

The mayor mounted his horse of indignation afterward, suggesting that the teachers union wanted only to kill the evaluations. The teachers union is no team of angels; it can be a stubborn, frustrating negotiating partner.

But the mayor’s account trips over inhospitable facts.

State education officials said that the Bloomberg administration had indicated early on that it was open to a two- year deal. More than 90 percent of school districts statewide agreed to deals with their unions that lasted either one or two years.

The Bloomberg administration’s hard line carries a price tag: It now risks losing hundreds of millions of dollars in federal and state aid.

The mayor has claimed that the teachers! union’! s leadership is out of touch with its members. He is perhaps half right.

Rank and file anger swells, some of it directed at the union itself. But trust in Mr. Bloomberg is an hourglass that has run out. Many teachers say the mayor has humiliated them, offering no raises since 2009 and last year releasing a database ranking 18,000 teachers based on student test scores. Mr. Bloomberg enjoys talking of bringing business practices to the public sector, but it’s hard to imagine top law and financial firms handing out evaluations of its partners to potential customers.

Ms. Cavanagh adores her Red Hook school and her children, 90 percent of whom come from families poor enough to qualify for free lunches. But she feels the walls of the system closing in.

“The ‘bad teacher’ narrative as a way of explaining what’s wrong with our school system gets really old,” says Ms. Cavanagh. “Our union has taken a stance that we will collaborate and compromise and that is shortsighted when the othe side seems bent on destroying you.”

Her words speak to a revolution in peril.



Behind Park\'s Name, a Civil War Soldier Who Helped Give the N.R.A. Birth

Wingate Park in Brooklyn is named for George W. Wingate, a lawyer and former Union soldier who helped found the National Rifle Association in 1871.Robert Stolarik for The New York Times Wingate Park in Brooklyn is named for George W. Wingate, a lawyer and former Union soldier who helped found the National Rifle Association in 1871.

A few months ago, Andrew Soar wondered why somebody named Wingate was so important that a park had been named for him â€" the 5.89 acres in the shadow of Kings County Hospital Center in Brooklyn where Mr. Soar sometimes works out.

So he did a Google search of “Wingate.” He learned that, among other things, George W. Wingate was a founder of the National Rifle Association and was its president for more than 20 years. Mr. Soar paused during his workout in Wingate Park the other day to talk about what he said was an irony: The city has a mayor who has made gun control a priority and has a park honoring the Brooklyn lawyer who wanted to “promote marksmanship.”

“I guess he was not a bad person,” Mr. Soar said of Wingate, who lived from 1840 to 1928 and also helped start the city’s Public Schools Athletic League. But Mr. Soar said he disagreed with the N.R.A.’s call for armed guards in schools after the school massacre in Newtown, Conn. “I think they should leave that to the police,” he said.

Wingate Park fills about half a square block between Winthrop Street and Rutland Road on the fringe of the Crown Heights and Prospect-Lefferts Gardens neighborhoods. It opened in 1957, three years after George W. Wingate High School, whose campus covered the other half of the block and which was sometimes called the “banjo school” for its distinctive shape.

Wingate High School was closed several years ago after years of poor academic performance. The building, rechristened Wingate Campus, now houses four smaller high schools.

The city’s parks department says the park was known as Hawthorne Field and later as George Wingate High School Park, something of a mouthful, as park names go. In 1987, the name was trimmed to simply Wingate Park.

So who was Wingate

He was a lawyer whose name lives on in the Brooklyn firm of Wingate Kearney & Cullen, where Wingate’s son also practiced (before and after he was the surrogate of Kings County).

As Mr. Soar discovered, George W. Wingate was a Union Army officer in the Civil War who was troubled by soldiers’ poor marksmanship. “Soldiers who could not shoot straight were of little value,” Wingate wrote in 1901.

He prepared rules for rifle practice in the New York National Guard that were the first of their kind in this country and, according to Wingate himself, “led to the formation of he National Rifle Association” in 1871.

(He started the N.R.A. with another well-connected New Yorker, the journalist William Conant Church. According to his entry in “Who’s Who in America,” Church had been the publisher of The New York Sun in 1860 and a Washington correspondent for The New York Times in 1861 and 1862, when he volunteered to fight for the Union. Church’s time with The Times was not mentioned in his obituary in 1917.)

In its early years, the N.R.A.’s main goal, as outlined by Chase, was to “promote and encourage rifle shooting on a scientific basis.” The organization’s Web site says that in 1872, it bought a farm in what is now Queens “with financial help from New York State” and opened a rifle range there the same year. But “political opposition to the promotion of marksmanship in New York force! d the N.R! .A. to find a new home for its range,” the Web site says. The state took back the land and eventually built the Creedmoor Psychiatric Center there.

A portrait of Wingate was found in storage at George W. Wingate High School. The building, now called Wingate Campus, is next to Wingate Park.Bebeto Matthews/Associated Press A portrait of Wingate was found in storage at George W. Wingate High School. The building, now called Wingate Campus, is next to Wingate Park.

Wingate’s background was a surprise to some who frequent the park. “That’s amazing,” Edell Jamal Fair, a regular, said after hearing a summation of Wingate’s career.

But Mr. Fair said gun violence was a complicated problem â€" too complicated to be solved with a ban on guns or ackground checks. “You have to have a clean record,” he said, “but that doesn’t mean you’re a law-abiding citizen. It just means you didn’t get caught.”

On the swings in the park, Khristian Willis, 15, said he was “shocked” to learn who Wingate was.

Should the park’s name be changed “Honestly, I’m not sure,” he said. “I personally despise the N.R.A. for what they said after Sandy Hook.”

But he also said, “A pistol is O.K., not a rifle.”

Across the park, Michelle White was looking after her four children. She said her husband was an N.R.A. member and, after calling him on the phone, she said he knew who Wingate was.

She took issue with President Obama’s proposals to reduce gun violence.

“It’s an invasion of the Second Amendment, and not his place,” Ms. White said. “Criminals will get guns anyway. Only the law-abiding citizens won’t have guns or will give up guns. That puts us in a place of trouble.”

She sa! id that w! omen in particular should be allowed to carry concealed weapons. “There are a lot of muggings in this neighborhood,” she said.



ASAP Rocky, From Mixtape Darling to Top of the Chart

The Harlem rapper ASAP Rocky became a mixtape darling two years ago, and now, with his proper debut released on a major label, he has a No. 1 album as well.

ASAP Rocky performing at Santos Party House. ASAP Rocky performing at Santos Party House.

ASAP Rocky’s album, “Long.Live.ASAP” (Polo Grounds/RCA), led by a single with an unprintable title, sold 139,000 copies in its opening week, according to Nielsen SoundScan. Those sales gave it a healthy lead over this week’s No. 2 album, which is also new but couldn’t be more different: “Kidz Bop 23” (Razor & Tie), the latest in a popular compilation series that has toddler-friendly versions o pop hits, like Rihanna’s “Diamonds” and Psy’s “Gangnam Style.” It sold 78,000 copies.

The most interesting contest this week, though, is on the singles chart. “Thrift Shop,” by the independent rap duo Macklemore & Ryan Lewis, is the most-downloaded track, with 341,000 downloads, and the song also rises one spot to No. 1 on Billboard’s Hot 100 chart, which in addition to sales also incorporates radio airplay and online streaming. Close behind, though, is Justin Timberlake’s comeback song, “Suit & Tie,” which sold 315,000 in its first week out and rocketed 80 spots to No. 4 on the Hot 100. (The quirks of Bllboard’s chart rules are partly responsible for that big leap. The song was released just after midnight on Jan. 14, too late for its early sales to count, but not too late to allow two days of airplay.)

Also on the album chart this week, the soundtrack to the film “Pitch Perfect,” which was released in theaters in September but! lately become a hit as an on-demand video, continues its climb up the chart. The album is up two spots this week to No. 3, with 45,000 sales â€" about 6,000 copies more than the soundtrack to “Les Misérables,” which this week is No. 6 on the album chart. (“Les Misérables” is currently No. 5 at the box office, according to BoxOfficeMojo.com.)

Taylor Swift’s “Red” (Big Machine) holds at No. 4 with 41,000 sales, and Bruno Mars’s “Unorthodox Jukebox” (Atlantic) rises one spot to No. 5 with 39,000. Last week’s No. 1, “Burning Lights” (sixsteps) by the Christian singer-songwriter Chris Tomlin, fell to No. 22 with 16,000 sales in its second week out.



School Secretary Fined for No-Bid Purchases From Husband

It might have seemed like a natural fit.

Schools need supplies, and Elaine Baptiste, a secretary at a high school in Brooklyn, had a new husband in the supply business. So she ordered some supplies from the company he owned - $39,936.60 worth, including several thousand dollars in calculators, over the course of 10 months, beginning 13 days after her wedding in 2010, according to the New York City Conflicts of Interest Board and the Department of Education.

But Ms. Baptiste, who works for the School for Democracy and Leadership in East Flatbush, failed to seek competing bids on her purchases, she stated in a settlement document released on Wednesday. For this offense, Ms. Baptiste, who has worked for the school system for 29 years, was fined $6,500.



Taymor To Direct \'Midsummer\' As Inaugural Show For Theater\'s New Home

The Tony Award-winning director Julie Taymor will return to the New York stage in October with a production of Shakespeare’s “Midsummer Night’s Dream” to open the new Brooklyn home of Theater for a New Audience, an Off Broadway company where Ms. Taymor has regularly worked since its founding in 1979. “Midsummer” will be Ms. Taymor’s first show since her high-profile firing from the Broadway musical “Spider-Man: Turn Off the Dark” in 2011 by its producers, with whom she is still in a legal battle over back pay, royalty and copyright protection.

In a telephone interview on Wednesday, Ms. Taymor said she chose “Midsummer” as the theater’s inaugural prodction because of the play’s celebratory nature: Characters fall in love, reunite after spats and wed, and others put on a play themselves.

A celebrated downtown theater director and puppet-maker before finding fame and fortune directing the blockbuster musical “The Lion King,” Ms. Taymor she was still thinking over concepts for staging “Midsummer” and did not know yet if she would be designing puppets or masks for the show. As for the “Midsummer” budget, she said she did not know how much the production would cost, but added that it would be “typical” for Off Broadway and noted that Theater for a New Audience “never does big budgets.”

“Spider-Man” attracted international headlines for, among other things, its $75 million budget, more than twice as much money as any Broadway show in history.

Ms. Taymor said she was talking over ideas for “Midsummer” with Es Devlin, the British set and costume designer who is known for big-budget spectacles like the closi! ng ceremony for the London Olympic Games last summer.

“Midsummer” will not be set in any particular time or period, “but rather in its own world,” Ms. Taymor said. She did say that she may include children and teenagers in the cast, after recently holding a workshop of the play with children “to play with their energy and physicality and to think about raw elemental energy.” Ms. Taymor’s long-time partner, Elliot Goldenthal, will compose original music for “Midsummer.”

“There is a visceral nature to the theater, and I want to have that in the production,” said Ms. Taymor, who has never directed a “Midsummer” before. She was a designer on the play in 1984 when Theater for a New Audience did a children’s version - her first collaboration with the company and its artistic director, Jeffrey Horowitz, who is now a close friend.

The play will begin performances on Oct. 19 in the theater’s new 299-seat main stage space, which has been designed by architect Hugh Hardy Opening night is set for Nov. 2.

Asked if her return to New York theater was any more special because of her experiences on “Spider-Man,” Ms. Taymor simply said that she was looking forward to working on the play.

“Spider-Man” became the most talked-about Broadway show in many years because of a nightmare’s-worth of creative and technical delays, cast injuries, and offstage showdowns between Ms. Taymor and her composers - Bono and the Edge of U2 - and the show’s producers.

Bono, Edge, and the producers ultimately replaced Ms. Taymor as the show’s director after more than three months of preview performances during the winter of 2011. The producers contended that she resisted their pleas to revamp “Spider-Man” into a more family-friendly musical (thereby possibly selling more tickets and recovering its high costs), while Ms.Taymor said the producers refused to support her requests and ideas for changes in the script and the score.

“Spid! er-Man” opened in June 2011 to mostly negative reviews but has gone on to become a popular show with tourists, although ticket sales have cooled a bit in recent months.

Ms. Taymor sued the producers in federal court in late 2011, saying they were profiting from her “Spider-Man” script and staging and owed her more than $1 million in back pay and royalties; they countersued, arguing that she had been fired for breach of contract. The judge in the case announced last August that the two sides had reached a settlement agreement in principle, but since then the sides have not been able to come to terms.

The specifics of their ongoing differences have never been disclosed; Ms. Taymor declined to comment on Wednesday about the issues holding up a settlement, but said that a negotiated resolution was “looking good.”

“I’m hoping that we’re going have a good otcome very soon,” she said.



Beyoncé\'s Anthem Performance Prompts a Flurry of Analysis

Beyoncé on Monday.

Did she or didn’t she A day after a spokeswoman for the United States Marine Band suggested that Beyoncé may have lip-synched her stellar rendition of the national anthem at President Obama’s inauguration, the R&B star still had not made a statement, and the Internet was abuzz with theories, as people reviewed videos of her performance for clues.

“This is getting as much analysis as the Zapruder film,” Joe Moore, the program director at Valley Public Radio in Fresno, Calif., wrote on Twitter.

He was referring to an analysis of the performance by a British audio engineer, Ian Shepherd. Mr. Shepherd pointed out that in some videos, like one posted by The Wall Street Journal, a second vocal track can clearly be heard, suggesting that Beyoncé was singing along to her own recording.

But Mr. Shepherd added it appears the vocal that the audience heard was the live version. He pointed out that her voice was hard to hear when she began, then became louder, a sign that the sound engineer may have turned up her microphone. At another point, he said, her voice gets brassy when she leans closer to the microphone. He also pointed out that Beyoncé removed her earpiece monitor nearly 2 minutes into the song, suggesting that she! was having trouble hearing the pitch of her voice through the monitor, perhaps because she was hearing the recorded version.

“None of these clues are conclusive,” Mr. Shepherd wrote, “but to fake all of them, plus the details of the performance itself, would make Beyoncé the best lip-synch artist in the world!”

Yvette Noel-Schure, a publicist for Beyoncé, did not return several telephone calls and e-mail messages on Wednesday from a reporter requesting information. Matt House, a spokesman for the Joint Congressional Committee on Inaugural Ceremonies, which staged the swearing-in and Beyoncé’s performance, also declined to comment.

On Tuesday, the Marine Corps said the Marine Band that accompanied Beyoncé was told at the last minute that she would use a recorded version of their parts. That decision was made, a spokesman for the corps said, because the singer had had no time to rehearse with the band. So the Marines, who had perormed for two hours without trouble, mimed playing their instruments during the song.

Officials in the Marine Corp press office also confirmed Beyoncé had recorded a version of the anthem on Sunday night at a studio in Washington. That recording was to be used in case of bad weather or equipment failure.



Robert Polito Named President of Poetry Foundation

Robert Polito, the director of the creative writing program at The New School since 1992, has been named the new president of the Poetry Foundation, based in Chicago.

Mr. Polito will begin his tenure on July 8. The organization’s inaugural president, John Barr, who caused occasional ripples in the poetry world, is set to retire but will stay on until July and then help with the transition.

Mr. Polito is a poet, critic and author of several books, including “Savage Art,” a biography of the crime writer Jim Thompson that won a National Book Critics Circle Award in 1995.

The foundation, which publishes the century-old Poetry magazine, was created after Ruth Lilly, an heir to the Eli Lilly pharmaceutical fortune, shocked the arts community and gave the magazine $00 million in 2002. (The gift, given in stock, has since come to be valued at nearly $200 million, according to the foundation.)

Poetry also will have a new name at the top soon. Christian Wiman, editor of the magazine since 2003, recently announced he will leave the position in June.



Store\'s Security Guard Is Pawed and Dangerous

The bodega cat named February rules her block of First Avenue with an iron paw.DNAinfo/Victoria Bekiempis The bodega cat named February rules her block of First Avenue with an iron paw.

You have heard tell of the fearsome magnificence of the bodega cat, that brave and elite warrior race that patrols the aisles of the city’s delicatessens, crushing mouse, cockroach and dust ball alike under a lightning-fast and all-powerful paw.

DNAinfo/Victoria Bekiempis Check the menacing snarl.

But are you familiar with the undauntable exemplar of the species named February February, a flame-tressed beauty from the rarefied precincts of the city’s Upper East Side, runs the security operation at the K & B Candy Store on First Avenue near 61st Street.

She is known (and feared) as much for her hatred of and dominion over the neighborhood’s dogs as for her haughty elegance, according to the news site DNAInfo, which published February’s life story on! Tuesday,

“If she sees a dog outside, she’ll punch the glass with her paw,” said the store’s manager, Bharat Patel. K & B’s location gives February ample opportunity to exercise her wrath: next door is a doggy day-care center. Read all about February.

Really, she's just a pussycat.DNAinfo/Victoria Bekiempis Really, she’s just a pussycat.


Police Start Testing Device to Spot Concealed Guns

An image generated by the New York Police Department's body scanner, which is being developed to help detect concealed weapons. The numbered signs show the distance from the scanning device in meters.N.Y.P.D. An image generated by the New York Police Department’s body scanner, which is being developed to help detect concealed weapons. The numbered signs show the distance from the scanning device in meters.

The Police Department’s effort to deploy a portable device that can detect concealed handguns on the street has moved to the testing of an actual model in New York City, Police Commissioner Raymond W. Kelly said Wednesday morning.

The device detects natural radiation emitted by people, and any object obstructing the flow of the radiation registers on a image produced by the device, Mr. Kelly said in his annual speech about the state of the Police Department.

“Over the past 12 months, we’ve been working with the vendor and the London Metropolitan Police to develop a tool that meets our requirements,” Mr. Kelly said. “We took delivery of it last week.”

In a recent test involving a plainclothes officer, Mr. Kelly said, the device produced a black image along the officer’s hip, where he was carrying a gun beneath a jersey. (The officer’s body appeared on the screen as bright green.)

“You get a sense of why we’re so hopeful about this tool,” Mr. Kelly said as he showed images of the test at a meeting of the New York City Police Foundation.

Mr. Kelly said the device, although large, can be mounted in the back of a truck. He first mentioned the possibility of such a device in a speech a year ago.

“We still have a number of trials to run before we can determine how best to deploy this technology,” Mr. Kelly said. “But we’re very pleased with the progress we’ve made over the past year.”

The device, while not small, is portable enough that it can be placed in a vehicle.N.Y.P.D. The device, while not small, is portable enough that it can be placed in a vehicle.


Suspects in Dutch Art Heist-if Not the Art Itself-in Custody

Three suspects in the theft of seven masterpieces from the Kunsthal Museum in Rotterdam have been arrested in Romania, but there is still no word on where the stolen art might be, the BBC reported. The paintings, which include works by Monet, Picasso, Matisse and Lucien Freud, were taken from the Dutch gallery on Oct. 16. A spokeswoman for the Rotterdam police, Yvette van den Heerik, said that the suspects’ involvement was still being investigated.

In another part of the world, law enforcement officials have made more progress in closing a years-old Venezuelan art theft case. On Tuesday, two people, Pedro Antonio Marcuello Guzman and Maria Martha Elisa Ornelas Lazo, were sentenced in Miami to 21 months in pison for trying to sell a 1925 painting by Matisse that had been stolen from the Caracas Museum of Contemporary Art, Reuters reported. The pair offered the work, “Odalisque in Red Pants,” to an F.B.I. agent in July. Museum officials discovered in 2002 that the genuine Matisse had been replaced by a forgery. It is still unclear who engineered the switch or how the pair ended up with the painting.



Royal Shakespeare Company To Stage \'Wolf Hall\' and \'Bring Up The Bodies\'

“Wolf Hall” and “Bring Up the Bodies,” Hilary Mantel’s pair of Man Booker prize-winning novels about Tudor England, are coming to the stage.The Royal Shakespeare Company announced on Wednesday that Mike Poulton, known for his theatrical versions of classic works like “The Canterbury Tales” and “Morte d’Arthur,” is adapting both books for the company, and that the stage versions, directed by Jeremy Herrin, will appear in repertory starting in December.

The BBC had earlier announced plans for a separate miniseries based on the novels.

“Wolf Hall” and “Bring Up the Bodies,” which were published in 2009 and 2012, respectively, are in many ways obvious material for the RSC. They overlap with Shakespeare’s rarely performe “Henry VIII,” except that they focus not on Henry but on Thomas Cromwell, his henchman, deal-maker and marriage broker. Ms. Mantel is at work now on a third novel (entitled “The Mirror and the Light,” according to a BBC News report) which will take Cromwell to his sudden beheading in 1540.

The RSC also announced that its winter season would feature David Tennant, formerly the time traveling humanoid in the beloved BBC science-fiction series “Dr. Who,” in the title role of Shakespeare’s “Richard II.” Gregory Doran, the company’s new artistic director, will direct the production, which is scheduled to open in October.



Museum of the City of New York Opens Renovated Floor

The Museum of the City of New York on Wednesday opened the third floor of its South Wing, part of a $93 million renovation. The wing was inaugurated with “Making Room: New Models for Housing New Yorkers,” an exhibition featuring the winner of a recent city-sponsored design competition for small apartments and presenting a full-scale, furnished micro-studio apartment.

The museum has completed its renovation in phases â€" the third floor is part of the second â€" to avoid closing during the work (the first phase was completed in 2008). Galleries on the first, second and third floors of the Museum’s South Wing now include modern, climate-controlled exhibition spaces that meet current conservation standards.

The South Wing also has two newly named galleries. The Puffin Foundation Gallery, on the second floor, focuses on social activism in New York. The Tiffany & Co. Foundation Galler, on the third floor, will open this fall with the exhibition “Gilded Age New York.”

“This building was built in 1932,” said Susan Henshaw Jones, the museum’s director, in a telephone interview. “The heating system gave way some time ago. It was very much overdue and we look forward to having it completely finished.”



Barry Manilow Is Expected to Perform After Cancellation

Barry Manilow.

After a last-minute cancellation of a preview performance of his show, “Manilow on Broadway,” because of bronchitis, on Tuesday, Barry Manilow, pending a doctor’s approval, is expected to perform the show on Wednesday, his publicist, Rick Miramontez announced. A makeup performance for the missed show is scheduled for Feb. 26, three days after the announced closing date of this limited engagement. The official opening is scheduled to take place as planned on Thursday.



New Yorkers Shiver as Frigid Air Hits the City

Children and adults bundled up against the cold on their way to school in New York on Wednesday morning.Seth Wenig/Associated Press Children and adults bundled up against the cold on their way to school in New York on Wednesday morning.

It may seem like cold comfort, but New York City has it lucky â€" at least compared with our upstate neighbors.

With temperatures expected to reach the single digits overnight Wednesday, making it the coldest couple of days in nearly two years, New Yorkers are feeling the impact of an arctic chill that is sweeping down from the north and impacting millions of Americans.

But the deepest freeze will be felt farther north, in the Great Lakes region from Ohio to upstate New York, where temperaures are expected to drop to more than 20 degrees below freezing and large snowfalls are expected.

Still, as the wind whipped through frozen city streets Wednesday morning, the idea that someone had it worse did little to provide warmth. Someone always has it worse.

And after a couple of very mild winters, it may be that New Yorkers have forgotten how quickly a truly cold day can chill right to the bone.

But for the next few days, they will get a reminder. And even the sun will do little to help.

“We are not going to see much change today, even with sunshine across the area,” said Joey Picca, a meteorologist with the National Weather Service.

As of 10 a.m., he said, the temperatures across the city are in the low teens and the wind chill makes it feel as if it is hovering just around freezing. “La Guardia is at zero,” he said.

While the temperature is not setting any records, it could still be dangerous.

The city has opened several warming shelters where people can seek shelter.

Mr. Picca said there could be snowfall in and around the city at the end of the week, but forecasts did not show a significant accumulation.

The last time Central Park reached temperatures this cold was on Jan. 24, 2011, with a recorded low of 6 degrees. On Wednesday morning, Mr. Picca said, the low in Central Park was 11 degrees.

“We have this cold air that has been reinforced over the last few days and has a solid hold over the area,” Mr. Picca said. “By Sunday,” he added, “we could get into the 30s.”



New Yorkers Shiver as Frigid Air Hits the City

Children and adults bundled up against the cold on their way to school in New York on Wednesday morning.Seth Wenig/Associated Press Children and adults bundled up against the cold on their way to school in New York on Wednesday morning.

It may seem like cold comfort, but New York City has it lucky â€" at least compared with our upstate neighbors.

With temperatures expected to reach the single digits overnight Wednesday, making it the coldest couple of days in nearly two years, New Yorkers are feeling the impact of an arctic chill that is sweeping down from the north and impacting millions of Americans.

But the deepest freeze will be felt farther north, in the Great Lakes region from Ohio to upstate New York, where temperaures are expected to drop to more than 20 degrees below freezing and large snowfalls are expected.

Still, as the wind whipped through frozen city streets Wednesday morning, the idea that someone had it worse did little to provide warmth. Someone always has it worse.

And after a couple of very mild winters, it may be that New Yorkers have forgotten how quickly a truly cold day can chill right to the bone.

But for the next few days, they will get a reminder. And even the sun will do little to help.

“We are not going to see much change today, even with sunshine across the area,” said Joey Picca, a meteorologist with the National Weather Service.

As of 10 a.m., he said, the temperatures across the city are in the low teens and the wind chill makes it feel as if it is hovering just around freezing. “La Guardia is at zero,” he said.

While the temperature is not setting any records, it could still be dangerous.

The city has opened several warming shelters where people can seek shelter.

Mr. Picca said there could be snowfall in and around the city at the end of the week, but forecasts did not show a significant accumulation.

The last time Central Park reached temperatures this cold was on Jan. 24, 2011, with a recorded low of 6 degrees. On Wednesday morning, Mr. Picca said, the low in Central Park was 11 degrees.

“We have this cold air that has been reinforced over the last few days and has a solid hold over the area,” Mr. Picca said. “By Sunday,” he added, “we could get into the 30s.”



Movie Attention for Chastain Gives \'Heiress\' a Broadway Bounce

The actress Jessica Chastain, fresh off an Oscar nomination and Golden Globe win for “Zero Dark Thirty,” wasn’t just generating ticket sales at the movies last week. Her Broadway play “The Heiress” had its best week since mid-November, according to box office data released on Tuesday by the Broadway League, the trade association of theater owners and producers.

“The Heiress,” a revival of a 1947 play about a gawky young woman who is less-than-appreciated by her father and a suitor, grossed $596,439 last week, a healthy 66 percent of its maximum potential gross - or more than 20 percent above the show’s grosses through Christmas and New Year’s. Those holiday weeks are a traditionally lucrative time for many Broadway productions, but “The Heiress” - which opened to mixed reviews in November - had been in a bit of a slump until last week.

Ms. Chatain, who won the Golden Globe for best actress in a drama on Jan. 13, also had the top two movies at the box office last week, “Mama” and “Zero Dark Thirty.”

Another Broadway play, “The Other Place,” enjoyed its biggest jump at the box office last week after opening on Jan. 10 to strong reviews. The play, a drama starring Emmy Award winner Laurie Metcalf as a research scientist who becomes ill, grossed $278,002 - or about 30 percent more than the preview week. As a result of the increased sales, the play - by Sharr White and directed by Tony Award winner Joe Mantello - has been extended at Manhattan Theater Club by a week until March 3.

And the critically acclaimed play “Golden Boy” had its best ticket sales for its final week on Broadway, grossing $4! 71,181. “Golden Boy” closed on Sunday, as did the Al Pacino-led revival of “Glengarry Glen Ross” and the play “Peter and the Starcatcher” (though it is re-opening Off Broadway with new cast members in March).

The top-grossing shows on Broadway last week, in order, were “Wicked,” “The Book of Mormon,” “The Lion King,” “Spider-Man: Turn Off the Dark,” and “Glengarry Glen Ross.”

Overall Broadway musicals and plays grossed $19.6 million last week leading into the Martin Luther King Jr. holiday, compared to $17.8 million the previous week and $19.3 million for the comparable week last season.



Carnegie Hall\'s \'Spring for Music\' Will Expire on Fitting Notes

The final performance of the final season of “Spring for Music,” an orchestra festival at Carnegie Hall, will have a fittingly morbid theme, according to programming announced on Tuesday. The Pittsburgh Symphony Orchestra, on May 10, 2014, will present the last scene of Poulenc’s opera “Dialogues of the Carmelites,” when a group of nuns are serially guillotined; the first New York performance of James MacMillan’s “Woman of the Apocalypse,” based on the Book of Revelation; and a mélange of Mozart music â€" titled “Requiem and Death in Words and Music” â€" centered around his completed sections of the “Requiem.” Pittsburgh’s music director, Manfred Honeck, will conduct.

The concert will end a week of performances in the festival’s fourth and last season. Six North American orchestrs were chosen each year for innovative programs, with tickets costing $25. The other orchestras in 2014 are the New York Philharmonic, the Seattle Symphony, the Rochester Philharmonic, the Winnipeg Symphony and the Cincinnati Symphony.



Mayer, Hudson and Aguilera Among Performers for Rock Hall Ceremony

John Mayer, Jennifer Hudson and Christine Aguilera are among the musicians who will perform at the induction ceremony in April for the Rock and Roll Hall of Fame and Museum.

Mr. Mayer and Gary Clark Jr., the blues guitarist, will pay tribute to Albert King, who is being inducted this year. Mr. Mayer will also give a speech. Ms. Aguilera and Ms. Hudson have agreed to salute Donna Summer, the star from the disco era, who is being inducted posthumously.

Dave Grohl of the Foo Fighters and Taylor Hawkins will induct Rush, the rock trio. And Don Henley of the Eagles will induct Randy Newman.

Public Enemy and Heart are also set to enter the Hall of Fame, along with the producers Quincy Jones and Lou Adler. No announcement was made about who might honor them during the ceremony, which will be held on April 18 at the Nokia Theatre in Los Angees. On May 18, HBO will broadcast a recording of the event



Overheard at Le Bernardin

The dining room at Le Bernardin in 2011.Nicole Bengiveno/The New York Times The dining room at Le Bernardin in 2011.

Dear Diary:

As my boyfriend and I are finishing a celebratory dinner at Le Bernardin, on West 55th Street, a couple in their 50s wearing festive sweaters sits down at the next table.

Waitress (to the couple): “Can I offer you a drink before dinner”

Woman: “I’ll have an unsweetened iced tea.”

Waitress: “O.K.”

Woman: “Do you have free refills”

Waitress: “Uh, I’m not sure. I’ll have to check.”

Woman: “Check, and if you do, then I’ll take it with ice. If you don’t have free refills, I’ll have it with the ice on the sid..”

Waitress: “Got it.”

Read all recent entries and our updated submissions guidelines. Reach us via e-mail: diary@nytimes.com or telephone: (212) 556-1333. Follow @NYTMetro on Twitter using the hashtag #MetDiary.



\'Mad Men\' Set to Return on April 7

Don Draper in a scene from Michael Yarish/AMC Don Draper in a scene from “The Phantom,” the Season 5 finale of “Mad Men.”

The fifth season of “Mad Men” concluded last June on notes of ambiguity: Don Draper was considering a proposition from an alluring stranger; his wife, Megan, had embarked on her acting career; Roger Sterling was enjoying an altered state of consciousness; and Peggy Olson, having quit the Sterling Cooper Draper Pryce agency to join a rival firm, was on a field assignment, watching dogs do, well, doggy things.Where does this 1960s period drama go from here, and what will happen next to its characters

AMC answered part of this question on Wednesday morning, announcing that “Mad Men” will return for its sixth season â€" and what is planned as its second to last â€" on April 7. That premiere episode will be two hours long, the network said, and  written by the “Mad Men” creator Matthew Weiner and directed by Scott Hornbacher, an executive producer. The following week’s installment, written by Mr. Weiner and Matthew Igla, is directed by Jon Hamm, who plays Don Draper on the series.

But as is his frustrating custom, Mr. Weiner was offering few other concrete details about the new  season in a phone interview on Tuesday, not even to specify what year it will be set in. (Still, it seems safe to assume the first two digits will be 1 and 9.)

“It will advance in time, as it does,” Mr. Weiner said cryptically. “I ! can’t say how much or how little. We’re coming off a period in Don’s life where he’s trying to normalize, and trying to have this relationship - a real relationship with this woman that he fell in love with. She expressed her desires and that was a surprise for him. On this show, it’s a very rich, full orchestra, and we like to follow what is the next stage in these people’s lives.”

Mr. Weiner said he hoped “Mad Men” would once again connect with the “cultural psyche” as it did in Season 5: references to horrific 1960s moments like the Richard Speck murders and the Charles Whitman tower shootings seemed to anticipate a national mood of paranoia, even before contemporary events like the Aurora, Colo., shootings; while, on a more optimistic note, Jessica Paré’s performance of the bubbly pop song “Zou Bisou Bisou” gave the tune a new lease on life.

Once again, “Mad Men” is openingwith a two-hour premiere, though Mr. Weiner said he approached the task differently this year.

“The network requested it this time,” he said, “whereas last time it was my idea to come back with a splash. It worked well last year and they wanted to try it again. For me, I was like, well, I don’t have the same set of problems, but I do have a way to start the story with a movie. It has some cliffhanger elements to it, it does propel you into the rest of the season â€" it does foreshadow a lot what the season is about. But I was like, I want to write a movie here, that we can create the atmosphere and vibe of the season.”

Mr. Weiner said he was committed to making this the penultimate season of “Mad Men,” and that this was influencing how he wrote these episodes.

“I did approach this season originally saying, ‘O.K., we can’t do tha! t yet. We! shouldn’t do that yet. I’m saving that for here,’” he said.

But after three weeks of plotting stories this way, Mr. Weiner said his executive producers Maria and Andre Jacquemetton told him: “Just approach the season the way you always approach it â€" go for broke, use up everything you have and we’ll deal with it later.”

“So I decided to throw it all in,” Mr. Weiner said. “When you’re on a show where drama is somebody watching a phone ring, you really shouldn’t take out any story ideas you have.”