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New York Radio Gets A New Country Station

Country music returned to the radio airwaves in New York on Monday morning, when Cumulus Media introduced “Nash 94.7” with a blast of contemporary country hits and a few old favorites like Brooks & Dunn’s “Boot Scootin’ Boogie.”

It was the first time a major FM station had tried a country format since WYNY abandoned country music and became WKTU in 1996, and it came as welcome relief for beleaguered country fans in New York City, which remains one of the biggest markets for country music in the nation. Throughout the day, a deep voiced announcer intoned the station’s tag line: “America’s country station. New York’s All New Nash FM 94.7.” The first songs played were Randy Houser’s “How Country Feels” by Randy Houser and Alan Jackson’s “She’s Gone Country,” Billboard reported. Then came a steady stream of song from current country charts by artists like Miranda Lambert, Brad Paisley and Keith Urban.

There were no disc jockeys on the new station, which is common for start-ups in the radio world, and Cumulus declined to comment, saying an official announcement would be made Tuesday.

In October, Cumulus Media bought the station, which was called WFME, from Family Stations, a nonprofit Christian organization and changed the call letters to WRXP, which had most recently been used by a alternative station at 101.9 FM. This fueled speculation a rock format station was returning to the city, even as in recent days the station broadcast rock, pop and smooth jazz to test its equipment and reach.

But this morning, Cumulus, which also owns WABC and WPLJ, ended the guessing game, and made it clear it is betting a country format could be profitable once again in the city. In the past, country stations, like WYNY and WHN, have done well in the city, gathering a larger audience than many stations in oth! er parts of the country where country music is king simply because the pool of total listeners in the city is so large.

“I think this is great for the fans and great for the format,” Mike O’Malley, a media consultant and former programmer at WYNY, told Billboard. “Back in the 90’s there was over a million people in New York listening to country. Today, not only can Jason Aldean sell out Madison Square Garden in 10 minutes but his music is also being played every time the Yankees’ Brett Gardner walks to the plate.”



\'Avenue Q\' Puppets Help With Ad Campaign About HIV

Three of the puppet characters from the saucy musical “Avenue Q,” the Tony Award winner about the challenges of early adulthood, will star in a series of public service announcements on the Logo cable channel about HIV and sexual behavior, the show’s producers and the network announced on Monday.

The spots, which will begin running Jan. 28 during the season premiere of “RuPaul’s Drag Race,” will cover topics like erasing the stigma of HIV, talking frankly about sex with partners and seeking treatment if diagnosed as HIV positive. The six announcements will be rolled out through 2013 and feature the puppets Lucy the Slut, the closeted Rod and his hunky boyfriend, Ricky.

The scripts were written by Jeff Whitty, who received a Tony for the libretto for “Avenue Q,” which also won the Tony for best musical in 2004. The show closed on Broadway in 2009 and is now running Off Broadway at New World Stags.



\'Avenue Q\' Puppets Help With Ad Campaign About HIV

Three of the puppet characters from the saucy musical “Avenue Q,” the Tony Award winner about the challenges of early adulthood, will star in a series of public service announcements on the Logo cable channel about HIV and sexual behavior, the show’s producers and the network announced on Monday.

The spots, which will begin running Jan. 28 during the season premiere of “RuPaul’s Drag Race,” will cover topics like erasing the stigma of HIV, talking frankly about sex with partners and seeking treatment if diagnosed as HIV positive. The six announcements will be rolled out through 2013 and feature the puppets Lucy the Slut, the closeted Rod and his hunky boyfriend, Ricky.

The scripts were written by Jeff Whitty, who received a Tony for the libretto for “Avenue Q,” which also won the Tony for best musical in 2004. The show closed on Broadway in 2009 and is now running Off Broadway at New World Stags.



Times Square, 12:10 P.M.

Richard Perry/The New York Times

Paula Vogel and Betty Buckley Lead List of Theater Hall of Fame Inductees

The Pulitzer Prize-winning playwright Paula Vogel (“How I Learned to Drive”) and the Tony-winning actress Betty Buckley (“Cats”) will be among the annual inductees to the Theater Hall of Fame at a ceremony on Jan. 28.

The organization, which recognizes lifetime achievement in American theater, is also honoring Trevor Nunn, the Tony-winning director of “Cats,” “Les Misérables” and several other musicals; as well as the actor Sam Waterston (“Law & Order”); the playwright Christopher Durang (“Vanya and Sonia and Masha and Spike”); the Lincoln Center Theater artistic director Andre Bishop; the director Michael Kahn, who also leads the Shakespeare Theater Company of Washington, D.C.; and, posthumously, the costume designer Martin Pakledinaz.

The Tony-winning actress Tyne Daly will be the emcee of the 42nd annual ceremony, which will be held at Broadway’s Gershwin Theater, where the plaques with the names of each year’s honorees are hung.



In Queens, an Unlikely (and Cozy) Landmark of the Early Gay-Rights Movement

The home of the Manford family from the 1950s through the 1990s stands on 171st Street, between 35th and 33rd Avenues, in Queens.David W. Dunlap/The New York Times The home of the Manford family from the 1950s through the 1990s stands on 171st Street, between 35th and 33rd Avenues, in Queens.

The Manfords’ door on 171st Street in Queens was always open, especially if you were a young gay man whose own family had closed the door on you.

Dr. Jules Manford was a dentist and collector of dental tchotchkes.Paul Hosefros/The New York Times Dr. Jules Manford was a dentist and collector of dental tchotchkes.

The rambling three-story house between 35th and 33rd Avenues doesn’t look like a cradle of the gay-rights movement. But it became just that in 1972, when Dr. Jules Manford and his wife, Jeanne, publicly supported their 21-year-old son Morty, a member of the Gay Activists Alliance who had been badly beaten for his political advocacy. They also offered themselves as informal counselors to gay children and their parents. Their initiative led to the creation of a group called Parents of Gays, which grew over time into the national organization Pflag (Parents, Families and Friends of Lesbians and Gays).

Mrs. Manford’s death on Jan. 8 was a reminder that some deep roots of the gay-rights struggle are not just found in Greenwich Village or the Castro in Sa! n Francisco. Instead, they can be found in places like Flushing, Queens, on a block that might be described as tranquil if it weren’t for the youngsters of Public School 32 squealing while they play outdoors.

“It was a very Ozzie-and-Harriet-type house,” recalled Allen Roskoff, a friend of Dr. Manford. “It was a great feeling of warmth for people involved with the gay-rights movement to be in a house with parents who embraced them.”

“It was like having chicken soup,” he said.

Ethan Geto, another friend, reached for a different homey analogy. “Jeanne,” he said, “was like the den mother for a lot of gay young people who were thrown out of their homes, who were rejected by their parents, who were having terrible anguish over what to do or who were eager to come out but terrified of the consequences.”

That sense was undiminished two decades later, as an advocate named Daniel Dromm discovered when he paid a call on Mrs. Manford to ask he to be grand marshal of the lesbian and gay pride parade in Queens. “When I walked into that house, I felt immediately secure, comfortable and safe,” said Mr. Dromm, who is now a City Council member.

Dr. Jules Manford and his son Morty at their home on 171st Street in August 1972.Paul Hosefros/The New York Times Dr. Jules Manford and his son Morty at their home on 171st Street in August 1972.

Dr. Manford, a dentist, moved his young family to 171st Street in the late 1950s from a crowded apartment off Kissena Boulevard. Suzanne Manford â€" now Suzanne Swan â€" was about 10 at the time. She remembered happily that she finally had her very own bedroom, which she proceeded to paint purple. ! Morty, he! r younger brother, colonized an attic space as his den, while Charles, her older brother, turned a corner of the basement into an ad hoc aviary in which he raised parakeets.

After Dr. Manford had a heart attack at 39, the couple decided that Mrs. Manford should resume her college education so she could earn an income. Just in case. She graduated from Queens College in 1964 and began teaching fifth and sixth grades at P.S. 32. Charles died unexpectedly two years later, at 22. Ms. Swan gave birth to a daughter, Avril, in 1968.

Public School 32, 171st Street and 35th Avenue, where Jeanne Manford taught.David W. Dunlap/The New York Times Public School 32, 171st Street and 35th Avenue, where Jeanne Manford taught.

In April 1972, Morty Manford was among the demnstrators at the Inner Circle dinner at the New York Hilton, where journalists and politicians gathered. It seemed an ideal event at which to protest news coverage of the gay-rights movement. But when the protest turned into a melee, Mr. Manford was assaulted by Michael J. Maye, the president of the Uniformed Firefighters Association, according to a number of eyewitnesses. (Mr. Maye was later acquitted of harassment charges.)

This was Jeanne Manford’s moment.

“She had lost one child,” Ms. Swan said. “She had no intention of losing another.”

Mrs. Manford wrote a letter to The New York Post, then a liberal newspaper. She criticized the police for allowing the attacks at the Inner Circle. Even more important was her simple declaration: “I am proud of my son.” The letter, published April 29, 1972, placed the Manfords under a national spotlight. It is among Mrs. Manford’s papers at the New York Public Library.

A Fai! r Chance

I would like to commend The Post for its coverage last week of the tragic incident that took place at the Inner Circle dinner, when hoodlums who work for our city were allowed to beat up the young men of the Gay Activists Alliance and walk away while our police stood by watching. It might be that these “men” have themselves some deep rooted sexual problems or they would not have become so enraged as to commit violence in beatings.

I am proud of my son, Morty Manford, and the hard work he has been doing in urging homosexuals to accept their feelings and not let the bigots and sick people take advantage of them in the ways they have done in the past and are continuing to do.

I hope that your honest and forthright coverage of the incident has made many of the gays who have been fearful gain courage to come out and join the bandwagon. They are working for a fair chance at employment and dignity and to become a vocal and respected minority. It is a fight for recognition such as allminority groups must wage and needs support from outsiders as well as participants in the movements.

Jeanne Manford

Twenty years later, in 1992, Mr. Manford died of AIDS, at 41. Mrs. Manford had set up a hospital bed in the living room at 171st Street to care for him at home. Watching her uncle die affected Avril Swan so deeply that she became a doctor herself. Mrs. Manford moved from Flushing to Rochester, Minn., when Dr. Swan was studying at the Mayo Clinic, and then to Daly City, Calif., to be near Ms. Swan. That is where she died.

The friendly face appearing at the door on 171st Street last Friday belonged to Nancy Timal, the current owner. She recalled Mrs. Manford as a “very lovely lady” whose spirit lingers. “The house,” Ms. Timal assured her visitor, “is still full of life and love.”

Jeanne and Morty Manford at home, August 1972.Paul Hosefros/The New York Times Jeanne and Morty Manford at home, August 1972.


$50,000 Art Prize for Brooklyn Painter and Sculptor

The Studio Museum in Harlem is awarding its Wein Prize, one of the most lucrative in contemporary art, to Jennie C. Jones, a 44-year-old Brooklyn-based painter and sculptor whose work - which she describes as “listening as a conceptual practice” - centers on music.

The prize, with a $50,000 award, has been given every year since 2006 to  established or emerging African-American artists and was started by George Wein, a founder of the Newport Jazz Festival, in honor of his wife, Joyce Alexander Wein, a longtime trustee of the museum who died in 2005.

The prize, whose announcement was delayed by Hurricane Sandy, will be given at a museum gala on Feb. 4. Thelma Golden, the museum’s director and chief curator, said in an interview that Ms. Jones was chosen “not only to celebrate the rigor and strength of her practice, but also because of he thinking about what this amazingly generous prize could do for her at this point in her career.”

Ms. Jones, who will have a solo exhibition in May at the Hirshhorn Museum and Sculpture Garden, has been featured in several shows over the last decade at the Studio Museum and in Chelsea. Her work often uses the language of Minimalism to explore, and sometimes  appropriate, avant-garde jazz and other modern music.

“I kept seeing these amazing parallels in ideologies for both disciplines, especially in jazz and abstraction,” Ms. Jones has said. “Conceptualism allows these different media to occupy the same space.”



Manhattan \'Cockroaches\'

Victor Kerlow

Dear Diary:

I am friends with a family whose young children like to play in the small kitchen of their Manhattan apartment. The parents were able to accommodate them by relocating the contents of one lower kitchen cabinet and removing the shelf.

The mother reported to me that both girls had recently managed to squeeze inside the cabinet. From behind the partly closed door, the elder daughter announced that they were pretending to be cockroaches.

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