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Paris Barclay to Lead Directors Guild of America

LOS ANGELES â€" Paris Barclay, whose extensive television directing credits include episodes of the “Sons of Anarchy” and “Glee” series, was elected president of the Directors Guild of America at the union’s biennial convention here on Saturday. Mr. Barclay succeeds Taylor Hackford, a film director who had served as president since 2009.

Paris Barclay Paris Barclay

The guild, which represents directors and others who supervise the production of movies, television shows and commercials, is preparing for negotiations to replace its Hollywood collective bargaining arrangeents, which expire on June 30, 2014. At its convention, which was held at the guild’s Los Angeles headquarters, Michael Apted was elected secretary-treasurer, while Vincent Misiano became national vice-president. Others, including the actor-filmmaker Jon Favreau, were named to various offices, the guild said.



In Times Square, a Marriage Proposal That’s ‘Them’

John Cusick and Sally Abdel Ghaffar met while they were students at John Jay College of Criminal Justice.Hiroko Masuike/The New York Times John Cusick and Sally Abdel Ghaffar met while they were students at John Jay College of Criminal Justice.

John Cusick stood at the bottom of the TKTS stairs in Times Square, looked up and yelled out, “Mic check.”

The crowd echoed back: “Mic check.”

This was not the beginning of a protest; it was a marriage proposal.

“Sally, you make me the happiest man alive,” Mr. Cusick, 23, said on Saturday as he looked straight into his girlfriend’s bewildered eyes. Over 200 people repeated his words, which for a moment seemed to engulf one of the most chaotic places in New York City.

Mr.Cusick and Sally Abdel Ghaffar, 23, were both students at the John Jay College of Criminal Justice when they met in 2010. Mr. Cusick was vice president of the school’s Republican club, and Ms. Abdel Ghaffar was president of the Democratic club.

“No matter what one of them said in class, the other said the opposite,” said Amy Green, a professor at John Jay College, who went to watch the proposal. “In the beginning I thought it was kind of showy, but then I realized that it’s them.”

The couple’s political divisions are real. Ron Paul is an off-limits topic. Abortion is a tricky subject. On the economy, they fall on opposite ends of the spectrum. Ms. Abdel Ghaffar describes herself as a socialist. But the constant altercations eventually brought them closer. Mr. Cusick recalled the first time he found himself opening up to Ms. Abdel Ghaffar. He told her that his parents had been evicted, and he talked about his struggle to stay above the poverty line.

“It was the first ! time we opened up about who we were and where we were coming from,” Mr. Cusick said.

Mr. Cusick was raised Roman Catholic, Ms. Abdel Ghaffar Muslim. His family is from New Jersey, hers from Egypt. But both are die-hard activists - not afraid to break with tradition. At one point, Ms. Abdel Ghaffar suggested to Mr. Cusick that they take a trip to Egypt and run youth empowerment workshops for high school students. Mr. Cusick accepted, and in January 2011 they flew to Cairo and ran a number of workshops on how to use social media, among other tools, for political expression.

When they completed the workshops, Mr. Cusick flew out on Jan. 24, only one day before the Egyptian revolution erupted. Ms. Abdel Ghaffar stayed and participated in the protests.

On Jan. 28, when the government took down Internet and cellphone service, Ms. Abdel Ghaffar called Mr. Cusick from a land line and asked him to reach out to her father in New York and to let him know that she was fine. It was then that Mr. Cusik asked if Ms. Abdel Ghaffar would go out with him.

“I had started to see a different side that was more vulnerable and compassionate,” Mr. Cusick said, adding that the entire trip was an eye-opening experience. “I just wanted to encourage her to come back.”

Two and a half years later, Mr. Cusick staged what Ms. Abdel Ghaffar called the “perfect proposal.” He asked more than 60 family members, friends and professors to come to Times Square and spread themselves out along the stairs and encourage others to participate. Friends came carrying pink signs that read “Say Yes!!” Family members started to introduce themselves to one another. Dozens of pizza and doughnut boxes were set aside for the after party. At 8:10 p.m., all was set.

Falling on one knee, Mr. Cusick asked the question. “Will you marry me?” It reverberated.

The cheering that followed turned Ms. Abdel Ghaffar’s “yes” into a whisper.



In Times Square, a Marriage Proposal That’s ‘Them’

John Cusick and Sally Abdel Ghaffar met while they were students at John Jay College of Criminal Justice.Hiroko Masuike/The New York Times John Cusick and Sally Abdel Ghaffar met while they were students at John Jay College of Criminal Justice.

John Cusick stood at the bottom of the TKTS stairs in Times Square, looked up and yelled out, “Mic check.”

The crowd echoed back: “Mic check.”

This was not the beginning of a protest; it was a marriage proposal.

“Sally, you make me the happiest man alive,” Mr. Cusick, 23, said on Saturday as he looked straight into his girlfriend’s bewildered eyes. Over 200 people repeated his words, which for a moment seemed to engulf one of the most chaotic places in New York City.

Mr.Cusick and Sally Abdel Ghaffar, 23, were both students at the John Jay College of Criminal Justice when they met in 2010. Mr. Cusick was vice president of the school’s Republican club, and Ms. Abdel Ghaffar was president of the Democratic club.

“No matter what one of them said in class, the other said the opposite,” said Amy Green, a professor at John Jay College, who went to watch the proposal. “In the beginning I thought it was kind of showy, but then I realized that it’s them.”

The couple’s political divisions are real. Ron Paul is an off-limits topic. Abortion is a tricky subject. On the economy, they fall on opposite ends of the spectrum. Ms. Abdel Ghaffar describes herself as a socialist. But the constant altercations eventually brought them closer. Mr. Cusick recalled the first time he found himself opening up to Ms. Abdel Ghaffar. He told her that his parents had been evicted, and he talked about his struggle to stay above the poverty line.

“It was the first ! time we opened up about who we were and where we were coming from,” Mr. Cusick said.

Mr. Cusick was raised Roman Catholic, Ms. Abdel Ghaffar Muslim. His family is from New Jersey, hers from Egypt. But both are die-hard activists - not afraid to break with tradition. At one point, Ms. Abdel Ghaffar suggested to Mr. Cusick that they take a trip to Egypt and run youth empowerment workshops for high school students. Mr. Cusick accepted, and in January 2011 they flew to Cairo and ran a number of workshops on how to use social media, among other tools, for political expression.

When they completed the workshops, Mr. Cusick flew out on Jan. 24, only one day before the Egyptian revolution erupted. Ms. Abdel Ghaffar stayed and participated in the protests.

On Jan. 28, when the government took down Internet and cellphone service, Ms. Abdel Ghaffar called Mr. Cusick from a land line and asked him to reach out to her father in New York and to let him know that she was fine. It was then that Mr. Cusik asked if Ms. Abdel Ghaffar would go out with him.

“I had started to see a different side that was more vulnerable and compassionate,” Mr. Cusick said, adding that the entire trip was an eye-opening experience. “I just wanted to encourage her to come back.”

Two and a half years later, Mr. Cusick staged what Ms. Abdel Ghaffar called the “perfect proposal.” He asked more than 60 family members, friends and professors to come to Times Square and spread themselves out along the stairs and encourage others to participate. Friends came carrying pink signs that read “Say Yes!!” Family members started to introduce themselves to one another. Dozens of pizza and doughnut boxes were set aside for the after party. At 8:10 p.m., all was set.

Falling on one knee, Mr. Cusick asked the question. “Will you marry me?” It reverberated.

The cheering that followed turned Ms. Abdel Ghaffar’s “yes” into a whisper.



Political Action From the Bike Lobby

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A Fruit Vendor for 20 Minutes

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It\'s General Sherman\'s Time to Shine, but Not Too Much

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Goodbye Across the Subway Tracks

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At His Former Home in TriBeCa, Fond Memories of James Gandolfini

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Aspiring to Be Like Walt Whitman

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More Than Just ‘Endangered,\' a J.F.K. Terminal Is to Be Demolished

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A Wardrobe Malfunction

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Working to Revive a Movie House That Lived in a Palace

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Video: Yeah Yeah Yeahs Perform Atop Empire State Building

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Video: Slow-Moving Burglar Carries a Cane

The plastic brace on the man's right foot is trailing straps, and there is a cane in his hand. He takes little steps, and his hip rolls each time he sets down his right foot. There is nothing furtive about the man, whose image was captured by a surveillance camera for a few seconds as he hobbled down a sunlit street in Fort Greene, Brooklyn, one morning last month. So why are the police looking for him?

The answer is that he is thought to be a burglar, a job that calls for a certain amount of stealth. The footage, according to the police, shows him at 9:45 a.m. on May 24 moments before he entered a basement apartment through an open window.

While the man was inside the apartment, the woman who lived there returned home “and startled him,” the police said in a statement. “The suspect then escaped through the window he came in,” leaving empty-handed.

It was not immediately clear whether the injured foot was real or a ruse to deflect suspicion.

Anyone with information about the man is asked to contact Crime Stoppers.



Big Ticket | A Floor Full of Light, Sold for $13.5 Million

All the units from the 11th floor up at the Franklin Tower in TriBeCa, a building once known as the Corn Exchange Bank, occupy an entire floor.Sara Krulwich/The New York Times All the units from the 11th floor up at the Franklin Tower in TriBeCa, a building once known as the Corn Exchange Bank, occupy an entire floor.

An elegant loft that commands the entire 15th floor of the Franklin Tower, an 18-story luxury condominium at 90 Franklin Street in TriBeCa, sold for $13.5 million and was the most expensive sale of the week, according to city records.

The 5,027-square-foot loft, No. 15, spent just over a month on the market and was last listed at $15.5 million. As on every floor from the 11th and up, it enjoys light from four exposures, has 1 0-foot ceilings, and showcases city and Hudson River views from its 28 windows.

The four-bedroom, four-and-a-half-bath residence is entered from a private elevator landing that opens onto a gallery suitable for displaying super-size art. The Boffi kitchen has a center island, a separate pantry and stainless-steel appliances by Gaggenau, Sub-Zero and Bosch. In the spirit of a great room high in the sky, the kitchen is fully visible from the 23-by-33-foot living/entertainment space, which in turn connects, via pocket doors, to a 23-by-13-foot library with a fireplace and a surround-sound audio system.

A hallway leads to the corner master suite, which has cedar-lined closets and a separate dressing room, as well as a sprawling Waterworks bath with double sinks, a glass shower and the ever-popular claw-foot soaking tub. Another wing off the entrance gallery houses three guest bedrooms and two bathrooms. There is also a staff suite with its own entrance. Franklin Tower, which began as a bland-faced brick building known as the Corn Exchange Bank in 1930 and underwent a conversion at the turn of the millennium, has a rooftop fitness facility and deck, an Art Deco marble lobby, and ample storage for its residents' bicycles, scooters and other mobile devices (but no parking garage).

One of the first buyers at 90 Franklin was the pop chanteuse Mariah Carey, who in 2001, just after being turned down uptown at the Ardsley, where she had offered $8 million for Barbra Streisand's penthouse, paid $9 million to combine the top three floors into a stunning triplex penthouse. The diva-esque proportions of her residence are epitomized by a 38-foot-long master bath/spa. Ms. Carey's opulent triplex constitutes No. 15's one and only upstairs neighbor. Other notable Franklin Tower residents have included the actor Ben Stiller and Bob Vila of “This Old House” renown, who has since sold his 14th-floor domicile, perhaps because he got bored living in a turnkey apartment where nothing needed his Midas touch with power tools.

The seller of No. 15, Stephen Kahn, who traded his Manhattan aerie for the higher elevations available in Aspen, Colo., was represented by Richard Orenstein of Halstead Property.

The buyers, a bicoastal couple who used the limited-liability company 90 Franklin Street Fifteen, were represented by Yael Dunsky of Yael Dunsky Real Estate. Ms. Dunsky said they had rented an identical loft on the 11th floor for several years and had been unable to persuade its owner to sell. “For the past five years they looked at everything else in TriBeCa, anything up to $20 million,” she said. “But they never saw anything with the kind of 360-degree views they had on Franklin. They really wanted to stay right where they were.”

So they did, only better: now they own a home with superior views and more elaborate details than the one they had rented. It was de finitely, Ms. Dunsky said, a kismet trade-up.

Big Ticket includes closed sales from the previous week, ending Wednesday.

A version of this article appeared in print on 06/23/2013, on page RE2 of the NewYork edition with the headline: A Floor Full of Light .

Prospect Park Lake, 8:45 A.M.

Anne-Katrin Titze

On Thursday, the mallard ducklings hatched. On Friday they went for a walk and soaked in the sun.

Anne-Katrin TItze


The Train Line Fixer

As assistant chief transportation officer for New York City Transit, Pamela Elsey plans repairs, maintenance and capital improvements on all 24 subway routes, which run over 660 miles of track and serve more than 5.4 million riders daily. Ms. Elsey, 59, started as a railroad clerk in 1985, selling tokens. She was soon promoted to a tower operator and then a train dispatcher. In her nearly 30-year career with the transit agency, she has been superintendent of all but one of the departments she now oversees. A Brooklyn resident, Ms. Elsey rides the subway daily.

Pamela Elsey.Joshua Bright for The New York Times Pamela Elsey.

Q:
Tell me about a typical day.

A:
I'm always in meeting s. Maybe once or twice a week I do see my office, just to gather up all of this information and make sure what I've taken in is appropriately disseminated among my groups. There are other times where I have to respond to incidents like derailments, floods. My unit is also in charge of winter operations. When there's a snowstorm, we're the ones who get all of the equipment out there on the right of way. Even if the trains aren't running, we're running up and down the tracks to keep them clear.

We played a big role in Sandy. When everyone else wasn't working, we were working. We were taking those pump trains to the tunnels and pumping out the water, so I was up making sure that everyone got on those trains and got out there to get this done because it was 24/7 for us. So, at times like that, I'm actually boots on the ground.

Q:
To repair the system, you have to inconvenience some riders. How do you decide who?

A:< /div> We actually have a whole group called Operation Planning, and they go out and they do surveys and customer counts and they try to do the least amount of impact to the customer. I mean, they know everything about the riders, the communities, who's there, how often people use the line. They use information from the swipes, so they know if they do something on any one day how many customers will be inconvenienced. That determines whether we do something midday, on a weekend, etc. But some jobs, they need to be done. We need to do the work. It's all about work and getting the work done. It's not about one community or another.

Q:
What about Hurricane Sandy repairs?

A:
We have a two-year plan to get the Sandy work done, which includes the Montague tube, the Greenpoint tube, the Canarsie tube, the Joralemon tube, the Clark Street tube. I think they may be doing some work in t he 148th Street yard, the Coney Island yard and the Rockaways, which has already been mostly repaired.

When we brought back the Rockaways, it was a really nice day. You could see the bay, you could see the airport, you could see the ocean. I'd never looked at it in that sense of being something that people loved. I only looked at it as: the A train goes across the flats. One goes this way and one goes that way.

Q:
What's happening with the R train?

A:
Everyone knows it took a while for us to assess how we would do the work on the Montague tube. We knew it would have a great impact on our customers, so we looked at it very, very closely. We drew up the plan on how it would be done on the service side, the operation side, the reconstruction side - but the Montague tunnel was one of the worst damaged tunnels, and they'll be working in there for 14 to 15 months, 24 hours a day, which is something normally we d o not do. We usually work on weekdays or weekends.

Q:
Fifteen months? How is that possible?

A:
It's a big hit, but the tunnel is in a state of almost total disrepair. The signal system, almost daily we have disruptions in that tunnel because something's not working. You have components which are totally corroded. The water sat in there a long time - seawater almost up to the ceiling. We were pumping, but the major components - the trackway and the signal system - were underwater. And it totally undermined it. It's an inconvenience, but it's a must because it's unsafe. The tunnel will be totally deconstructed and rebuilt.

The plan, of course, is to use the adjacent lines and to direct those people to where those lines are. We'll be highlighting the transfer points and where they can continue their ride. There's going to be a lot of media, a lot of signage, direction.

Q:
What do the yellow trains do?

A:
We have a vacuum train that goes along the trackway and it vacuums up garbage. We have the refuse trains, which go from station to station, and they actually put the garbage on those trains. That's done nightly. We have the trains that have the cranes on it and move the rail. We have balance regulators. We have tampers. Hoppers full of stones, and we'll bring that to the site. We have the snow throwers. We have rail grinders, which actually make sure the rail is smoothed out. Some of these you might not see unless you're at a work site, and we may pull them to a work site so they can do their work.

Q:
Which line has the oldest cars?

A:
The oldest cars I believe are the R32s. I think they have some on the C line. So I think I would be safe to say the cars on the C line are now the oldest.

Q:
I see countdown timers on the n umbered lines, but not all the lettered lines. Why?

A:
It's all technology. The countdown counters come with the station rehab projects. For instance, the countdown clocks that actually tell you the minutes the train is going to arrive in the station are part of the technology that comes along with the automatic train system, which exists in the rail control center, and the trains are actually talking to the right of way in the track. The countdown clocks are in the numbers side of the trains. So that work has been achieved. On the letters side, we're trying to put other remedies in place. Like, you'll see, some stations will tell you that the next train is two stations away or something like that, but it can't really tell you the time because the technology hasn't arrived. It helps. Remember, we're overlaying all of this technology on a system that is more than 100 years old, and it takes time, so we're trying to catch up. You come back in 5, 10, 15 years: they'll all have countdown clocks. It's all in the planning.

Q:
If you could change one behavior of the train riding public, what would it be?

A:
I've thought about this a lot! Isn't there an etiquette rule that when you're walking you should walk to the right, instead of just smashing into people? The other one I hate is when the people take up residence at the door and you try to get on and they don't move. There should be a book on train etiquette. It's courtesy.

This interview has been condensed and edited.



Week in Pictures for June 21

Here is a slide show of photographs from the past week in New York City and the region. Subjects include a police dog graduation at Grand Central Terminal, Sal F. Albanese campaigning in Queens, and workers atop St. Patrick's Cathedral.

This weekend on “The New York Times Close Up,” an inside look at the most compelling articles in Sunday's Times, Clyde Haberman will speak with The Times's Ginia Bellafante, Eleanor Randolph, Michael Powell, Michael Barbaro and Javier C. Hernández. Also, John Doherty, the New York City sanitation commissioner, and Ron Gonen, the deputy commissioner for sanitation, recycling and sustainability. Tune in at 10 p.m. Saturday or 10 a.m. Sunday on NY1 News to watch.

A sampling from the City Room blog is featured daily in the main print news section of The Times. You may also read current New York headlines, like New York Metro | The New York Times on Facebook and follow us on Twitter.



Yeah Yeah Yeahs Take to the Top of the Empire State Building in New Video

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This Week\'s Movies: ‘World War Z,\' ‘Monsters University\' and ‘A Hijacking\'

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Cecil Taylor Wins the Kyoto Prize

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Top D.J.\'s to Headline the TomorrowWorld Festival

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Billboard Will Not Count Jay-Z\'s Sales From Samsung Deal

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The Sweet Spot: ‘Cinematic Kryptonite\'

In this week's episode, A. O. Scott and David Carr talk about the sour experience of seeing a movie that's “not very super.”



Popcast: The Idea of Bonnaroo

Paul McCartney performing at the Bonnaroo music festival in Manchester, Tenn., on June 14.Wade Payne/Invision, via Associated Press Paul McCartney performing at the Bonnaroo music festival in Manchester, Tenn., on June 14.

This week: The 12th Bonnaroo music festival, which wrapped up last Sunday in Manchester, Tenn.

Bonnaroo has held steady since 2002 as one of America's largest music festivals; it sells out most years at 80,000. It has not expanded into double weekends and boat cruises, like Coachella, or sprouted versions in other countries, like Lollapalooza. But the look of its lineup has changed since its early days as a jam-band summit, the festival at whic h you were assured of hearing music descending from the Grateful Dead. And it has changed not so much toward a package of sellable indie cool for college kids, which is the big-festival norm (i.e., favorites from the last few editions of South by Southwest, plus a few platinum-selling headliners to ensure ticket sales), but toward a kind of broad and principled omnivorousness. Aside from its headliners - Paul McCartney, Jack Johnson, Tom Petty - this year's Bonnaroo had a slate of West African music, progressive bluegrass, new hip-hop, old R&B, southern metal, and a memorable set of Swans' symphonic negativity. So what is the current center of Bonnaroo's identity? Or to ask the question a different way: What kind of music wouldn't work at Bonnaroo? Jon Caramanica debriefs Ben Ratliff, who reviewed the festival this year for The Times.

Listen above, download the MP3 or subscribe in iTunes.

RELATED

Ben Ratliff's review of Bonnaroo 2013.



Quinn Goes to Bat for Theater Troupe Over Parking Fees

The play is apparently not the thing to catch the conscience of the New York City Department of Transportation, which has billed the Drilling Company for the parking spaces the theater troupe uses for its free Shakespeare in the Parking Lot performances, and has required the company to purchase automobile liability insurance.

But the troupe's travails have caught the imagination of Christine C. Quinn, the City Council speaker and mayoral candidate, who said that she is determined to see that the issue costs the company nothing.

“Our office is in touch with the commissioner of D.O.T., Janette Sadik-Khan,” said Jamie McShane, a spokesman for Ms. Quinn. “We asked them to consider reversing course, and grant the waiver that the group has applied for.”

Mr. McShane said he did not know the outcome of that request. A spokesman for the agency did not respond to an e-mail seeking comment. But should the department refuse it, Ms. Quinn has a Plan B.

She has enlisted the aid of Jonathan Sheffer, a composer and conductor who, for a decade starting in 1995, led (and privately funded) the adventurous Eos Orchestra. These days Mr. Sheffer is an arts patron and an ex-officio member of Lincoln Center's board of directors. He has agreed to pay the company's parking and insurance bills if the city does not relent.

The total bill is not huge: the parking spaces â€" eight for each performance, billed at $8 a day, or $64 a performance, will cost $1,152 for the company's full summer run of 18 shows. The insurance brought the cost to $2,400.

Mr. Sheffer was at a memorial service for a family member and could not be reac hed, but left a statement with Ms. Quinn's office.

“The city should be doing all that it can to encourage the creation of art at the grass roots level, not hinder it,” Mr. Sheffer said.

Ms. Quinn, in a statement, offered similar sentiments. “We need to recognize the importance of keeping the arts alive for all New Yorkers, not just a lucky few. I'm so glad to have been able to help this group. Shakespeare in the Parking Lot represents the creative spirit that fuels New York City's innovation, energy and greatness.”

Hamilton Clancy, the artistic director of the Drilling Company, was pleasantly surprised when informed of the announcement by a reporter.

“It's news to me,” he said. “But I'm thrilled to get the information. We, of course, welcome the support of the city, and of people like Ms. Quinn. What makes this city great is that people look out for each other, and in our communication with the D.O.T., we felt there was a lapse of that.â €



Bright Spots Amid Low Ratings for ‘Hannibal\'

The ratings for the NBC drama “Hannibal,” which stars Mads Mikkelsen as the serial killer Hannibal Lecter, have almost been as scary as the character himself.

The Season 1 finale on Thursday drew only 1.9 million total viewers, according to preliminary Nielsen ratings, a low for the series. Fortunately for the show and its viewers, it has already been renewed for a second season, currently scheduled for next year, and the poor numbers can be offset by other factors.

The recent drop only occurred when the drama aired opposite the N.B.A. playoffs on ABC. The season finale in particular had little hope of drawing much of an audience: 21.6 million people watched Game 7 of the N.B.A. finals. “Hannibal” hovered between 2.4 and 2.7 million total viewers for seven weeks, suggesting a steady, dedicated fan base.

Another bright spot is the DVR factor, which takes into account viewership within seven days of broadc ast: when it comes the advertiser-coveted 18-to-49-year-old demographic, those ratings have gone up by an average of 77 percent, the highest percentage increase among all broadcast network programming for the 2012-13 season.



Rattlestick Season Includes World Premieres and Five-Play Cycle

Rattlestick Playwrights Theater's 2013-14 season will include new plays by Off Broadway veterans like Charles Fuller and Craig Lucas, alongside works by the rising stars Samuel D. Hunter and Halley Feiffer, the theater has announced.

The world premiere of Mr. Fuller's “One Night…,” about women in the military, is on Oct. 16. It is directed by Clinton Turner Davis. Mr. Fuller won the 1982 Pulitzer Prize in drama for “A Soldier's Play.”

“Ode to Joy,” written and directed by Mr. Lucas (“The Dying Gaul”), “tells the story of love, heartbreak, addiction and illness” through the eyes of a painter and her two lovers, according to the Rattlestick announcement. Performances begin Feb. 12.

Kip Fagan will direct Ms. Feiffer's “How to Make Friends and Then Kill Them,” about two troubled sisters and the “limping wallflower” they draw into their world. Performances start Oct. 23.

Coming off his New York success with “The Whale,” Mr. Hunter will premiere “The Few,” about the employees of a struggling newspaper for truckers. Davis McCallum directs, and performances begin April 16.

The Rattlestick lineup will also include “The Correspondent” by Ken Urban, which was postponed from this season, and “ The Hill Town Plays” - five works by Lucy Thurber, some previously produced in New York, which will be presented at five West Village theaters from Aug. 14 to Sept. 28.

The “Hill Town” cycle is the inaugural event in a Rattlestick initiative to simultaneously present five plays centered on one playwright or theme in different West Village theaters.

This post has been revised to reflect the following correction:

Correction: June 21, 2013

An earlier version of this post misstated the name of the director of "One Night...." He is Clinton Turner Davis, not Clinton Davis Turner.