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\'Aladdin\' Will Launch in Toronto Before Broadway Run

The new Disney musical “Aladdin” will have a pre-Broadway tryout in Toronto for nine weeks starting Nov. 13 before opening in New York at the New Amsterdam Theater in spring 2014, Disney Theatrical Productions announced on Tuesday. Disney had previously declined to confirm that “Aladdin” would be the next show at the New Amsterdam after “Mary Poppins,” which is scheduled to close on March 3.

“Aladdin,” which is expected to cost between $12 million and $15 million, represents a return to big-budget shows on Broadway for Disney, the producer of several hits like “The Lion King” and “Beauty and the Beast” as well as two expensive failures, “The Little Mermaid” and “Tarzan.” Disney’s latest Broadway vehicle, “Newsies,” opened last spring with a $5 million budget and has since turned a profit; the budget for “Aladdin,” by contrast, is more typical fora Disney show on Broadway.

Based on the company’s 1992 animated film, “Aladdin” will feature songs, scenes, illusions, and a flying carpet that were not part of the show’s world premiere production in Seattle in 2011. Among the songs in the musical is “Proud of Your Boy,” which was cut from the original movie but is highly regarded among the Disney producers and has been performed by Clay Aiken. The show has music by Alan Menken and lyrics by Howard Ashman, Tim Rice and Chad Beguelin; Mr. Beguelin wrote the book as well. Casey Nicholaw, one of the Tony Award-winning directors of the hit musical “The Book of Mormon,” will direct and choreograph.

“Aladdin” casting and specific performance dates for Broadway will be announced later; the Toronto engagement at the Ed Mirvish Theater will run through Jan. 12, 2014.



Landmarks Commission Approves Library Changes

The Landmarks Preservation Commission voted 6 to 2 on Tuesday to approve changes to the exterior of the New York Public Library’s Fifth Avenue flagship building.

The changes, part of a $300 million renovation plan by the British architect Norman Foster, include converting two small windows facing Bryant Park into emergency exits; making the windows on the back facade capable of opening; adding an air-conditioning unit on the roof, and turning 18 feet of wall along 40th Street into a gate to make room for a second loading bay.



Doll of Pioneer\'s Spirit Explores the City, One Loan at a Time

Kirsten, an American Girl doll, is loaned out by a branch of the New York Public Library in the East Village. Flora Sobrino, 11, left; Alondra Salas, 6, right; and Julia Justo, with her daughter Alison Newmark, 3, wrote get-well letters to the doll before its return to the manufacturer for repairs.Chang W. Lee/The New York Times Kirsten, an American Girl doll, is loaned out by a branch of the New York Public Library in the East Village. Flora Sobrino, 11, left; Alondra Salas, 6, right; and Julia Justo, with her daughter Alison Newmark, 3, wrote get-well letters to the doll before its return to the manufacturer for repairs.

After one visit, she returned with her hair in counterculture dreadlocks. Another time, her long blonde locks were primly fashioned into a traditional un. One day, she came back wearing a uniform of the exclusive Brearley school on the Upper East Side.

These have been the many phases of Kirsten Larson, an American Girl doll who was sitting on a shelf in the East Village library until a resourceful children’s librarian began loaning her out to girls - many of whose parents, because of financial or feminist reasons, resist buying the dolls.

Kirsten - who retails for $110 and is marketed as a “pioneer girl of strength and spirit” leading an adventurous life in the mid-1800s - was dropped off a decade ago in the Gothic building on 2nd avenue.

She could not have been more out of her element, in her homespun frock and bonnet, in the middle of a neighborhood once known for punk rock, left-wing activism and on-the-edge art and fashion, and now for its rapid gentrification.

But Kirsten, has adapted to her urban frontier, traveling from one girl’s home to another’s for two weeks at a time, spend! ing nights inside cramped apartments in public housing projects and in luxury high-rises with sweeping city views. She also has taken trips out of the neighborhood with her temporary little guardians: boat rides in Oyster Bay, on Long Island, and to house parties held by Mexican immigrants living in Harlem.

The doll, part of a brand that is all the rage among girls and whose price tag is rage-inducing to many of their parents, has become one of the most sought-after items at the branch. For some girls, Kirsten was the only way they could afford such a luxury item in their home. For other girls, it was the only way their liberal-minded parents would allow any doll into their home, refusing to indulge in gender stereotypes or what they considered to be an elitist hobby.

Suzette Seepersad had been avoiding buying her daughter Caelyn Osborn, 5, any toys geared toward girls.

“Also, I worried that this doll leads to all these accessories, and it’s a whole industry,” she said.

But Calyn fell in love with Kirsten, taking her to the family’s apartment, bathing her, reading stories to her and putting her to bed. She kept the doll for perhaps two weeks, and had to be reminded by a librarian to return it. Now, Ms. Seepersad said, “I’m trying to get my sister to buy her” an American Girl doll.

With its limited budget, the branch could hardly be mistaken for the upscale American Girl Place store, the company’s flagship store farther uptown on Fifth Avenue, where reservations are often required for $20-a-head tea parties. But the excitement level, at least, was comparable in the library - and of course, here it was free to take Kirsten home.

A letter to Thea Taube, the children’s librarian, from Flora Sobrino, 11, after the child borrowed Kirsten, the American Girl Doll.Cha! ng W. Lee/The New York Times A letter to Thea Taube, the children’s librarian, from Flora Sobrino, 11, after the child borrowed Kirsten, the American Girl Doll.

The children began adopting Kirsten for days or weeks at a time, the way they would borrow a book. The library system does not typically lend out dolls, so Thea Taube, the children’s librarian at the branch, kept it unofficial. She did not require names or library cards from borrowers but rather relied on the honor system. Some children kept the doll for several weeks, she said.

Now after dozens of trips over the years, Kirsten is worn out and is being shipped to the company’s doll hospital in Middleton, Wis., to have her loosened arm and leg joints fixed and her hair, which has become matted from being styled and restyled countless times, replaced.

She will also receive a new wardrobe and accessories, since Kirsten’s boots, apron, knit stockings and bonnet - everything but her dress - ave all been long lost, something that Ms. Taube said was a result of “a lot of love over the years.”

A group of Kirsten’s other favorite caretakers gathered recently at the library for a going-away party, drawing get-well cards and relishing one last play-date with the doll.

There was Flora Sobrino, 11, who now has three American Girl dolls of her own. There was Alondra Salas, 6, who could not afford such a doll, and whose mother, a nanny for an East Village family, knitted Kirsten’s outfit at their modest apartment in Harlem.

There was Khadija Sankara, 6, from the Bronx, who asked her mother â€" a Senegalese immigrant who runs a T-shirt shop nearby - for an American Girl doll.

“She wanted one, but her older sister told me: ‘You know how much it costs As much as an iPod or something,’” the mother, Theresa Sankara, recalled.

There was Alison Newmark, 3, who would sleep with Kirsten and show her off to neighbors in the lobby of her building.

“I wou! ld not bu! y it for her now because it’s very expensive, but she thought it was the most beautiful doll she ever saw,” said her mother, Julia Justo. “It was almost like a real person to her - like a friend.”

Despite all the adoration she has received, Kirsten was not an overnight sensation at the library. When Ms. Taube became the children’s librarian in 2004, she found Kirsten languishing on a forgotten shelf in a library office within earshot of the busy children’s room, because library workers considered her too expensive to risk damage by displaying.

Kirsten had been donated a year earlier by the American Girl company when it opened its flagship Manhattan store and gave dolls and their biographical books to city library branches.

“I thought, ‘Well, we loan out books that are that expensive, so why can’t we lend her out too’” said Ms. Taube, who hoped the doll would attract more children to the branch, leading them to read the doll books.

Kirsten, the library's American Girl Doll.Chang W. Lee/The New York Times Kirsten, the library’s American Girl Doll.

Ms. Taube began displaying Kirsten on her desk, with no sign or label or explanation. Immediately there were shy inquiries.

“If I saw a girl admiring it, I’d say, ‘Do you know you can take her home’” Ms. Taube said. “’She likes to take trips and visit other dolls.’”

Flora, a sixth grader at Brearley who dressed Kirsten in her school’s uniform, began borrowing Kirsten five years ago, taking her home to her apartment on St. Marks Place, and began writing homemade books with adventure stories featuring Kirsten.

She took Kirsten to her family Thanksgiving and Christmas dinners, and to playgrounds where other girls would learn ! that they! , too, could borrow Kirsten, said Flora’s mother, Andrea Sobrino. At one point, Flora misplaced the doll’s apron, but later found it and returned it along with a pair of underwear she bought for Kirsten with her own money.

“When Flora was 6 we told her, ‘It’s a very expensive doll,’” Ms. Sobrino said. “We weren’t considering buying her a $100 doll.”

“We were hoping that borrowing Kirsten might quench her desire for her own doll, but actually, I think it may have turned out to be a gateway doll,” she said.

Flora saved her allowance money for a year and bought herself two dolls and received another as a gift. Now the dolls are watching Flora grow too old to play with them.

As the library prepared to close, Kirsten’s farewell party was coming to an end. The children hugged and said goodbye to the little well-worn pioneer and put her in a box bound for Wisconsin. Ms. Taube told the girls they would celebrate together when the doll returned in several weeks.

<>Ms. Taube said Kirsten exemplified the library as a community center that offered diverse services and lending materials.

“I tell the kids that the library belongs to them,” she said. “And I think that any child who could not afford that doll will remember the time they were able to borrow it from the library.”



This Year\'s Governor\'s Ball to Feature 60 Acts

Kanye West, Kings of Leon, the xx and the Lumineers are among 60 acts who will appear at this year’s Governor’s Ball Music Festival , a three-day event on Randalls Island that will start on June 7. Started three years ago, the festival has expanded in size and scope each year, and this time around, the promoters, Founders Entertainment, have booked an eclectic group of performers, representing genres like electro-pop, rap and folk-rock. Among the other hip-hop acts on the bill are Kendrick Lamar, Nas and Azealia Banks. Indie rock is well represented, with Feist, Grizzly Bear, Beach House, Dirty Projectors and Best Coast making appearances. Folk-rock groups Monsters and Men and the Avett Brothers are also on the bill.

This Year\'s Governor\'s Ball to Feature 60 Acts

Kanye West, Kings of Leon, the xx and the Lumineers are among 60 acts who will appear at this year’s Governor’s Ball Music Festival , a three-day event on Randalls Island that will start on June 7. Started three years ago, the festival has expanded in size and scope each year, and this time around, the promoters, Founders Entertainment, have booked an eclectic group of performers, representing genres like electro-pop, rap and folk-rock. Among the other hip-hop acts on the bill are Kendrick Lamar, Nas and Azealia Banks. Indie rock is well represented, with Feist, Grizzly Bear, Beach House, Dirty Projectors and Best Coast making appearances. Folk-rock groups Monsters and Men and the Avett Brothers are also on the bill.

Literary Web Site Enters the E-Books Fray

As the commercial landscape for books continues to shift, a prominent literary web site, The Millions, is celebrating its 10th anniversary by getting into the publishing game.

On Tuesday, the site unveiled its first e-book, “Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever,” by Mark O’Connell. The book is billed as “an exploration of the Internet-era obsession with terrible art â€" bad YouTube pop songs, Tommy Wiseau’s ‘The Room,’ and that endless stream of ‘Worst Things Ever’ that invades your inboxes, newsfeeds, and Twitter streams.”

C. Max Magee, the site’s founder and editor, said the next book published will be “a work of science journalism that investigates a mystery that for many years stumped NASA and physicists arond the world.”

“We’re sort of playing it by ear at this point,” Mr. Magee said, “but assuming all goes well with our first couple of titles, we’d love to get to the point where we were publishing several books a year.”



A Public Servant Tries to Do His Civic Duty

Michael A. CardozoJohn Marshall Mantel for The New York Times Michael A. Cardozo

He oversees an office of more than 600 lawyers who together juggle more than 80,000 cases. He has argued before the United States Supreme Court and negotiated a billion-dollar contract. But one much more quotidian experience with the law escapes Michael A. Cardozo, the head of the New York City Law Department. He has never served on a jury.

This month, in the midst of tense labor negotiations with city teachers and a standoff with a school bus drivers€™ union, Mr. Cardozo reported to the courthouse at 111 Centre Street in Manhattan for jury service, just like so many other New Yorkers do. And just like so many others do, he waited.

“The first day nothing happened,” Mr. Cardozo recalled last week. “I sat there virtually all day until they excused us.”

But on the second day, he was called before a judge presiding over a drug case to answer a series of questions. What’s your background Where do you live Who do you work for Do you know any lawyers Do you know anyone in the Police Department

“I said, ‘I am the chief lawyer for New York City,’” to some laughter. Yes, he knows police officers, and even Raymond W. Kelly, the police commissioner.

In the end, Mr. Cardozo was not selected for the jury.

“Although I am pretty busy, I was a little disappointed,” Mr. Cardozo said. “This is the closest I ever got.”

Before 1996, members of 21 work categories in New York we! re eligible for exemptions from jury duty, including doctors, lawyers, judges, police officers and members of the clergy. But now even celebrities file through those waiting rooms. Jimmy Fallon. Tom Brokaw. Ralph Lauren.

“Depending on the degree of their celebrity, they may of may not be picked,” said Norman Goodman, the commissioner of jurors in Manhattan. “They put the time in the same as anyone else.”

Mr. Cardozo will have to wait six years for his next opportunity to serve.

“It is very important that we recognize this is a part of our civic duty,” Mr. Cardozo said.



Irina Dvorovenko, Principal Dancer, to Retire From American Ballet Theater

Jose Manuel Carreno and Irina Dvorovenko of American Ballet Theatre performing in Andrea Mohin/The New York Times Jose Manuel Carreno and Irina Dvorovenko of American Ballet Theatre performing in “Swan Lake.”

American Ballet Theater audiences have watched Irina Dvorovenko, a principal dancer with the company, in more than three dozen roles over 16 seasons and on May 18, they can see her final interpretation, as Tatiana in “Onegin” at the Metropolitan Opera House. Ms. Dvorovenko, 39, will stop dancing at the house after that final performance, the company said on Tuesday, without providing an explanation.

Cory Stearns will dance the role of Eugene Onegin. Ms. Dvororenko, who was born in iev, joined Ballet Theater in 1996, became a soloist in 1997 and was named a principal in 2000. Ms. Dvorovenko plans to continue dancing as a guest artist with other companies, Ballet Theater said. Ms. Dvorovenko is married to fellow principal dancer Maxim Beloserkovsky. She did not immediately respond to an email sent by a company official.



Disco Inferno at Fire-Sale Prices As Studio 54 Items Go On the Block

A painting by Michael Vollbracht made for Steve Rubell’s birthday party, and sold at a recent auction of Studio 54 memorabilia.Palm Beach Modern Auctions A painting by Michael Vollbracht made for Steve Rubell’s birthday party, and sold at a recent auction of Studio 54 memorabilia.

While some aspiring clubgoers would have paid almost any price to get their names into the guest book of Studio 54 during its disco-era heyday, acquiring that guest book in 2013 would have set them back $7,200, based on the results of an auction of items that once belonged to the Studio 54 co-founder Steve Rubell. The collection, which was sold on Saturday by Palm Beach Modern Auctions in WestPalm Beach, Fla., consisted of art and memorabilia that Rubell had assembled before his death in 1989, and which he had left to his former companion, Bill Hamilton.

The auction house said on Tuesday that the Rubell collection accounted for total sales of $316,680, with the highest single price being paid for a metal sculpture made by Andy Warhol, of a metal band stenciled with dollar signs. (That item sold for $52,800 to James Elkind, the owner of Lost City Arts in Manhattan.) A Polaroid photograph taken by Warhol of Mr. Rubell with Tina Turner, Cher and Rod Stewart sold for $11,400, and a painting made by Mic! hael Vollbracht depicting Mr. Rubell surrounded by the names of his famous friends and club guests was sold for $18,000. (The buyers of those items were not disclosed.) Other sale items included photos of Truman Capote dancing at a birthday party for Elizabeth Taylor ($1,320) and of Salvador Dali with the rock singer Apollonia ($2,520).

Palm Beach Modern Auctions said it drew 400 in-person attendees and 700 online auction participants for a sale that also offered a cocktail bar, valet parking and a drag queen on roller skates.



Marine Band Confirms Beyonce Inauguration Performance Was Pre-Recorded

Beyoncé’s performance of the national anthem at the President Obama’s second inauguration on Monday was everything it should be: soaring, moving, symbolic and musically superlative. It also wasn’t live.

The R&B diva only pretended to sing, lip-synching the words to a backing track. What the listeners heard was a version she had recorded at a Marine Corps studio in Washington on Sunday night, a spokeswoman for the Marine Band said.

Beyoncé on Monday.Chang W. Lee/The New York Times Beyoncé on Monday.

The spokeswoman, Master Sergeant Kristin duBois, said the weather was good and the Marine Band had no trouble with intonation during most of the prelude and ceremony, nearly two and half hours of music. Still, at the last minute, she said, Beyoncé and the band received orders to use a recorded version of the national anthem.

“We don’t know why,” Sergeant duBois said. “But that is what we were instructed to do so that is what we did. It’s not because Beyoncé can’t sing. We all know Beyoncé can sing. We all know the Marine Band can play.”

A publicist for Beyoncé did not immediately return telephone calls and email messages.

Sergeant duBois said it is standard operating procedure to record the music for the inauguration in advance, in case the weather is bad and it becomes impossible for musicians to keep their instruments in tune. Four years ago, for instance, Yo Yo Ma and three other string players used backing t! racks during their performance at President Obama’s first inauguration because of bitter cold.

It was not immediately clear who made the decision to ask Beyoncé to lip-synch the anthem on Monday, Sergeant duBois said. The band’s director, Col. Michael J. Colburn, received orders from the event’s organizers to switch to a backing track just before Beyoncé went on. “The entire performance was life except for the national anthem,” Sergeant duBois said.

Beyoncé recorded the song in a studio at the Marine Barracks Annex on Sunday night, using tracks already laid down by the Marine Band, Sergeant duBois said.



Apparent Subway-Train Suicide at Times Square

A person killed by a subway train at Times Square was removed from the scene Tuesday morning.Librado Romero/The New York Times A person killed by a subway train at Times Square was removed from the scene Tuesday morning.

Thousands of subway riders had their morning commute disrupted Tuesday morning when a person was crushed by an oncoming train at the Times Square station, leaving bystanders both shocked and fascinated by the macabre scene.

Even as emergency workers struggled to remove the body, which was lodged beneath an uptown 2 train, more than a dozen onlookers across the platform knelt, bent over and laid flat on the cold concrete to snap photos with their phones and catch a glimpse of the victim.

“Get up off the platform,” one offcer yelled as the police tried to disperse the crowd. “We got one person on the tracks, we don’t need another.”

Suicide deaths in New York City’s subway system are not uncommon, with dozens every year, but two recent high-profile cases of people being pushed to their death on subway tracks have stirred a lingering fear held by many city dwellers.

The person killed on Tuesday appears to have either jumped or fallen onto the tracks, according to the police and witnesses.

There were conflicting reports of whether it was a man or a woman. The police did not immediately identify the victim.

Christopher Velez, 22, said he saw a young woman step in front of the oncoming train at around 10 a.m.

She was wearing a blue warm-up suit and standing on the platform by herself, he said, when, without a word of warning, she stepped in front of the oncoming train.

“She was on her own and just quiet,” he said. As the train screeched to a hal! t, he said, “a lot of people were screaming and crying.”

“I cried for a little bit,” he said.

Still shaken, he added: “I really don’t feel like taking the subway anymore.”

Javina Pilgrim, 34, was on the train that hit the victim.

She also believed it was a young woman who jumped.

“These trains really should slow down when they are coming into the station,” she said.

It was not the first time she had witnessed a grisly incident on the subway. Several years ago, she said, she was waiting for the train at the 96th Street station when someone else was struck.

On Tuesday, it quickly became clear that the victim was dead.

Workers wrapped the body in a white bag, secured it with red straps and pulled it from under the train.

The aftermath on the tracks was captured by more than a dozen onlookers on their smartphones.



City Unveils Winner of Tiny-Apartment Competition

A peek at the winning design in the city's small-apartment competition. The entry, New York City Mayor’s Office A peek at the winning design in the city’s small-apartment competition. The entry, “My Micro NY,” packs a lot of space and light into less than 370 square feet.

With space always at a premium and the number of small households growing, New York finds itself with an increasing need for small, livable apartments. On Tuesday, the city announced the winner of a tiny-apartment design competition â€" a building of micro-units that, if the rendering is any indication, manage to feel roomy and inviting at less than 400 square feet.

<>The winning design, “My Micro NY,” will create a building of 55 micro-units each measuring between 250 and 370 square feet, 40 percent of which will be affordable, the mayor’s office said. My Micro NY was submitted to the city’s “adAPT NYC” competition by a team composed of Monadnock Development LLC, Actors Fund Housing Development Corporation and the firm nARCHITECTS. The apartments feature ceilings nearly 10 feet high and Juliet balconies. The one in the rendering even has an overhead storage space to stash a surfboard.

A rendering of the exterior of My Micro NY, which will consist of 55 units, developed using modular construction.New York City Mayors Office A rendering of the exterior of My Micro NY, which will consist of 55 units, developed using modular construction.

My Micro NY will also be the first multiunit building in Manhattan using modular construction, the mayor’s office said.

“New York’s ability to adapt with changing times is what made us the world’s greatest city - and it’s going to be what keeps us strong in the 21st century,” said Mayor Michael R. Bloomberg. “The growth rate for one- and two-person households greatly exceeds that of households with three or more people, and addressing that housing challenge requires us to think creatively and beyond our current regulations.”

The winning proposal andfour other finalists, out of a field of 33 submissions, are featured in an exhibit that opens Wednesday at the Museum of the City New York, “Making Room: New Models for Housing New Yorkers.”

The floor plan of the apartment shown in the rendering  above.New York City Mayor’s Office The floor plan of the apartment shown in the rendering above.


Person Crushed by Subway Train at Times Square

A person killed by a subway train at Times Square was removed from the scene Tuesday morning.Librado Romero/The New York Times A person killed by a subway train at Times Square was removed from the scene Tuesday morning.

Thousands of subway riders had their morning commute disrupted Tuesday morning when a person was crushed by an oncoming train at the Times Square station, leaving bystanders both shocked and fascinated by the macabre scene.

Even as emergency workers struggled to remove the body, which was lodged beneath an uptown 2 train, more than a dozen onlookers across the platform knelt, bent over and laid flat on the cold concrete to snap photos with their phones and catch a glimpse of the victim.

“Get up off the platform,” one offcer yelled as the police tried to disperse the crowd. “We got one person on the tracks, we don’t need another.”

Suicide deaths in New York City’s subway system are not uncommon, with dozens every year, but two recent high-profile cases of people being pushed to their death on subway tracks have stirred a lingering fear held by many city dwellers.

The person killed on Tuesday appears to have either jumped or fallen onto the tracks, according to the police and witnesses.

There were conflicting reports of whether it was a man or a woman. The police did not immediately identify the victim.

Christopher Velez, 22, said he saw a young woman step in front of the oncoming train at around 10 a.m.

She was wearing a blue warm-up suit and standing on the platform by herself, he said, when, without a word of warning, she stepped in front of the oncoming train.

“She was on her own and just quiet,” he said. As the train screeched to a hal! t, he said, “a lot of people were screaming and crying.”

“I cried for a little bit,” he said.

Still shaken, he added: “I really don’t feel like taking the subway anymore.”

Javina Pilgrim, 34, was on the train that hit the victim.

She also believed it was a young woman who jumped.

“These trains really should slow down when they are coming into the station,” she said.

It was not the first time she had witnessed a grisly incident on the subway. Several years ago, she said, she was waiting for the train at the 96th Street station when someone else was struck.

On Tuesday, it quickly became clear that the victim was dead.

Workers wrapped the body in a white bag, secured it with red straps and pulled it from under the train.

The aftermath on the tracks was captured by more than a dozen onlookers on their smartphones.



Met Reports One Millionth Visitor to New Islamic Galleries

In the 14-and-a-half months since the Metropolitan Museum of Art opened its new galleries devoted to the arts of the Islamic world â€" which it calls the galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia and Later South Asia â€" they have become one of the Met’s most popular attractions. On Friday, officials there reported that attendance at the galleries had topped the one-million mark â€" meaning an average of about 2,550 people a day, and 14 percent of the total attendance for the museum during the same period.

The 15 galleries, which took eight years to complete, showcase more than 1,200 works of art and objects and are organized by geographical areas to underscore the richness of the Islamic culture.

The millionth visitor hit the jackpot (museum-style), receiving a catalog of the collection in a ceremony that took place in the gallery’s Moroccan Curt. Flowers were scattered in the fountain and musicians played Arabic music.



Met Reports One Millionth Visitor to New Islamic Galleries

In the 14-and-a-half months since the Metropolitan Museum of Art opened its new galleries devoted to the arts of the Islamic world â€" which it calls the galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia and Later South Asia â€" they have become one of the Met’s most popular attractions. On Friday, officials there reported that attendance at the galleries had topped the one-million mark â€" meaning an average of about 2,550 people a day, and 14 percent of the total attendance for the museum during the same period.

The 15 galleries, which took eight years to complete, showcase more than 1,200 works of art and objects and are organized by geographical areas to underscore the richness of the Islamic culture.

The millionth visitor hit the jackpot (museum-style), receiving a catalog of the collection in a ceremony that took place in the gallery’s Moroccan Curt. Flowers were scattered in the fountain and musicians played Arabic music.



In Performance: America Ferrera in \'Bethany\'

Laura Marks’s new play “Bethany” is a drama about Crystal, a single mother who works as a car saleswoman in an American exurb. In this scene Crystal, played by America Ferrera, tries to convince a customer that a Saturn is the right car for him. The show runs through Feb. 17 at the New York City Center Stage II.

Recent videos include Elizabeth Marvel in “Picnic” and Zabryna Guevara in “Water by the Spoonful.”

Coming soon: Will Chase singing a number from “The Mystery of Edwin Drood.”



Hundreds of Lost William Blake Engravings Discovered

Combing through the collection at the University of Manchester’s John Rylands Library, researchers have identified some 350 engraved plates designed by the Romantic poet and artist William Blake, according to an article on Monday in The Independent newspaper.

The researchers, who included students as well as the art historian Colin Todd, spent two years sifting through more than a million books, records and pieces of art. Many of the engravings will be displayed next month at the library, which was already known as the home of some works by Blake, including illustrations for Edward Young’s “Night Thoughts.”

Blake, a poet and printmaker who went largely unrecognized before his death in 1827, is now considered a leading figure of the Romantic age for his writings, drawings and engravings.



Carded at Age 77

Dear Diary:

As I approached my 80th birthday this Jan. 2, and the celebration soon to be held, I recalled some anecdotal events that, piled atop each other, might make an acceptable speech. I had forgotten about this incident in a local Eighth Avenue supermarket, which took place when I was a mere 77-year-old.

When I stopped at the cashier to pay for a six-pack of beer, I noticed the manager lurking nearby, keeping an eye on the young girl at the register. As a constant customer, I knew she was new at the job. Before ringing up the sale she said:

“I need to see your ID.”
“Why”
“I have to card you.”
“You’re kidding.”
“It’s the rule.”
“That’s crazy. Just look at me.”
A blush swept across her face. “I have to ask.”
At this point the manager strolled over. “She’s right,” he said. “We now card everyone buying alcohol.”

There seemed no point to argue further. I took out my driver’s license and was alowed to pay and take home my six-pack.

Then it finally occurred to me why I was carded: not because I might have been too young to buy beer. I might have been too old.

The next time I went into the supermarket, the rule had been discontinued. There was also a new manager.

Read all recent entries and our updated submissions guidelines. Reach us via e-mail: diary@nytimes.com or telephone: (212) 556-1333. Follow @NYTMetro on Twitter using the hashtag #MetDiary.