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Spike Lee Wins $300,000 Gish Prize

The filmmaker Spike Lee is this year’s recipient of the $300,000 Dorothy and Lillian Gish Prize, one of the largest in the arts, the Gish Prize Trust announced. Mr. Lee will receive the award on Oct. 30 at a private event at the Museum of Modern Art.

Mr. Lee gained a reputation as a groundbreaking, provocative filmmaker with his first full-length film, “She’s Gotta Have It,” in 1986. It explored the life of a young woman who unapologetically juggled three lovers (one played by Mr. Lee himself). Mr. Lee, a director, actor, writer and producer, cemented his reputation with an extensive body of work. It includes the 1989 critically acclaimed feature film “Do the Right Thing,” about racial unrest in Brooklyn, and the 2006 documentary “When the Levees Broke,” about the ravages of Hurricane Katrina in New Orleans.

The Gish prize, now in its 20th year, was established by Lillian Gish’s will. It is given annually to “a man or woman who has made an outstanding contribution to the beauty of the world and to mankind’s enjoyment and understanding of life.” Mr. Lee was chosen from among 30 finalists in all fields of the arts, nominated by artists. Darren Walker, president of the Ford Foundation, was the chairman of the selection committee.

“We honor Spike Lee for his brilliance and unwavering courage in using film to challenge conventional thinking, and for the passion for justice he feels in his soul,” Mr. Walker said in a statement.

Mr. Lee said that Lillian Gish was important to his development as an artist. “Would you believe, two of the most important films that impacted me while I was studying at N.Y.U. starred Lillian Gish?” he said in a statement released by the Prize Trust. “Those films were D.W. Griffith’s ‘The Birth of a Nation’ and Charles Laughton’s ‘The Night of the Hunter.’ ”



Spike Lee Wins $300,000 Gish Prize

The filmmaker Spike Lee is this year’s recipient of the $300,000 Dorothy and Lillian Gish Prize, one of the largest in the arts, the Gish Prize Trust announced. Mr. Lee will receive the award on Oct. 30 at a private event at the Museum of Modern Art.

Mr. Lee gained a reputation as a groundbreaking, provocative filmmaker with his first full-length film, “She’s Gotta Have It,” in 1986. It explored the life of a young woman who unapologetically juggled three lovers (one played by Mr. Lee himself). Mr. Lee, a director, actor, writer and producer, cemented his reputation with an extensive body of work. It includes the 1989 critically acclaimed feature film “Do the Right Thing,” about racial unrest in Brooklyn, and the 2006 documentary “When the Levees Broke,” about the ravages of Hurricane Katrina in New Orleans.

The Gish prize, now in its 20th year, was established by Lillian Gish’s will. It is given annually to “a man or woman who has made an outstanding contribution to the beauty of the world and to mankind’s enjoyment and understanding of life.” Mr. Lee was chosen from among 30 finalists in all fields of the arts, nominated by artists. Darren Walker, president of the Ford Foundation, was the chairman of the selection committee.

“We honor Spike Lee for his brilliance and unwavering courage in using film to challenge conventional thinking, and for the passion for justice he feels in his soul,” Mr. Walker said in a statement.

Mr. Lee said that Lillian Gish was important to his development as an artist. “Would you believe, two of the most important films that impacted me while I was studying at N.Y.U. starred Lillian Gish?” he said in a statement released by the Prize Trust. “Those films were D.W. Griffith’s ‘The Birth of a Nation’ and Charles Laughton’s ‘The Night of the Hunter.’ ”



Discrimination Claim Against El Museo del Barrio Is Dismissed

A claim of gender discrimination and a hostile workplace filed by the former director of El Museo del Barrio has been dismissed following an investigation by New York State human rights officials. Museum officials had always contended that Margarita Aguilar, the former director, was dismissed for poor performance.

“We agree with the Division of Human Rights’ decision to dismiss the complaint outright,” Tony Bechara, chairman of the board of El Museo said in a statement released late Monday. “We are happy to put this chapter behind us.”

Neither Ms. Aguilar nor her lawyer, Donald A. Derfner, responded to requests for comments on the finding of “no probable cause” of unlawful discrimination. The determination and order was filed late last week. Ms. Aguilar filed her complaint with the New York State Division of Human Rights in February.  Among her complaints were an environment in which her ability to hire and fire employees was undercut and the allegation that she was told to lose weight and dress better.

Ms. Aguilar claimed that Mr. Bechara told her and another staff member that they were “acting like hysterical women” in a discussion about Ms. Aguilar’s attempt to fire a staff member.  Ms. Aguilar also claimed that Yaz Hernández, the former board president, gave her unsolicited advice to shape her eyebrows and once told her that she made enough money for a better wardrobe.

In the state response, officials said, “These comments, if made, do not rise to the level of severity or pervasiveness so as to constitute a hostile work place. Moreover, there is an insufficient showing that only females were subject to comments about their appearance. In fact, the investigation revealed comments about dress have been made to other directors, male and female.”  The determination also stated that its investigation found that Mr. Bechara told Ms. Aguilar “you are acting hysterically,” not that “you are acting like a hysterical woman.”

Ms. Aguilar was notified by the museum officials that she was fired in a letter she received on Feb. 14. The letter listed several reasons for her firing, including dereliction of duty, insufficient fundraising and ineffective leadership. But Ms. Aguilar contended that she was let go in retaliation for voicing her concerns internally and her complaint to the state.

The discrimination complaint and firing came at a time of turmoil for El Museo. With fundraising slipping, the museum had just laid off 8 of its 41-person staff, required all staff members to take furloughs for two months and cut back on the number of days it was open, from six to four.

El Museo, at 1230 Fifth Avenue at 104th Street in East Harlem, is considered a major center for Latino art and culture. Founded in 1969, its permanent collection contains pre-Columbian Taíno artifacts, as well as 20th-century drawings, paintings, sculptures, prints and photography.



American Theater Wing Gala Sets Fund-Raising Record

The American Theater Wing, a nonprofit organization that helps oversee the Tony Awards, raised a record-breaking $700,000 on Monday night at its annual gala, where 450 guests gathered at the Plaza Hotel to honor the legendary director and producer Harold Prince. The previous gala record was about $600,000, set last year.

During the evening Mr. Prince, who has won 21 Tonys over his 60-year career, was serenaded by the Broadway stars Glenn Close, Sierra Boggess, LaChanze, and others, who sang numbers from Prince productions including “Cabaret,” “Follies,” “Evita,” “A Funny Thing Happened on the Way to the Forum,” and “The Phantom of the Opera.” The gala’s host, Angela Lansbury, who won a Tony in 1979 for “Sweeney Todd,” which Mr. Prince directed, credited him with “defining Broadway as the musical theater capital of the world.”

Mr. Prince, who is 85, is now working on a musical retrospective of his career, “Prince of Broadway.” It was supposed to open on Broadway this fall but has been delayed due to financing problems; Mr. Prince said last night that it would open in Tokyo in 2015 and then come to New York.

“To state the obvious, I’m having a hell of a great life,” Mr. Prince said in his remarks at the gala. Thanking his wife Judy and his two children and their families, he added, “In 51 years, I’ve never had a boring or lonely day in my life. How many people can say that?”

“I love to go to work, you know,” he said a few moments later. “I anticipate every day with excitement and every challenge - indeed, some very disappointing - but they usually lead to some solution and a measure of genuine satisfaction. I love the company of theater of people. I love working on the material with authors and designers - I love casting directors. And, tonight, I love theater owners.”



Still Recovering From Acid Attack, Artistic Director Returns to Bolshoi

MOSCOW - The artistic director of the Bolshoi ballet, Sergei Filin, who was injured early this year in a sinister acid attack that nearly blinded him, made a happy, if temporary, return to the historic theater on Tuesday as the company officially opened its 238th season.

The first performance of the season was an opera - “The Queen of Spades” - but attention lingered on the violence and intrigue that has consumed the ballet troupe in recent months. And it seems likely to continue to do so, as a Bolshoi dancer, Pavel Dmitrichenko, is set to go on trial in October for orchestrating the attack.

Mr. Dmitrenchko has pleaded not guilty, saying he arranged for two men to beat Mr. Filin but did not know that acid would be thrown in his face. Mr. Filin, 42, flew to Moscow on Saturday from Germany, where he spent seven months being treated at a specialty clinic.

After 23 operations, his eyesight is only partially restored and he has said that he will have to return to Germany for further treatment and rehabilitation. Although he was involved in planning this season’s program, which will begin on Nov. 9 with “Marco Spada,” produced by the French choreographer Pierre Lacotte, it is still unclear if Mr. Filin will ever be able to resume his full duties with the company.

“I understand that even half of the way has not been covered,” Mr. Filin said at the airport where he was greeted by a large throng of reporters, and colleagues, including several dancers, who gave him a big bouquet of pink roses. “Huge work is ahead.”

At the airport, Mr. Filin, who was wearing large wrap-around protective sunglasses, spoke emotionally. “I was warned that journalists would gather but I did not expect that there would be so many of you; I feel myself like on the stage,” he said. “The only thing that is left is to dance.” He added, “I miss the theater very much.”

At the formal opening ceremonies at the theater on Tuesday afternoon, however, Mr. Filin made only brief remarks and mostly focused on describing the season ahead. But he began with a poignant and pointed double entendre. “First of all I would like to say hello to everybody,” he began. “And I am very glad to see you.”

A string of scandals followed the acid attack, resulting in the termination in June of a contract with Nikolai Tsiskaridze, a popular dancer, who had clashed with the theater’s leadership, and the ousting in July of the Bolshoi’s longtime general director, Anatoly Iksanov.

Mr. Iksanov’s replacement, Vladimir Urin, in his speech, said that he recognized the challenge he had taken on by accepting the job. “I understand fairly well, and these are not words, but a very clear understanding, what burden of responsibility I put on my shoulders,” Mr. Urin said. “I did not come here to carry out any revolutions but this does not mean that there will not be some correction of some decisions, including some decisions dealing with personnel.”

He also said that one goal was to restore a sense of unity at the theater, which had been deeply fractured. “I came here to continue working so that the name of the Bolshoi would still sound like the Bolshoi Theater of Russia,” he said. “I understand fairly well that sitting in the office, no matter what I would invent or decide, if I don’t find real support of the majority of the collective, all my decisions will be pointless.”



An Effort to Maintain Civil Discourse, on the Walls of a Bathroom

The Hungarian Pastry Shop in Morningside Heights is a favorite haunt of students at Columbia University. The bathroom walls have become a forum for high-minded graffiti, but the owner recently repainted the walls after virulent messages appeared touching on Israeli-Palestinian relations.James Estrin/The New York Times The Hungarian Pastry Shop in Morningside Heights is a favorite haunt of students at Columbia University. The bathroom walls have become a forum for high-minded graffiti, but the owner recently repainted the walls after virulent messages appeared touching on Israeli-Palestinian relations.

By some standards, a repainting of the Hungarian Pastry Shop’s bathroom may have been long overdue anyway.

The tiny lavatory in a back corner of this half-century-old coffee shop in Morningside Heights had become a local legend for being so graffiti-strewn that there was barely room to add any more.

But this was not your average sophomoric scribbling. There was little in the way of silly profanities or potty humor at this intellectual haven on Amsterdam Avenue near 111th Street, across from the Cathedral Church of St. John the Divine.

High-minded scrawl â€" from sociopolitical credos to wiseguy retoolings of Nietzsche to Middle East politics - has always been the graffiti of choice here, written and read by the intellectuals pouring out their angst in journals at the shop’s crowded tables, or graduate students slogging through master’s theses or doctoral dissertations at this longtime haunt for students of nearby Columbia University.

But students returning this semester have found whitewashed walls, or nearly so â€" already new writings have begun to appear. But a screed has also been posted across from the toilet in bold black letters calling for something unheard-of in “this strangely located forum” - order and decorum.

“Over the years, you have transformed this private space into a very public and eccentric one, a tradition we would like to see continued,” reads this message, noting that “recently the conversation has taken on a tone that we cannot encourage.”

The message was written by the shop’s owner, Philip Binioris, 27, who urged customers to help keep the bathroom “a nonbiased and nonjudgmental space,” so that “the conversation can proceed more sensitively, respectfully and with an intention toward constructive exchange.”

In an interview, Mr. Binioris said that a hostile back-and-forth had escalated on the walls, largely over Israeli-Palestinian relations. Then provocative scrawlings began appearing - a swastika-Star of David hybrid â€" prompting many complaints from customers.

While a scrawled swastika at many establishments would immediately call for a cleaning crew, the reaction at this coffee shop, where free speech and a wide latitude of expression is venerated, was more measured. There were no calls to the police or the Anti-Defamation League, but rather a series of intense discussions and philosophical introspection.

“I had many conversations with customers, and a lot wanted me to do something about it immediately, but others understood that it was part of the debate, and that that’s what’s in the world, so you have to deal with it,” said Mr. Binioris, whose parents, Peter and Wendy Binioris, bought the shop in 1976 from a Hungarian couple who had opened it around 1960.

Even as Starbucks branches have cropped up nearby, and similar coffee shops have become overrun with laptop users, the Hungarian Pastry Shop has kept an Old World style by remaining cash only, dimly lighted and offering no Wi-Fi or electrical outlets, even while offering free self-serve refills of coffee.

Mr. Binioris said that while the bathroom has had periodic paint jobs, this one - done in July during a weeklong renovation of the shop â€" was the first time it was necessitated by the discourse, and it was not a step he took lightly.

A sign posted in the bathroom encouraged patrons to maintain a sense of decorum when scribbling on the walls. James Estrin/The New York Times A sign posted in the bathroom encouraged patrons to maintain a sense of decorum when scribbling on the walls.

“I talked to family and friends about it,” said Mr. Binioris, whose mother is Jewish, though he did not grow up religious.

“I wish they’d have expressed it in a more healthy way for themselves and the community,” he said of the swastika writer, whose identity he never learned. “People are capable of much more enlightened debate.”

He ultimately decided to repaint because, he said, “I cannot encourage that kind of offensive language and tension represented by that drawing.”

After a couple weeks since classes began at Columbia, the bathroom walls are already well-covered with new messages, some of them strong sentiments about the situation in Syria, but nothing warranting intervention, said Mr. Binioris.

At a place that attracts loners and where couples and groups speak in hushed tones, the bathroom has become a forum for patrons to be heard.

“That’s part of why I like coming here,” said one customer, Rose Hackman, 27, who wrote much of her thesis for a master’s degree in human rights at these tables.

“There are always interesting points being made,” she said. “It kind of connects you to what other people in here are thinking.”

Sitting nearby was Josh Armstrong, 30, a doctoral student at Rutgers University who was reading a book called “Principles of Linguistic Change.”

Mr. Armstrong, who lives in the neighborhood, said he noticed the Israeli-Palestinian argument on the walls heating up in recent months, and guessed that perhaps some of the scribbling was from political science students “getting intellectually interested in politics for the first time, and having a chance to express themselves.”

He agreed with the repainting, as “a restart button” to convene a new discussion and to encourage customers to “show some humanity and sensitivity with what you’re writing.”

“Even when it gets aggressive, it’s fairly informed political discussion,” said Mr. Armstrong, who studies the philosophy of language and completed much of his doctoral dissertation - on meaning in modern language â€" in the shop.

The bathroom discussions, he said, evolve slowly, unlike many Internet discussions and forums.

“It’s like sending a letter,” he said. “You have to wait a day or two for responses.”



Metal Singer to Be Tried in Murder-for-Hire Case

Tim Lambesis in court in May.Lenny Ignelzi/Reuters Tim Lambesis in court in May.

The lead singer of As I Lay Dying, a heavy metal band with a Christian message, will stand trial on charges he tried to hire an undercover sheriff’s deputy to kill his estranged wife, Reuters reported.

On Monday a judge in San Diego County ordered the singer, Tim Lambesis, 32, to be tried in superior court in Vista, Calif. He was arrested in May and charged with soliciting the murder of his wife, Meggan Lambesis. They had been married for eight years, but the relationship fell apart in the spring of 2012 and she had filed for divorce.

The county sheriff said Mr. Lambesis gave an undercover deputy, posing as a hitman named Red, $1,000 in cash, photos of his wife, her address and codes to her home security system. He also gave the deputy a list of dates when he would have their three adopted children with him.

Mr. Lambesis has pleaded not guilty. His lawyer has said he never intended for his spouse to be harmed.



Parking Is Such Sweet Sorrow

Dear Diary:

Romeo, my Alfa Romeo, I grieve
as I do drive thee ’round the city block,
perchance to see another carriage leave
that I may seize the place to park and lock
thee. If I cannot find a spot for free
(though eyes do scan like love’s voracious sight),
the cruel garage will charge me fifty-three
dollars plus tax and tip for just one night.
Still, with thee garaged I’d have no anxious fit
what thief, through yonder window breaking, might
take my E-ZPass, my radio, then slit
the leather seats and canvas roof, for spite.
Good night, good night. Parking is such sweet sorrow
that I may take a bus or cab tomorrow.

Read all recent entries and our updated submissions guidelines. Reach us via e-mail diary@nytimes.com or follow @NYTMetro on Twitter using the hashtag #MetDiary.



In Performance: Joe Manganiello of ‘A Streetcar Named Desire’

In the HBO series “True Blood,” Joe Manganiello plays Alcide, a sensitive but strong-minded Louisiana werewolf. Now he’s starring as a very different kind of wolf, the brutish Stanley Kowalski, in the Yale Repertory Theater revival of Tennessee Williams’s 1947 drama “A Streetcar Named Desire.” In this scene, Stanley talks to his wife, Stella, about how their life will return to normal once her Southern belle sister Blanche, who has been staying with them at their New Orleans apartment, finally leaves. The production opens on Sept. 26 and continues through Oct. 12.

Recent videos in this series include Hallie Foote in a scene from the Signature Theater production of “The Old Friends,” a family drama written by her father, the playwright Horton Foote, and Jon Norman Schneider in the National Asian American Theater Company revival of Clifford Odets’s “Awake and Sing!,” which recently closed at Walkerspace.



In Performance: Joe Manganiello of ‘A Streetcar Named Desire’

In the HBO series “True Blood,” Joe Manganiello plays Alcide, a sensitive but strong-minded Louisiana werewolf. Now he’s starring as a very different kind of wolf, the brutish Stanley Kowalski, in the Yale Repertory Theater revival of Tennessee Williams’s 1947 drama “A Streetcar Named Desire.” In this scene, Stanley talks to his wife, Stella, about how their life will return to normal once her Southern belle sister Blanche, who has been staying with them at their New Orleans apartment, finally leaves. The production opens on Sept. 26 and continues through Oct. 12.

Recent videos in this series include Hallie Foote in a scene from the Signature Theater production of “The Old Friends,” a family drama written by her father, the playwright Horton Foote, and Jon Norman Schneider in the National Asian American Theater Company revival of Clifford Odets’s “Awake and Sing!,” which recently closed at Walkerspace.



Emmys Watch: Matt LeBlanc on ‘Episodes’

Matt LeBlanc is not Matt LeBlanc.

That is, Matt LeBlanc, the real-life actor who stars in the Hollywood satire “Episodes” on Showtime, is not Matt LeBlanc, the exaggerated fictional character he portrays on that show, the one who stars in a struggling, by all accounts mediocre sitcom called “Pucks.”

It’s an important distinction, because while Matt LeBlanc the character is charming and successful, as written by the “Episodes” creators David Crane and Jeffrey Klarik, he is also a crude, selfish philanderer who seemingly has no shame.

It’s a role for which Mr. LeBlanc has earned a number of accolades, including a Golden Globe in 2012, and an Emmy nomination this year, for lead actor in a comedy series.

During a recent phone interview, Mr. LeBlanc discussed the blurred lines between reality and fiction on “Episodes,” which returns for a third season in January; his acting process; and what he watches on television. These are edited excerpts from the conversation.

Q.

Even though you’re playing a fictional version of yourself, there are still a lot of questions about what’s real. Can you shed some light on that?

A.

This is the one I get asked a lot and I’ve kind of stuck to the motto of, it’s not really important what’s real, in my opinion anyway â€" what’s real and what’s fictional and if either is true. What I think is important is, do people believe it? A lot of people have asked me if I’m worried that people will think that’s what I’m really like. I’m not really worried about it. For a long time, people thought I was really like Joey Tribbiani. That’s my job. My job is to make you think that’s who I am. With this one, because the character has the same name as me, it’s a little more convoluted at times. It’s a fictitious character and it’s scripted. We go through it before we start and anything I have problems with we discuss. I gotta be honest, there really hasn’t been anything with the exception of a word here and there. David and Jeffrey do such an amazing job with the script that I have literally no objections to any of it.

Q.

To the show’s benefit, your character has said and done some pretty despicable stuff. Is there a line that you’ve given the writers that you won’t cross?

A.

No, I don’t mind being the brunt of a joke â€" which, with this character I am repeatedly â€" as long as it’s a good joke. If it’s not funny and its not interesting, then, yeah, I would put my hand up and say, “Can we do a little better here?” But I haven’t had any complaints.

People have called me brave for doing this. I don’t see that way at all. I mean I’m flattered that people think that. But I see it as just another character. I approach it the same way. Who is this guy? We have a lot in common. He was on “Friends.” I was on “Friends.” But he’s divorced with two sons and the reasons for his divorce are completely different from the reasons for my divorce. It would be too difficult to illustrate what’s real and what’s not real. It’s easier to just sort of say, it’s all fake. Except for the good stuff. The good stuff is all me.

Q.

In “Pucks” the horrible show within a show, your character plays a hockey coach. Has that idea or something similar ever been pitched to you? What are some of the worst pitches you’ve heard in a meeting?

A.

There was one this year actually â€" I won’t say the network â€" that was really, really bad. That one ended up in the show.

Q.

Which episode did you submit for Emmy consideration?

A.

I don’t remember. It was kind of a group decision with the producers and they said, “We think this one is the best one.” That thing I think is better sometimes [left] to someone else who is close to the project who is not in your shoes. I’m proud of the whole season, so if one seems to have a better chance, there’s people who are better at deciding that.

Q.

Do you feel that “Episodes” is flying under the radar at all?

A.

The strange thing about our show is that we premiere every and a half. So in three years we’ve done two seasons. It’s very odd. We’re trying to have Season 4 come out in 12 months, because every 18 months really kind of handcuffs Showtime, and the BBC for that matter.

Q.

Do you watch any of the other shows you are up against?

A.

I don’t really watch a lot of TV to be quite honest. I tend to get so busy. I have a 9-year-old I have 50-50 custody of and when I have her we try to do other things.

Q.

No kids’ shows?

A.

What does she watch? We watch “America’s Got Talent.” I hate to admit it. She loves to sing. Any of those shows â€" “X Factor,” “American Idol,” all that kind of stuff I watch with her. I try not to have her be completely bombarded with media.

Q.

Has she seen any of your work?

A.

Oh yeah. She calls “Friends” the “Joey Tribbiani Show.” It’s kind of cute.



Emmys Watch: Matt LeBlanc on ‘Episodes’

Matt LeBlanc is not Matt LeBlanc.

That is, Matt LeBlanc, the real-life actor who stars in the Hollywood satire “Episodes” on Showtime, is not Matt LeBlanc, the exaggerated fictional character he portrays on that show, the one who stars in a struggling, by all accounts mediocre sitcom called “Pucks.”

It’s an important distinction, because while Matt LeBlanc the character is charming and successful, as written by the “Episodes” creators David Crane and Jeffrey Klarik, he is also a crude, selfish philanderer who seemingly has no shame.

It’s a role for which Mr. LeBlanc has earned a number of accolades, including a Golden Globe in 2012, and an Emmy nomination this year, for lead actor in a comedy series.

During a recent phone interview, Mr. LeBlanc discussed the blurred lines between reality and fiction on “Episodes,” which returns for a third season in January; his acting process; and what he watches on television. These are edited excerpts from the conversation.

Q.

Even though you’re playing a fictional version of yourself, there are still a lot of questions about what’s real. Can you shed some light on that?

A.

This is the one I get asked a lot and I’ve kind of stuck to the motto of, it’s not really important what’s real, in my opinion anyway â€" what’s real and what’s fictional and if either is true. What I think is important is, do people believe it? A lot of people have asked me if I’m worried that people will think that’s what I’m really like. I’m not really worried about it. For a long time, people thought I was really like Joey Tribbiani. That’s my job. My job is to make you think that’s who I am. With this one, because the character has the same name as me, it’s a little more convoluted at times. It’s a fictitious character and it’s scripted. We go through it before we start and anything I have problems with we discuss. I gotta be honest, there really hasn’t been anything with the exception of a word here and there. David and Jeffrey do such an amazing job with the script that I have literally no objections to any of it.

Q.

To the show’s benefit, your character has said and done some pretty despicable stuff. Is there a line that you’ve given the writers that you won’t cross?

A.

No, I don’t mind being the brunt of a joke â€" which, with this character I am repeatedly â€" as long as it’s a good joke. If it’s not funny and its not interesting, then, yeah, I would put my hand up and say, “Can we do a little better here?” But I haven’t had any complaints.

People have called me brave for doing this. I don’t see that way at all. I mean I’m flattered that people think that. But I see it as just another character. I approach it the same way. Who is this guy? We have a lot in common. He was on “Friends.” I was on “Friends.” But he’s divorced with two sons and the reasons for his divorce are completely different from the reasons for my divorce. It would be too difficult to illustrate what’s real and what’s not real. It’s easier to just sort of say, it’s all fake. Except for the good stuff. The good stuff is all me.

Q.

In “Pucks” the horrible show within a show, your character plays a hockey coach. Has that idea or something similar ever been pitched to you? What are some of the worst pitches you’ve heard in a meeting?

A.

There was one this year actually â€" I won’t say the network â€" that was really, really bad. That one ended up in the show.

Q.

Which episode did you submit for Emmy consideration?

A.

I don’t remember. It was kind of a group decision with the producers and they said, “We think this one is the best one.” That thing I think is better sometimes [left] to someone else who is close to the project who is not in your shoes. I’m proud of the whole season, so if one seems to have a better chance, there’s people who are better at deciding that.

Q.

Do you feel that “Episodes” is flying under the radar at all?

A.

The strange thing about our show is that we premiere every and a half. So in three years we’ve done two seasons. It’s very odd. We’re trying to have Season 4 come out in 12 months, because every 18 months really kind of handcuffs Showtime, and the BBC for that matter.

Q.

Do you watch any of the other shows you are up against?

A.

I don’t really watch a lot of TV to be quite honest. I tend to get so busy. I have a 9-year-old I have 50-50 custody of and when I have her we try to do other things.

Q.

No kids’ shows?

A.

What does she watch? We watch “America’s Got Talent.” I hate to admit it. She loves to sing. Any of those shows â€" “X Factor,” “American Idol,” all that kind of stuff I watch with her. I try not to have her be completely bombarded with media.

Q.

Has she seen any of your work?

A.

Oh yeah. She calls “Friends” the “Joey Tribbiani Show.” It’s kind of cute.



New York Today: De Blasio and Occupy Wall Street

Coming to the movement's defense in November 2011.Ozier Muhammad/The New York Times Coming to the movement’s defense in November 2011.

Two years ago today, demonstrators gathered in the financial district to protest income inequality and the influence of money on politics.

It was the birth of Occupy Wall Street.

Among its defenders was the Democratic mayoral contender, Bill de Blasio, the city’s public advocate.

And so today presents a moment to examine what Mr. de Blasio’s role in Occupy Wall Street what might mean for the race.

In October 2011, when the authorities threatened to halt the occupation of Zuccotti Park, Mr. de Blasio spoke there.

He urged officials to honor a “heartfelt movement that’s speaking to what people are feeling all over this country.”

In recent weeks, Mr. de Blasio’s proposal to tax the 1 percent has spurred his campaign.

(His critics, it’s worth noting, say he has accepted plenty of campaign money from corporate interests.)

Today’s anniversary is being marked with rallies.

“Occupy Wall Street pulled the growing crisis of income inequality out into the light of day,” Mr. de Blasio said in a statement on Monday.

His Republican opponent, Joseph J. Lhota, told reporters, “Bill de Blasio’s change is radical. My change is practical.”

Here’s what else you need to know for Tuesday.

WEATHER

Kind of magnificent. Sunny and breezy with a high of 68.

TRANSIT & TRAFFIC

- Mass Transit: O.K. so far. Click for latest M.T.A. status.

- Roads: No major delays. Click for traffic map or radio report on the 1s.

Alternate-side parking is in effect today, though not Thursday or Friday.

COMING UP TODAY

- Mayor Michael R. Bloomberg will commemorate the city’s five-millionth ton of recycled paper at a paper mill on Staten Island.

- Mr. Lhota heads into Democratic territory, meeting with officials of the city’s biggest municipal-employee union in the morning and the Rev. Al Sharpton in the evening.

- Congress members will gather beneath the roaring jets in Queens to urge the F.A.A. not to change flight paths into La Guardia and Kennedy Airports without conducting environmental review. They may need to yell to make themselves heard.

- The city Landmarks Preservation Commission meets to discuss the possible designation of some nice old buildings on the east side of Midtown, including the Graybar Building, and the possible expansion of the Park Slope historic district.

- The parks department wants you to help plant flowers and ground cover around street trees on the Lower East Side. 3 p.m. at Sauer Park on East 12th Street. [Free. Click to register.]

- “Anna Nicole,” a tabloid-inspired opera about Anna Nicole Smith, opens at the Brooklyn Academy of Music. 7:30 p.m. [Click for ticket info]

- “Brooklyn Nine-Nine,” a sitcom about a fictitious police precinct starring Andy Samberg and Andre Braugher, premieres on Fox at 8:30 p.m. “Mild, affable and familiar,” raves The New York Times.

- For more events, see The New York Times’s Arts & Entertainment guide.

Joseph Burgess contributed reporting.

New York Today is a morning roundup that stays live from 6 a.m. till about noon.

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