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‘Buckwild’ Suspends Production After a Death

Mr. Gandee.Reuters Mr. Gandee.

MTV has suspended production on its reality series “Buckwild” in the wake of news that one of its most popular cast members, Shain Gandee, was found dead on Monday. Details about Mr. Gandee’s death remained unclear on Monday, though several news reports said he had been discovered along with two other men, one of them his uncle, in an all-terrain vehicle near his home in Sissonville, W.Va.

CBS News reported that the men were last seen at 3 a.m. Sunday in a bar and had told other patrons that they intended to do off-road driving. In the “Buckwild” series off-road driving, which the characters called “mudding,” was central to several of the episodes. The show, which chronicled the daily adventures of a group of young adults from rural West Virginia, had been called “Appalachian Jersey Shore” by some reviewers.

Mr. Gandee, 21, was also widely identified as a breakout character in the series. He called himself “the redneck MacGyver” after the inventive character in the television series of the same name. During its first season of 12 episodes, which began in early January, “Buckwild” was the No. 1 show in cable television with viewers between the ages of 12 to 34, the base audience for MTV. Overall the series averaged 3.2 million viewers per episode, a good total for cable television. MTV had already ordered a second season of the show. But its future is now in some doubt.

Though MTV executives declined to comment on the record about whether the show would continue, the current season, which had been in production for more than a week, has been suspended indefinitely.



Amanda Plummer, Brad Dourif To Star in Tennessee Williams’s ‘Two-Character Play’

Amanda PlummerTaka Sawa Amanda Plummer

The Tony Award-winning actress Amanda Plummer (“Agnes of God”) will return to the New York stage for the first time 15 years in the Off Broadway premiere of Tennessee Williams’s “Two-Character Play,” the show’s producers announced on Monday. The production, to be directed by Gene David Kirk, will also star the Academy Award-nominated actor Brad Dourif (“One Flew Over the Cuckoo’s Nest”).

It will be Ms. Plummer’s first major New York stage appearance since “Killer Joe” in 1998. (She had a short run in “The Exonerated” at the Culture Project in 2003.)

Loosely based on Williams’s relationship with his sister, Rose, “The Two-Character Play” weaves in and out of reality as two actors, a brother and sister, are forced to perform for an audience after being deserted by their own acting troupe. A news release describes the play as “equal parts Southern Gothic thriller, black comedy and psychological drama.”

The play made its debut in in 1967 in London. It played only 12 performances on Broadway in 1973 under the title “Out Cry,” in a production that starred Michael York and Cara Duff-MacCormick. In Oct. 2010 Mr. Kirk directed a revival at London’s Jermyn Street Theater.

Previews begin at New World Stages on June 10, with opening night scheduled for June 19.



‘Orphans,’ ‘Motown,’ ‘Matilda’ Drawing Well in Preview Performances

The new Broadway production of “Orphans,” Alec Baldwin’s first outing since “30 Rock” ended in January, had a solid start at the box office last week, and the new musicals “Motown” and “Matilda” had strong weeks as well, according to ticket sale data released on Monday by the Broadway League, a trade association of theater owners and producers.

Another new musical, “Hands on a Hardbody,” appeared in real trouble, meanwhile. After opening on March 21 to mixed reviews, the show grossed only $321,043, or 30 percent of the maximum possible amount, unsustainably low numbers for Broadway musicals.

And the Broadway revival of “Cat on a Hot Tin Roof” closed on Saturday night with a whimper. The play grossed $721,456 for seven performances last week, or 63 percent of the maximum possible - statistics that would be solid for most plays, but were a bit underwhelming for a famous play with a major star (Scarlett Johansson as Maggie). Whether the revival recouped its $3.6 million capitalization is unclear; the play’s lead producer and its spokeswoman did not return messages on Monday.

“Orphans,” which began previews on Tuesday, grossed $659,391, or 64 percent of the maximum amount. “Motown,” meanwhile, grossed $1.2 million, or 86 percent of the maximum possible, evidence of the popularity of the Motown song catalog that is the basis for the show. And “Matilda,” an award-winning import from London, grossed $960,998, or 93 percent of the maximum. All three show open officially later this month.

The new play “Breakfast at Tiffany’s,” which received some of the worst reviews of the season, did not particularly suffer as a result of them. In its first full week after opening, the play grossed $411,052, or 46 percent of the maximum possible - within the range of covering the weekly running costs for a typical play.

Most musicals did big business last week because of increased tourism in New York for Easter, Passover, and school vacations. “Wicked” and the Disney shows “The Lion King” and “Newsies” even added an extra ninth performance to take advantage of the potential influx. As a result “Wicked” grossed $2.63 million and “Lion King” grossed $2.39 million - several hundred thousand dollars more than they did in the week before Easter in 2012.

The other Top 5 grossing shows last week were “Spider-Man: Turn Off the Dark,” “The Book of Mormon,” and the 25-year-old “Phantom of the Opera.”

Overall Broadway musicals and plays grossed $28.5 million last week, compared to $23.8 million for the comparable week last season and $21.7 million for the previous week.



‘Orphans,’ ‘Motown,’ ‘Matilda’ Drawing Well in Preview Performances

The new Broadway production of “Orphans,” Alec Baldwin’s first outing since “30 Rock” ended in January, had a solid start at the box office last week, and the new musicals “Motown” and “Matilda” had strong weeks as well, according to ticket sale data released on Monday by the Broadway League, a trade association of theater owners and producers.

Another new musical, “Hands on a Hardbody,” appeared in real trouble, meanwhile. After opening on March 21 to mixed reviews, the show grossed only $321,043, or 30 percent of the maximum possible amount, unsustainably low numbers for Broadway musicals.

And the Broadway revival of “Cat on a Hot Tin Roof” closed on Saturday night with a whimper. The play grossed $721,456 for seven performances last week, or 63 percent of the maximum possible - statistics that would be solid for most plays, but were a bit underwhelming for a famous play with a major star (Scarlett Johansson as Maggie). Whether the revival recouped its $3.6 million capitalization is unclear; the play’s lead producer and its spokeswoman did not return messages on Monday.

“Orphans,” which began previews on Tuesday, grossed $659,391, or 64 percent of the maximum amount. “Motown,” meanwhile, grossed $1.2 million, or 86 percent of the maximum possible, evidence of the popularity of the Motown song catalog that is the basis for the show. And “Matilda,” an award-winning import from London, grossed $960,998, or 93 percent of the maximum. All three show open officially later this month.

The new play “Breakfast at Tiffany’s,” which received some of the worst reviews of the season, did not particularly suffer as a result of them. In its first full week after opening, the play grossed $411,052, or 46 percent of the maximum possible - within the range of covering the weekly running costs for a typical play.

Most musicals did big business last week because of increased tourism in New York for Easter, Passover, and school vacations. “Wicked” and the Disney shows “The Lion King” and “Newsies” even added an extra ninth performance to take advantage of the potential influx. As a result “Wicked” grossed $2.63 million and “Lion King” grossed $2.39 million - several hundred thousand dollars more than they did in the week before Easter in 2012.

The other Top 5 grossing shows last week were “Spider-Man: Turn Off the Dark,” “The Book of Mormon,” and the 25-year-old “Phantom of the Opera.”

Overall Broadway musicals and plays grossed $28.5 million last week, compared to $23.8 million for the comparable week last season and $21.7 million for the previous week.



Video: Armed Theft of Cash Register in Bronx


Two men walked into a Bronx fast-food restaurant, one carrying a beverage, the other a shotgun.

They walked out shortly after with a cash register - and with yards of receipt paper unspooling behind them.

The sight of the white paper trail following their flight provided a bit of comedy in an otherwise frightening episode just before 11 p.m. Thursday at a Kennedy Fried Chicken on Creston Avenue.

In a video released by the police on Monday, the two men casually approach the counter. The one with the beverage, identified by the police as a 180-pound man in his 30s, continues taking sips as a lone customer seated at one of the small restaurant’s tables leaves in haste.

The armed man, in his 40s and described as heavy set, pumps the shotgun as he aims it at the employees, who remain mostly unseen behind a barrier displaying menu items.

Setting down his drink, the younger man then climbs onto the counter and tries to reach the register, which is partly protected by plastic.

The gunman appears to urge him to shimmy further, pushing him from behind. The man grasps the register, but as he attempts to raise it, it falls on the ground. Undeterred, he pulls it by the cord and raises it up

Heading for the door, the man gives the register a yank, dislodging the chord. But the roll of receipt paper appears caught, and as the men run through the door and onto the street, it trails behind them. The police said it contained about $500.

The police are asking that anyone with information call Crime Stoppers at (800) 577-TIPS (8477) or send tips to www.nypdcrimestoppers.com.



Where a Famed Yankees Fan Would Warm Up for Opening Day

Freddy Schuman, in a 2002 photo near Yankee Stadium, was a familiar presence at games with his signs and his banging on a pan with a wooden spoon. He bought the spoons at a nearby secondhand store.Michelle V. Agins/The New York Times Freddy Schuman, in a 2002 photo near Yankee Stadium, was a familiar presence at games with his signs and his banging on a pan with a wooden spoon. He bought the spoons at a nearby secondhand store.

Thriftland U.S.A., a large second-hand store in the South Bronx, seems an unlikely place to claim a piece of New York Yankees history.

“I hate the Yankees â€" every time there’s a home game, it totally messes up the parking in this neighborhood,” said Mark Kassof, an owner of Thriftland, at River Road and 153rd Street, just south of Yankee Stadium.

And the fans were already streaming by on Monday morning, preparing for the Opening Day game at the stadium.

The store has gained fame among die-hard Yankees fans for an unusual reason: It is where Freddy Schuman bought his spoons. “He probably bought them here because we’re near the stadium, and we’re cheap,” Mr. Kassof said.

Mr. Schuman became something of a team mascot by roaming the stadium with an old frying pan and a spoon. He would let fans bang them to lead cheers, a tradition that he began in 1988 and that lasted until his death in October 2010 at age 85.

Freddy the Fan, as he was known, would come to Thriftland at the beginning of each season to buy his supply of secondhand spoons, perhaps a dozen, for 25 cents apiece.

Although not a fan, Mr. Kassof said he would attend a Yankees game once a year and was always impressed with Mr. Schuman’s welcoming spirit to fans, especially children. He also enjoyed the distinctive signs Mr. Schuman would make for each home game he went to, never using the same one twice.

A year or two before Mr. Schuman died, Mr. Kassof paid him “a modest amount â€" I forget how much” â€" to make two signs for the store’s front windows. The signs, made in the classic “Freddy Sez” bubble letter style, remain hanging today as a tribute to Mr. Schuman.

“Freddy Sez: No. 1 Yankee Fans Shop at Thriftland for Great Bargains,” reads one.

“Freddy Sez: Shop at Thriftland for Grand Slam Bargains,” reads the other. That sign now hangs upside-down, because Mr. Kassof inverted it after Mr. Schuman’s death as a symbol of grieving.

Mr. Schuman, a retired truck driver who often went by the nickname Freddy Sez, had only one working eye and one tooth. He led cheers at more than 1,500 games.

“Those spoons are very important to Yankees history. Freddy was the biggest Yankees fan ever,” said Charley Janczuk, 56, of the Bronx, who was shopping in Thriftland on Monday morning for athletic jerseys.

“I recognized those signs as Freddy’s as soon as they went up,” he said of the signs in the front window. “But I never knew he bought his spoons here. That’s huge.”

Thirftland fills its 15,000 square feet of space mostly with secondhand clothing, though it also has a toy department and an aisle of discounted new items such as dish detergent.

The area becomes busy with Yankees fans, who park in local lots and walk to the game. Most of Thriftland’s customers are nearby residents, and they generally have no idea who Mr. Schuman was.

Yankees fans typically stop in to grab an inexpensive jacket or raincoat in poor weather, said Mr. Kassof, who sells $2 rain ponchos. He drapes one on a cardboard cutout of Derek Jeter and puts it outside, as advertising.

On Monday, Mr. Kassof led a reporter to the kitchenware, walking past used picture frames and clock-radios, past VHS and CD players. He stopped at a plastic bin holding only plastic utensils.

“We happen to be out of spoons right now,” he said.

Years after his death, Mr. Schuman’s legacy lives on. One of his pans was inducted into the Yogi Berra Museum and Learning Center at Montclair State University in Little Falls, N.J. Another pan and a spoon were donated to the National Baseball Hall of Fame and Museum in Cooperstown, N.Y.



MTV Veteran John Norris Joins ‘Fuse News’

With each new hire, the news division at Fuse is increasingly coming to resemble a cable rival that once put the M in music television. On Monday, Fuse said that it had hired John Norris, a veteran producer and on-air personality at MTV, to serve as supervising producer of “Fuse News,” its daily music-news program. Mr. Norris, who joined MTV in the halcyon year of 1990, worked there as a writer and correspondent for MTV News, hosted its weekly “MTV News 1515″ program and its daily series “Hangin’ with MTV” and reported for its “Choose or Lose” political specials; he was also the MTV news anchor and senior correspondent from 2000 to 2008 and has been a correspondent for the CBS programs “Sunday Morning” and “48 Hours.”

Fuse said in a news release that Mr. Norris “will play a key role in driving ‘Fuse News’ mission to report on the important stories in music with insight, expertise and an unparalleled depth of coverage.” Mr. Norris said in a statement, “There could not be a better time for ‘Fuse News’ as the world of music has become increasing complex. The show’s thorough and thoughtful dive into the people and events that shape this dynamic industry is unlike anything else on television.”

Fuse, which is owned by Madison Square Garden, has lately been building up its news division and introduced its “Fuse News” show in February, with a roster of hosts that includes Alexa Chung (formerly of the MTV series “It’s On With Alexa Chung”) and correspondents that includes Jack Osbourne (of MTV’s reality series “The Osbournes”).



San Francisco Symphony Strike Ends

The musicians of the San Francisco Symphony and its management have settled a strike and performances will resume on Tuesday, the orchestra said. The agreement, for a 26-month contract, ends a work stoppage called on March 13 that forced the cancellation of prestigious appearances at Carnegie Hall and the Kennedy Center.

As if to emphasize an orchestra’s broad reach in a community, the San Francisco Symphony described the concerts that can now go forward this week: free performances for schoolchildren, a Music for Families concert, a regular performance of Handel and Mozart works conducted by the maestro Bernard Labadie, a chamber music performance and a workshop for amateur musicians. The musicians and the orchestra’s board of governors must still ratify the agreement, which the Symphony called tentative. The terms were not released. The labor dispute centered on salaries.



Remembering Patty Cake, the Bronx Zoo’s Beloved Gorilla, Who Is Dead at 40

Pattycake in an undated photograph.Reuters Pattycake in an undated photograph.

She was once celebrated as “the Shirley Temple of the animal world.” She was so popular that she became the subject of a custody battle between two competing zoos. When she suffered a broken arm, rapt New Yorkers followed every twist and turn of her convalescence.

Her name was Pattycake, the first gorilla born in New York City, who died on Sunday at the Bronx Zoo. She was 40 years old. Pattycake had been under medical care as a result of her age and was being treated for “chronic cardiac issues,” according to a statement from the Wildlife Conservation Society, which operates the zoo.

Pattycake was born on Sept. 3, 1972, at the Central Park Zoo, at a time when gorillas born in captivity was still relatively rare. Even rarer was gorillas in captivity being raised by their parents, rather than humans.

She was an instant star, drawing huge crowds to the zoo who were charmed by her sweet antics. A naming contest in The Daily News attracted thousands of entries.

And then when she was six months old Pattycake broke her right arm, apparently the result of some overly exuberant play with her parents. The city held its breath, as Pattycake underwent an hour-long operation and then was whisked away to the Bronx Zoo to recuperate away from her parents. The two zoos then quarreled over who would get to keep the famous infant, until it was finally decided that she should go back home to Central Park.

Three months later, Pattycake and her parents had a dramatic and tender reunion. In 1983, Pattycake went back to the Bronx Zoo, where she gave birth to 10 gorillas. Pattycake, as the Wildlife Conservation Society put it, was New York City “institution,” who was often a highlight of a trip to the zoo for countless children â€" and their parents.

If you have remembrances or stories about Pattycake please share them in the comments box below.

she remained, a much beloved New Yorker who during her life was a highlight of a trip to the zoo for so many children â€" and their parents.



Orlando Bloom, Condola Rashad to Star in ‘Romeo and Juliet’ on Broadway

A Broadway version of “Romeo and Juliet,” from the director David Leveaux (“Arcadia”), will showcase Shakespeare’s star-crossed lovers as an interracial couple.

Orlando Bloom, who made his London stage debut in 2007 after a film breakthrough in the “Lord of the Rings” movies, will play Romeo. Condola Rashad, a Tony nominee for “Stick Fly” and about to open in “The Trip to Bountiful,” will be Juliet. The play is to begin previews Aug. 24 for a Sept. 19 opening at the Richard Rodgers Theater. Jayne Houdyshell will play the Nurse and Joe Morton will be Lord Capulet, with additional casting to be announced.

“They could have been any number of different ethnicities,” Mr. Leveaux said in a telephone interview, referring to his casting choices. “The two actors I wanted to be together producing sparks just happened to be those two and I followed my nose in casting the families.” He decided to make the Capulets an all-black clan and the Montagues all-white to reflect real life rather than make a comment on race, he added.

“There was nothing simple about that choice but I’m not about to turn a contemporary version of Shakespeare into a sociological or political point,” he said. “We know there are families from one background or another who would reject their children getting together with someone from another group. Romeo and Juliet reject that notion. It is still the case that children try to oppose the cultural expectations thrust upon them, the rigidity of tribes, the rigidity of fundamentalism.”

Classic Stage Company recently announced its own fall production Off Broadway, which will star the film actress Elizabeth Olsen (“Martha Marcy May Marlene”) as Juliet.



Orlando Bloom, Condola Rashad to Star in ‘Romeo and Juliet’ on Broadway

A Broadway version of “Romeo and Juliet,” from the director David Leveaux (“Arcadia”), will showcase Shakespeare’s star-crossed lovers as an interracial couple.

Orlando Bloom, who made his London stage debut in 2007 after a film breakthrough in the “Lord of the Rings” movies, will play Romeo. Condola Rashad, a Tony nominee for “Stick Fly” and about to open in “The Trip to Bountiful,” will be Juliet. The play is to begin previews Aug. 24 for a Sept. 19 opening at the Richard Rodgers Theater. Jayne Houdyshell will play the Nurse and Joe Morton will be Lord Capulet, with additional casting to be announced.

“They could have been any number of different ethnicities,” Mr. Leveaux said in a telephone interview, referring to his casting choices. “The two actors I wanted to be together producing sparks just happened to be those two and I followed my nose in casting the families.” He decided to make the Capulets an all-black clan and the Montagues all-white to reflect real life rather than make a comment on race, he added.

“There was nothing simple about that choice but I’m not about to turn a contemporary version of Shakespeare into a sociological or political point,” he said. “We know there are families from one background or another who would reject their children getting together with someone from another group. Romeo and Juliet reject that notion. It is still the case that children try to oppose the cultural expectations thrust upon them, the rigidity of tribes, the rigidity of fundamentalism.”

Classic Stage Company recently announced its own fall production Off Broadway, which will star the film actress Elizabeth Olsen (“Martha Marcy May Marlene”) as Juliet.



Tony Bennett Concert Recording to Be Released

Tony Bennett, foreground, with the pianist Dave Brubeck at the Sylvan Theater, on the grounds of the Washington Monument, in 1962.Don Hunstein/Sony Music Archives Tony Bennett, foreground, with the pianist Dave Brubeck at the Sylvan Theater, on the grounds of the Washington Monument, in 1962.

A Tony Bennett concert recording long presumed to be lost will be released on May 28. The album, “Bennett & Brubeck: The White House Sessions, Live 1962” (RPM/Columbia/Legacy), documents a performance by Mr. Bennett and the pianist Dave Brubeck at the Sylvan Theater, on the grounds of the Washington Monument.

Organized by the Kennedy administration as a token of gratitude for the corps of college students who had taken summer internships in the capital, the concert took place on Aug. 28, 1962. It featured separate sets by Mr. Bennett, who had just landed a hit with “I Left My Heart in San Francisco,” and the Brubeck quartet, one of the most popular jazz groups in the country. As an impromptu finale Mr. Bennett joined members of the quartet for four songs. One of those, a bossa nova version of “That Old Black Magic,” has appeared on some compilation albums. But the full concert, which lasted roughly an hour, languished unheard in the Sony vaults until its discovery in December, not long after Brubeck’s death at 91.

During his 60-year recording career, Mr. Bennett, 86, has collaborated with a number of leading jazz musicians, including the pianist Bill Evans and the Count Basie Orchestra. But after the concert in Washington, he and Brubeck didn’t perform together until the 2009 Newport Jazz Festival. Mr. Bennett is scheduled to make his next New York City appearance on Oct. 11 at Radio City Music Hall.



Tony Bennett Concert Recording to Be Released

Tony Bennett, foreground, with the pianist Dave Brubeck at the Sylvan Theater, on the grounds of the Washington Monument, in 1962.Don Hunstein/Sony Music Archives Tony Bennett, foreground, with the pianist Dave Brubeck at the Sylvan Theater, on the grounds of the Washington Monument, in 1962.

A Tony Bennett concert recording long presumed to be lost will be released on May 28. The album, “Bennett & Brubeck: The White House Sessions, Live 1962” (RPM/Columbia/Legacy), documents a performance by Mr. Bennett and the pianist Dave Brubeck at the Sylvan Theater, on the grounds of the Washington Monument.

Organized by the Kennedy administration as a token of gratitude for the corps of college students who had taken summer internships in the capital, the concert took place on Aug. 28, 1962. It featured separate sets by Mr. Bennett, who had just landed a hit with “I Left My Heart in San Francisco,” and the Brubeck quartet, one of the most popular jazz groups in the country. As an impromptu finale Mr. Bennett joined members of the quartet for four songs. One of those, a bossa nova version of “That Old Black Magic,” has appeared on some compilation albums. But the full concert, which lasted roughly an hour, languished unheard in the Sony vaults until its discovery in December, not long after Brubeck’s death at 91.

During his 60-year recording career, Mr. Bennett, 86, has collaborated with a number of leading jazz musicians, including the pianist Bill Evans and the Count Basie Orchestra. But after the concert in Washington, he and Brubeck didn’t perform together until the 2009 Newport Jazz Festival. Mr. Bennett is scheduled to make his next New York City appearance on Oct. 11 at Radio City Music Hall.



Shopping at Fairway With a Stroller

Victor Kerlow

Dear Diary:

I had just dropped off my young son at school and was using his empty stroller as a shopping cart, carefully negotiating the aisles at Fairway on the Upper West Side.

An elderly gentleman, who was walking by, bent to take a look in the stroller. He looked at the assorted groceries and, with a twinkle in his eye, said, “He doesn’t look at all like you!”

Read all recent entries and our updated submissions guidelines. Reach us via e-mail diary@nytimes.com or follow @NYTMetro on Twitter using the hashtag #MetDiary.



James Moody Jazz Festival Announces Its Lineup

The saxophonist Jimmy Heath.Joshua Bright for The New York Times The saxophonist Jimmy Heath.

The New Jersey Performing Arts Center, in Newark, has announced a lineup for the second annual TD James Moody Democracy of Jazz Festival, in November. Presented in partnership with WBGO 88.3 FM, it will feature two marquee events with a local hook: a 50th anniversary words-and-music tribute to “Blues People,” the landmark book by the lifelong Newark resident Amiri Baraka (Nov. 5); and a concert tribute to the nightclub proprietor Lorraine Gordon, who spent her childhood there (Nov. 7).

An opening-night program will feature the saxophonist Jimmy Heath (Nov. 4), and a concert titled “Sing, Swing, Sing!” will spotlight the vocalists Dianne Reeves, Al Jarreau, Jeffrey Osborne and Cyrille Aimée. (Another component of the festival is the Sarah Vaughan International Jazz Vocal Competition, which Ms. Aimée won last year; this year’s finals will take place on Nov. 10.) A 50th anniversary celebration of the album “Getz/Gilberto” will include Sergio Mendes, the pianist and vocalist Eliane Elias, the percussionist Airto, the guitarist Lee Ritenour and the saxophonist Joe Lovano.

Along with the festival, NJPAC has announced that the bassist Christian McBride is its new jazz adviser, helping to shape programming in the early part of next year. (Other concerts have been organized by the pianist Bill Charlap.) And Dorthaan Kirk, a longtime jazz advocate in Newark, will oversee Dorthaan’s Place, a jazz brunch at NJPAC’s restaurant, NICO Kitchen + Bar, beginning on Nov. 10 with a performance by the saxophonist and clarinetist Paquito D’Rivera.

For a full schedule, visit njpac.org; ticket can be purchased online, at the NJPAC Box Office at One Center Street in downtown Newark, or by phone at 1-888-466-5722.