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In a Cab, a Pre-Bloomberg New York

Victor Kerlow

Dear Diary:

After dodging two bicycles going the wrong way in their own lane, I planted my feet in the dangerously narrow pedestrian area between traffic and parked cars, and began looking for a cab. With none in sight I lighted a cigarette, but after just a few puffs I could see a dimly lit taxi top-light about a block away.

At $14.50 a pack, (Thanks, Mayor Bloomberg) I don’t waste, so as the cab approached, I got in a couple more drags and was about to behead the cigarette to save it for later. Just then, the cabdriver held up a pack of smokes on his dashboard â€" the universal sign for freedom. More rare than unicorns or honest politicians, this was a smoking cab.

The moment I stepped inside I was instantly transported back to a pre-Bloomberg New York. Passengers in taxis to the left and right stared at me with palpable envy and I was awash in a sense of privilege. Savor this opportunity, I thought, for it may never come again.

I rewarded the driver with a great tip, but then, fidgeting with the clunky sliding cab door, I was reminded that nothing escapes Bloomberg’s influence. Doors that swing open can hurt bicyclists, so now, once again inconveniencing the many to appease the few, we have sliding cab doors. An elderly person has as good a chance of opening one of those doors as she does of wresting Excalibur from its stone.

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New York Fringe Festival Report: ‘The Spider’

Penko Gospodinov, left, and Anastassia Liutova in Richard Termine Penko Gospodinov, left, and Anastassia Liutova in “The Spider.”

Reviews of shows from the New York International Fringe Festival will appear on ArtsBeat through the festival’s close on Aug. 25. For more information, go to fringenyc.org.

For Martin (Penko Gospodinov) and Martha (Anastassia Liutova) it’s the night before the big morning: Tomorrow these conjoined twins, linked back-to-back at the shoulder but emotionally connected at their very marrow, are due for surgery that will separate them for the first time. In the tumultuous hour that makes up “The Spider,” a Bulgarian play that completed its North American premiere run, they reminisce, bicker, bemoan their fates and wonder out loud about what may come. Always at stake: will being apart offer release, or make them that much more ordinary?

“We are what many couples in love dream of being,” Martin insists. “I’d rather choose the dangers of the free world than the safety of a prison,” Martha answers.

Existential echoes of Beckett and Sartre are in the air, and political metaphors likely, too. But “The Spider,” written and directed by Dimitar Dimitrov and Yordan Slaveykov, works outstandingly on its own terms. Though it’s not specified in the script, the production largely confines the two characters to one tight bathtub, where Mr. Gospodinov (in a bathing cap) and Ms. Liutova (topless) manage astonishing variations on the love-me-or-leave-me theme while pretty much unable to look each other in the eyes.

We can’t look away, though, thanks to the impassioned performances (the well-translated Bulgarian dialogue is projected on a wall behind the actors), eerie musical underscoring (by Alexander Kalanov and Yordan Borisov) and effective lighting (by Cindy Shumsey). Credit to the Drama League, too, for helping to sprinkle some Eastern European tragicomedy in a Fringe program filled with lighter fare.



New York Fringe Festival Report: ‘The Spider’

Penko Gospodinov, left, and Anastassia Liutova in Richard Termine Penko Gospodinov, left, and Anastassia Liutova in “The Spider.”

Reviews of shows from the New York International Fringe Festival will appear on ArtsBeat through the festival’s close on Aug. 25. For more information, go to fringenyc.org.

For Martin (Penko Gospodinov) and Martha (Anastassia Liutova) it’s the night before the big morning: Tomorrow these conjoined twins, linked back-to-back at the shoulder but emotionally connected at their very marrow, are due for surgery that will separate them for the first time. In the tumultuous hour that makes up “The Spider,” a Bulgarian play that completed its North American premiere run, they reminisce, bicker, bemoan their fates and wonder out loud about what may come. Always at stake: will being apart offer release, or make them that much more ordinary?

“We are what many couples in love dream of being,” Martin insists. “I’d rather choose the dangers of the free world than the safety of a prison,” Martha answers.

Existential echoes of Beckett and Sartre are in the air, and political metaphors likely, too. But “The Spider,” written and directed by Dimitar Dimitrov and Yordan Slaveykov, works outstandingly on its own terms. Though it’s not specified in the script, the production largely confines the two characters to one tight bathtub, where Mr. Gospodinov (in a bathing cap) and Ms. Liutova (topless) manage astonishing variations on the love-me-or-leave-me theme while pretty much unable to look each other in the eyes.

We can’t look away, though, thanks to the impassioned performances (the well-translated Bulgarian dialogue is projected on a wall behind the actors), eerie musical underscoring (by Alexander Kalanov and Yordan Borisov) and effective lighting (by Cindy Shumsey). Credit to the Drama League, too, for helping to sprinkle some Eastern European tragicomedy in a Fringe program filled with lighter fare.



A Strong Start for “Lee Daniels’ The Butler”

Oprah Winfrey served up a surprise No. 1 finish for “Lee Daniels’ The Butler” at the weekend box office, while the superhero sequel “Kick-Ass 2” tripped on its cape. “The Butler” (the Weinstein Company) took in about $25 million in North American theaters, according to Hollywood.com, which compiles box-office data. A biographical drama that cost roughly $30 million to make, “The Butler” was aggressively promoted by Ms. Winfrey, who plays an alcoholic wife in the film. Pent-up demand for more serious cinema also helped sales, as did enthusiastic reviews and a tempest-in-a-teapot fight over the film’s title.

“We’re the Millers” (Warner Brothers) was strong second, taking in an estimated $17.8 million, for a two-week total of $69.5 million. “Elysium” (Sony) and “Kick-Ass 2” (Universal) tied for third place, with ticket sales of about $13.6 million each. The two-week total for “Elysium” now stands at a disappointing $55.9 million. The first installment in the “Kick-Ass” series took in $21.2 million, after adjusting for inflation, for Lionsgate, which passed on making a sequel. Universal noted on Sunday that the second film, like the first, was relatively inexpensive to make, costing independent financiers about $28 million.

Fifth place went to “Planes” (Disney), which sold about $13.1 million in tickets, for a two-week total of $45.1 million. The Steve Jobs biopic “Jobs” (Open Road) sputtered badly, with ticket sales of about $6.7 million, and “Paranoia” (Relativity), a thriller starring Harrison Ford, fared even worse, taking in $3.5 million.



A Strong Start for “Lee Daniels’ The Butler”

Oprah Winfrey served up a surprise No. 1 finish for “Lee Daniels’ The Butler” at the weekend box office, while the superhero sequel “Kick-Ass 2” tripped on its cape. “The Butler” (the Weinstein Company) took in about $25 million in North American theaters, according to Hollywood.com, which compiles box-office data. A biographical drama that cost roughly $30 million to make, “The Butler” was aggressively promoted by Ms. Winfrey, who plays an alcoholic wife in the film. Pent-up demand for more serious cinema also helped sales, as did enthusiastic reviews and a tempest-in-a-teapot fight over the film’s title.

“We’re the Millers” (Warner Brothers) was strong second, taking in an estimated $17.8 million, for a two-week total of $69.5 million. “Elysium” (Sony) and “Kick-Ass 2” (Universal) tied for third place, with ticket sales of about $13.6 million each. The two-week total for “Elysium” now stands at a disappointing $55.9 million. The first installment in the “Kick-Ass” series took in $21.2 million, after adjusting for inflation, for Lionsgate, which passed on making a sequel. Universal noted on Sunday that the second film, like the first, was relatively inexpensive to make, costing independent financiers about $28 million.

Fifth place went to “Planes” (Disney), which sold about $13.1 million in tickets, for a two-week total of $45.1 million. The Steve Jobs biopic “Jobs” (Open Road) sputtered badly, with ticket sales of about $6.7 million, and “Paranoia” (Relativity), a thriller starring Harrison Ford, fared even worse, taking in $3.5 million.



Aug. 18: Where the Candidates Are Today

Planned events for the mayoral candidates, according to the campaigns and organizations they are affiliated with. Times are listed as scheduled but frequently change.

Jonah Bromwich contributed reporting.

Event information is listed as provided at the time of publication. Details for many of Ms. Quinn events are not released for publication.Maps of all campaign events since April »
Events by candidate

De Blasio

Liu

Quinn

Thompson

Weiner

Group event


John A. Catsimatidis
Republican

12 p.m.
Takes his own float to the 35th annual India Day Parade, which runs from 38th Street to 27th Street along Madison Avenue.

Bill de Blasio
Democrat

9:15 a.m.
Speaks at his first church service of the day, along with his wife, Chirlane McCray, at the Mount Neboh Baptist Church in Harlem.

11 a.m.
Addresses congregants at Antioch Baptist Church in Harlem, along with his wife, directly after Anthony D. Weiner.

11:50 a.m.
Addresses congregants, along with his wife, at Kelly Temple Church of God in Christ in Harlem.

2:45 p.m.
Greets voters, along with his wife, at a celebration of Pakistan’s Independence Day on Coney Island Avenue in Brooklyn.

6:15 p.m.
Attends “Ping Pong for Bill de Blasio” event with his family. The fund-raiser is hosted by the actress Susan Sarandon at SPiN in Manhattan.

John C. Liu
Democrat

8 a.m.
Delivers the first of three addresses on the same day to congregants at the Greater Allen A.M.E. Cathedral of New York, where William C. Thompson Jr. attended services in May and Bill de Blasio spoke in June.

8:30 a.m.
Speaks at the second of three services of the day, at the Greater Allen A.M.E. Cathedral of New York, where William C. Thompson Jr. attended services in May and Bill de Blasio spoke in June.

11:15 a.m.
Addresses the congregants at the Greater Allen A.M.E. Cathedral of New York, where William C. Thompson Jr. attended services in May and Bill de Blasio spoke in June.

1:15 p.m.
Marches in the 35th annual India Day Parade, which runs from 38th Street to 27th Street along Madison Avenue.

1:40 p.m.
Attends the Nicaraguan, Central American and Caribbean Artisan Festival at Nuestra Señora de Guadalupe Catholic Church on West 14th Street.

2:15 p.m.
Attends the Taiwan Ping Tung Association Ribbon Cutting at College Point Boulevard in Queens.

2:55 p.m.
Stops by the Douglaston Swim Club at the Deepdale Gardens Community Center in Little Neck, Queens.

3:30 p.m.
Stops by at the Upper Manhattan Auto Show, part of Harlem Week, on West 135th Street in Harlem.

3:55 p.m.
Stops by the New York Children’s Festival, part of Harlem Week, which features dance, jazz, spoken-word and hip-hop performances, along with a “back to school” fashion show.]yj]

5:45 p.m.
Greets voters at a celebration of Pakistan’s Independence Day on Coney Island Avenue in Brooklyn.

Joseph J. Lhota
Republican

11:45 a.m.
Marches in the 35th annual India Day Parade, which runs from 38th Street to 27th Street along Madison Avenue.

Christine C. Quinn
Democrat

8 a.m.
Attends services at St. Augustine Episcopal Church in East Flatbush, Brooklyn.

9 a.m.
Attends a ceremonial street renaming in honor of Yoseph Robinson, a Jamaican-born Orthodox Jew who was killed in August 2010 while protecting his girlfriend, hosted by Councilman Jumaane D. Williams at Nostrand Avenue and Avenue J in Brooklyn.

11 a.m.
Announces an agreement with the city’s health department to reduce restaurant fines by $10 million a year, at Blaue Gans restaurant on Duane Street.

12:30 p.m.
Marches in the 35th annual India Day Parade, which runs from 38th Street to 27th Street along Madison Avenue.

4:45 p.m.
Addresses the BAPS Shri Swaminarayan Mandir Women’s Convocation in Flushing, Queens.

Some of Ms. Quinn’s events may not be shown because the campaign declines to release her advance schedule for publication.

William C. Thompson Jr.
Democrat

11:30 a.m.
Addresses congregants at his first church service of the day, at Salem United Methodist Church in Harlem.

12:30 p.m.
Addresses congregants at the Heavenly Vision Christian Center in the Bronx.

2 p.m.
Attends International Family Day, hosted by Assemblyman Mark Gjonaj, at DeWitt Clinton High School in the Bedford Park section of the Bronx.

4:30 p.m.
Speaks before an audience that Christine C. Quinn and Bill de Blasio previously addressed, at the Memorial Baptist Church in Harlem.

5:15 p.m.
Addresses festivalgoers, along with Representative Charles B. Rangel, Hazel Dukes of the New York State N.A.A.C.P. Conference and members of the United Federation of Teachers, at Harlem Week on 135th Street. Mr. Rangel and the teachers’ union endorsed Mr. Thompson in June.

Anthony D. Weiner
Democrat

10 a.m.
Addresses congregants at Antioch Baptist Church in Harlem.

11 a.m.
Addresses congregants the Laconia Community Presbyterian Church in the Bronx.

11:30 a.m.
Addresses congregants at St. Luke’s Episcopal Church, which Bill de Blasio visited in July, on East 222nd Street in the Bronx.

Adolfo Carrión Jr.
Independent

3:30 p.m.
Attends International Family Day, hosted by Assemblyman Mark Gjonaj, at DeWitt Clinton High School in the Bedford Park section of the Bronx.



A Stylish Tavern’s Unlikely Origins, and Location

Rob Veksler, right, at the bar and restaurant he opened called Vekslers on a once-desolate block on the edge of Cobble Hill.Kirsten Luce for The New York Times Rob Veksler, right, at the bar and restaurant he opened called Vekslers on a once-desolate block on the edge of Cobble Hill.

Every so often, along this dismal, grimy strip in Cobble Hill, Brooklyn, you could make out a man â€" a tall, thin figure moving darkly behind the fogged-up, heirloom-tomato-brimmed windows of the storefront at the corner of Hicks and Degraw Streets.

The store, on a stretch of the Brooklyn-Queens Expressway that local residents call “the Ditch,” was called Brooklyn Farms. It advertised hydroponic growing supplies. The neighbors generally passed by without inquiring, keeping to themselves their modest curiosity about the proprietor, his wares, his product. Brooklyn Farms appeared in 2009 and a few months ago, as quietly as it operated, it disappeared.

“I would’ve been interested to poke my head in,” said Anna Skiba-Crafts, who could see the shop from her home on the opposite side of the expressway. “But it seemed like a lot of specialized things I wasn’t sure I’d use.”

Tessa Williams, an owner of a nearby store called the Brooklyn Collective, said, “I would’ve gone in, but it just looked like it was never open.”

Locals wondered if there was something perhaps a little “seedier” going on inside. Or maybe that guy, you know, knew a guy?

These days, it is clear that the place is open again and that it is on the up and up â€" and few locals seemed bashful about dropping in and asking questions.

The difference? The owner, Rob Veksler, has transformed his 1,100-square-foot hydroponics shop into a stylishly appointed bar and restaurant called Vekslers.

Gone is the industrial-grade growing equipment, making way for a bar and booths, with a menu featuring dishes like lightly grilled Atlantic squid in a chili and shrimp tapenade. Drinks include inventive $10 cocktails, draft wine and $6 beer-and-shot pairs.

The neighborhood is abuzz.

Somehow, the possibly seamy hydroponics store made a certain amount of sense on Hicks Street, a block known for its noise, its grit and the danger its speeding traffic poses to pedestrians. But a smart-looking tavern that stocks both Fernet Branca and Branca Menta and serves up boiled duck egg over garlic rice with thrice-cooked pork? On Hicks Street? On the porch of the B.Q.E.?

It is likely that Mr. Veksler may well have been surprised himself by that news not very long ago. In 2008, when he was looking for a location to open a hydroponics shop, Hicks Street was not his first choice.

“I was thinking of putting it on Union and Keap, right ‘on campus,’ but the zoning was wrong,” he said. He found the listing for the space on Hicks Street on Craigslist. Mr. Veksler, a 40-year-old Ukraine native who grew up in Maryland, had lived around the corner in the late 1990s and liked the idea of returning to the neighborhood.

He opened Brooklyn Farms and kept hours mostly by appointment, selling supplies â€" never seeds or plants, he is quick to note â€" to customers from across the city and Long Island. “I never asked them what they were doing or why they were doing it, and no one ever volunteered that information,” he said.

Mr. Veksler said that he sold equipment to local “moms” and “old Italian men,” and provided hydroponic growing systems for classrooms in Chinatown and on the Lower East Side.

He also served restaurants, furnishing Mario Batali’s Del Posto with systems to grow its own herbs. Wintertime diners at Del Posto can credit the restaurant’s two hydroponic troughs for providing the accents of lemon basil, minutina and the especially rare agretti to their dishes.

Mr. Veksler spent much of each day alone in the store, with most clients arriving just before he closed at 6 p.m. to relieve his nanny in Manhattan.

“Existentially, it began to be my man cave,’’ he said. “I missed interaction. And what better way than a bar? But I was attached to the space: I didn’t want to leave it.”

So he sold off his stock, remodeled the space, renewed his lease and hired Joseph Bayley, a winning contestant on the show “Chopped’’ who had previously cooked at the Manhattan tapas bar Boqueria, to work the kitchen.

“For me now, it’s still weird to see people in here,” Mr. Veksler said. “Now there’s all these people with their kids, and they need to be served, with their food at the proper temperature.” He trailed off, surveying the dining room. Everyone seemed content and comfortable. Mr. Veksler did, too.

As for what was really going on at Brooklyn Farms, Veksler is emphatic: “Honest to God, I’ve never grown marijuana in my life. But now, knowing what I know, I could be a master farmer.”

So why is there not a single plant inside Vekslers now? “I have a plant outside the door that my in-laws gave me,” he said. “I’m actually no good with houseplants.”



A Stylish Tavern’s Unlikely Origins, and Location

Rob Veksler, right, at the bar and restaurant he opened called Vekslers on a once-desolate block on the edge of Cobble Hill.Kirsten Luce for The New York Times Rob Veksler, right, at the bar and restaurant he opened called Vekslers on a once-desolate block on the edge of Cobble Hill.

Every so often, along this dismal, grimy strip in Cobble Hill, Brooklyn, you could make out a man â€" a tall, thin figure moving darkly behind the fogged-up, heirloom-tomato-brimmed windows of the storefront at the corner of Hicks and Degraw Streets.

The store, on a stretch of the Brooklyn-Queens Expressway that local residents call “the Ditch,” was called Brooklyn Farms. It advertised hydroponic growing supplies. The neighbors generally passed by without inquiring, keeping to themselves their modest curiosity about the proprietor, his wares, his product. Brooklyn Farms appeared in 2009 and a few months ago, as quietly as it operated, it disappeared.

“I would’ve been interested to poke my head in,” said Anna Skiba-Crafts, who could see the shop from her home on the opposite side of the expressway. “But it seemed like a lot of specialized things I wasn’t sure I’d use.”

Tessa Williams, an owner of a nearby store called the Brooklyn Collective, said, “I would’ve gone in, but it just looked like it was never open.”

Locals wondered if there was something perhaps a little “seedier” going on inside. Or maybe that guy, you know, knew a guy?

These days, it is clear that the place is open again and that it is on the up and up â€" and few locals seemed bashful about dropping in and asking questions.

The difference? The owner, Rob Veksler, has transformed his 1,100-square-foot hydroponics shop into a stylishly appointed bar and restaurant called Vekslers.

Gone is the industrial-grade growing equipment, making way for a bar and booths, with a menu featuring dishes like lightly grilled Atlantic squid in a chili and shrimp tapenade. Drinks include inventive $10 cocktails, draft wine and $6 beer-and-shot pairs.

The neighborhood is abuzz.

Somehow, the possibly seamy hydroponics store made a certain amount of sense on Hicks Street, a block known for its noise, its grit and the danger its speeding traffic poses to pedestrians. But a smart-looking tavern that stocks both Fernet Branca and Branca Menta and serves up boiled duck egg over garlic rice with thrice-cooked pork? On Hicks Street? On the porch of the B.Q.E.?

It is likely that Mr. Veksler may well have been surprised himself by that news not very long ago. In 2008, when he was looking for a location to open a hydroponics shop, Hicks Street was not his first choice.

“I was thinking of putting it on Union and Keap, right ‘on campus,’ but the zoning was wrong,” he said. He found the listing for the space on Hicks Street on Craigslist. Mr. Veksler, a 40-year-old Ukraine native who grew up in Maryland, had lived around the corner in the late 1990s and liked the idea of returning to the neighborhood.

He opened Brooklyn Farms and kept hours mostly by appointment, selling supplies â€" never seeds or plants, he is quick to note â€" to customers from across the city and Long Island. “I never asked them what they were doing or why they were doing it, and no one ever volunteered that information,” he said.

Mr. Veksler said that he sold equipment to local “moms” and “old Italian men,” and provided hydroponic growing systems for classrooms in Chinatown and on the Lower East Side.

He also served restaurants, furnishing Mario Batali’s Del Posto with systems to grow its own herbs. Wintertime diners at Del Posto can credit the restaurant’s two hydroponic troughs for providing the accents of lemon basil, minutina and the especially rare agretti to their dishes.

Mr. Veksler spent much of each day alone in the store, with most clients arriving just before he closed at 6 p.m. to relieve his nanny in Manhattan.

“Existentially, it began to be my man cave,’’ he said. “I missed interaction. And what better way than a bar? But I was attached to the space: I didn’t want to leave it.”

So he sold off his stock, remodeled the space, renewed his lease and hired Joseph Bayley, a winning contestant on the show “Chopped’’ who had previously cooked at the Manhattan tapas bar Boqueria, to work the kitchen.

“For me now, it’s still weird to see people in here,” Mr. Veksler said. “Now there’s all these people with their kids, and they need to be served, with their food at the proper temperature.” He trailed off, surveying the dining room. Everyone seemed content and comfortable. Mr. Veksler did, too.

As for what was really going on at Brooklyn Farms, Veksler is emphatic: “Honest to God, I’ve never grown marijuana in my life. But now, knowing what I know, I could be a master farmer.”

So why is there not a single plant inside Vekslers now? “I have a plant outside the door that my in-laws gave me,” he said. “I’m actually no good with houseplants.”