The oldest reference I could find to Elmore Leonard, the master crime novelist who died on Tuesday at 87, in The New York Times’s online archive was a “Western Roundup†column from May 6, 1956: it “just doesn’t jell,†Hoffman Birney wrote of Mr. Leonard’s novel “Escape From Five Shadows.â€
That judgment was not, obviously, an accurate harbinger. In 1969, Martin Levin called “The Moonshine War†a “near-perfect shotgun opera,†and said, “Mr. Leonard has a sense of place as keen as James M. Cain’s and a flair for timing to match.â€
By the time Ben Yagoda profiled Mr. Leonard in The New York Times Magazine in 1983, the author’s M.O. was firmly established. “A typical tale,†Mr. Yagoda wrote, “populated by lower-depths denizens pursuing treacherous (and occasionally unintelligible) scams, has a lot in common with Hamlet’s view of the earth. It could be described as ‘a foul and pestilent congregation of vapors.’ †Reviewing “Freaky Deaky†in 1988, Christopher Lehmann-Haupt wrote: “One takes his skill at plotting for granted by now,†and, “Some day Elmore Leonard’s novels are going to be cited in dictionaries of slang.â€
Twenty-two years later, Janet Maslin reviewed “Djibouti†and expressed the consensus about Mr. Leonard, calling him “America’s hippest, best-loved, most widely imitated crime writer†and a “national treasure.â€
In addition to his famous rules for writers, which appeared in The Times in 2001, Mr. Leonard also serialized a novella, “Comfort to the Enemy,†in The Times Magazine in 2005, and spoke to John Hodgman about the project on a podcast around the same time.
Below are links to more reviews of Mr. Leonard’s work in The Times:
“Raylanâ€
“Road Dogsâ€
“Up in Honey’s Roomâ€
“The Hot Kidâ€
“Mr. Paradiseâ€
“Tishomingo Bluesâ€
“Out of Sightâ€
“Be Coolâ€
“Get Shortyâ€