The oldest reference I could find to Elmore Leonard, the master crime novelist who died on Tuesday at 87, in The New York Timesâs online archive was a âWestern Roundupâ column from May 6, 1956: it âjust doesnât jell,â Hoffman Birney wrote of Mr. Leonardâs novel âEscape From Five Shadows.â
That judgment was not, obviously, an accurate harbinger. In 1969, Martin Levin called âThe Moonshine Warâ a ânear-perfect shotgun opera,â and said, âMr. Leonard has a sense of place as keen as James M. Cainâs and a flair for timing to match.â
By the time Ben Yagoda profiled Mr. Leonard in The New York Times Magazine in 1983, the authorâs M.O. was firmly established. âA typical tale,â Mr. Yagoda wrote, âpopulated by lower-depths denizens pursuing treacherous (and occasionally unintelligible) scams, has a lot in common with Hamletâs view of the earth. It could be described as âa foul and pestilent congregation of vapors.â â Reviewing âFreaky Deakyâ in 1988, Christopher Lehmann-Haupt wrote: âOne takes his skill at plotting for granted by now,â and, âSome day Elmore Leonardâs novels are going to be cited in dictionaries of slang.â
Twenty-two years later, Janet Maslin reviewed âDjiboutiâ and expressed the consensus about Mr. Leonard, calling him âAmericaâs hippest, best-loved, most widely imitated crime writerâ and a ânational treasure.â
In addition to his famous rules for writers, which appeared in The Times in 2001, Mr. Leonard also serialized a novella, âComfort to the Enemy,â in The Times Magazine in 2005, and spoke to John Hodgman about the project on a podcast around the same time.
Below are links to more reviews of Mr. Leonardâs work in The Times:
âRaylanâ
âRoad Dogsâ
âUp in Honeyâs Roomâ
âThe Hot Kidâ
âMr. Paradiseâ
âTishomingo Bluesâ
âOut of Sightâ
âBe Coolâ
âGet Shortyâ