This week, Larry Rohter, a culture reporter for The Times, talks to host Ben Ratliff about two potentially precedent-setting music-copyright cases in recent news, involving the bid to recapture rights by the authors of âMoney (Thatâs What I Want)â and âY.M.C.A.â They also discuss the matter of Robin Thicke vs. the heirs of Marvin Gaye over the rhythmic feel of âBlurred Linesâ vis-Ã -vis âGot To Give It Up.â
Will there be a new understanding of who should control and profit from the last century of pop music? And aside from how the law may become reshaped in favor of older songwriters, what does it mean for the creative process of newer songwriters in a time of a different kind of borrowing and adapting?
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Larry Rohter on the rights battles surrouding âMoney (Thatâs What I Want)â and âY.M.C.A.â