It takes almost 10 hours to watch the landmark Holocaust documentary âShoah.â If you have 24 hours to spare you can spend it with Christian Marclayâs movie-clip art film âThe Clock.â Now horror fans have their own chance for marathon movie-watching with the release of âCrystal Lake Memories,â a new 7-hour documentary about the highly successful âFriday the 13thâ franchise.
Named after the idyllic camp where randy teenagers met bloody fates, the documentary features interviews with some 150 cast and crew members from the dozen âFriday the 13thâ films and the syndicated television series that ran from 1987 to 1990. (The documentary was released this month, of course, on Friday the 13th.) The original âFriday the 13th,â directed by Sean Cunningham for about $550,000, was a surprise hit when it opened in 1980, grossing more than $39.7 million. The films collectively have become one of the most profitable movie franchises thanks in large part to its central villain, Jason Voorhees. Like the lead characterâs disguise in the Broadway musical âThe Phantom of the Opera,â Jasonâs hockey mask has entered the top tier of pop-culture iconography.
âJason is this iconic symbol of evil that has gone from generation to generation,â said Daniel Farrands, who wrote and directed âCrystal Lake Memories.â
And the killing might not be over. Corey Feldman, who narrates âCrystal Lake Memoriesâ (and who as a child appeared in âFriday the 13th: The Final Chapterâ in 1984), has expressed interest in developing and starring in a 13th film. Mr. Farrands is developing a TV series called âCrystal Lake Chronicles.â
But a seven-hour documentary? Mr. Farrands, 44, recently spoke with ArtsBeat about why he devoted so much time to the franchise, why Jason should never have gone to space, and how Hugh Jackman fits into it all. Following are excerpts from the conversation.
There are long movies, and then thereâs a seven-hour documentary about âFriday the 13th.â How did you get the idea for a long-form film?
I worked on another âFriday the 13thâ film called âHis Name Was Jason,â but I was limited to 90 minutes. The fans hated us because it was so short. After that, Thommy Hutson, my producing partner, and I made âNever Sleep Again,â a four-hour documentary about the âNightmare on Elm Streetâ films. It turned out to be a fan favorite. Then I was one of the financiers and editor of a coffee table book about âFriday the 13thâ that came out in 2005 called âCrystal Lake Memories.â Thereâs just this loyal fan base for the âFriday the 13thâ movies. They donât want the truncated bonus features you might get on a DVD.
The film is like 12 mini movies in one, with each chapter devoted to a different film. Each one tells its own story. You can watch it in a marathon, or piece by piece. Even if youâre not a âFridayâ fan, what we tried to do was tell the story of what itâs like to make low-budget movies in the trenches. Itâs like a film school, wrapped up in an documentary.
Why do you think the original âFriday the 13thâ became so popular in the first place?
You canât define the moment when something becomes a pop-culture phenomenon. But Sean Cunningham took what was becoming popular, because of âHalloween,â and upped the ante. He took the suspense, and the mysterious killer who canât be stopped, to the next level by putting the graphic kills in your face. That hadnât been done in a mainstream way. He convinced Paramount, a major studio, to release it in a big way.
Even people who donât like horror movies know who Jason is. Why do you think his image has become so well known?
Although heâs a boogeyman, Jason was a nerd who was abused and left behind. He suffered this horrible tragedy, and when he came back to life he couldnât stopped. Thereâs a wish fulfillment there for a lot of kids. By killing off the cool kids, he speaks to people who feel alienated. Not that you wish people dead, but itâs a way for some people to live out their strangest fantasies. Heâs an antihero. I think heâs transcended horror movies. He made his way into comics. He won an MTV lifetime achivement award. He was on Arsenio Hallâs show and âThe Simpsons.â Hugh Jackson said he wanted to play Jason, and thatâs why he became an actor.
When the first film came out, it was controversial because of its graphic depiction of violence, especially against women. But that outrage barely registers today.
In the early days the filmmakers were accused of being misogynist. But I think the movies actually empower women. The films have a lot of female fans. The actresses who have played the surviving characters, who use their intelligence to beat Jason, have an amazing female fan base. They are the ones that are outsiders who donât fit in, but they are the one who have to survive. I think thatâs a metaphor for so many struggles facing adolescents, including women.
There are several famous people who appeared in âFriday the 13thâ films before they made it big: Kevin Bacon, Crispin Glover, Kelly Rowland. But theyâre not in your film. Did you have a hard time getting celebrities who were in the films to agree to participate?
Everybody who was a part of the movies was contacted. Kevin Bacon is a huge star. Whether or not he chooses to speak about it is up to him. The answer was no, not because he didnât want to talk about it, but because he was working. There are people who might not want to relive it, or they have just moved on.
Do you have a favorite âFriday the 13thâ film?
The first four really spoke to me when I was growing up. As it went on, it got campier, more ridiculous, with Jason in space and going to hell.
Which one do you like the least?
That would have to be âJason X,â where he goes to space. Itâs the final frontier, where franchises go to die.