Reviews of shows from the New York International Fringe Festival will appear on ArtsBeat through the festivalâs close on Aug. 25. For more information, go to fringenyc.org.
Kurt Vonnegutâs âSlaughterhouse-Fiveâ may be too well known and too beloved for a stage adaptation of it to be judged on its own merits. At the opening performance of True False Theaterâs version, the packed house was greeting scenes with the kind of laughter that signifies recognition of a friend rather than response to a joke.
Daria Tavanaâs play leaves a lot of the novelâs threads (including pivotal ones) dangling, rather than completing the story lines, but the audience didnât seem to care. It was enough to hear the sci-fi sound effect signifying that Billy Pilgrim (Jamie Effros), Vonnegutâs World War II soldier, was time traveling again, or to revel in the response of the people of Tralfamadore, the planet where Billy is beamed to learn a version of the meaning of life.
The play is cleverly staged and decently acted, with most of the novelâs significant characters represented if not fully realized. Anni Weisband is Montana Wildhack, the pornographic movie star who becomes Billyâs mate on Tralfamadore, and Rachel Berger is Valencia, his earthly wife.
The novel may be at heart an exploration of what would today be called post-traumatic stress syndrome, and this excerpted version hints at that, but it doesnât have any of the power of Vonnegutâs book, seeming instead like merely a homage to it.
âSlaughterhouse-Fiveâ continues through Aug. 20 at the Celebration of Whimsy, 21 Clinton Street, Lower East Side.