Less than a year after the Gagosian Gallery gave Damien Hirst all 11 of its spaces around the world to show his spot paintings, word comes that the bad-boy British artist will no longer be represented by Gagosian, where he has shown on and off for 17 years.
“We wish him continued success for the future,'' a statement issued by the gallery, confirming his sudden departure, said.
On Thursday, Science Ltd., Mr. Hirst's company, told the Financial Times that the gallery owner “Larry Gagosian and Damien have reached an amicable decision to part company,†adding that the artist would continue his relationship with the White Cube Gallery in London. But the question remains whether Mr. Hirst will look for another gallery to show his work in New York, where he has a large number of big collectors.
Mr. Hirst has never be en known for being monogamous, at least not when it comes to gallery representation. White Cube in London has also handled his work for years. In 2008 he snubbed both galleries, when Sotheby's in London sold 223 of his new artworks. The sale, which was held just as the financial markets were heading for disaster, included dead animals â€" sharks, zebras, piglets and even a calf â€" floating in giant glass tanks of formaldehyde; cabinets filled with diamonds; and cigarette butts. And paintings â€" spin paintings, dot paintings, paintings with butterflies pinned under glass. More than 21,000 visitors flocked to Sotheby's on New Bond Street to see the work before the sale, which brought $200.7 million.
Ever the showman, he caused a sensation in 2007 at White Cube's gallery in Mayfair when he showed a human skull cast in platinum and covered with 8,601 diamonds. At the time the gallery said the art work cost $23.5 million to make. During the five weeks that summer when it was on display in a small, blackened room at White Cube's Mason's Yard Space, crowds lined up with free timed tickets in hand to ogle the piece. A nearby shop was doing a brisk business selling skull T-shirts and other Hirstian memorabilia. The skull was reportedly bought by a consortium of investors that included the artist himself. (It isn't the first time he has invested in his own work. Mr. Hirst and Jay Jopling, the owner of White Cube, bought about 12 works from Charles Saatchi, former advertising magnate, in 2003 for around $15 million.)
Over the years Mr. Hirst has amassed a large fortune. The Sunday Times of London has called him the world's richest artist, with a fortune estimated at about $346 million.
He is not the only artist to stray from Gagosian. Last week while the contemporary art world converged on Miami Beach for the giant art fair there, David Zwirner, the Chel sea dealer, confirmed that in May he is planning to do a show of new paintings and sculptures by Jeff Koons, another superstar artist represented by Mr. Gagosian. Like Mr. Hirst, Mr. Koons has never shown any gallery loyalty. For decades he has also exhibited his work at the Sonnabend Gallery in Chelsea. Last week Rebecca Sternthal, a director of Gagosian who works with Mr. Koons said that Gagosian “still represents Jeff Koons. He works closely with us and with Sonnabend. In the past he has had shows in different galleries but we are still actively working with him and with his studio.''
Â
